OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

'The Dreaming Room - Special Edition' OUT NOW
iTunes: http://smarturl.it/TDR_iTunes 
Spotify: http://smarturl.it/TDRSpecial_Spotify
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OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

P O R T R A I T S, my new album out now 💜
Listen now: https://birdy.lnk.to/Portraits

No one could have imagined at that time what to expect - like Xavier de Maistre himself, when he decided to change the face of the harp 16 years ago. Today he plays pieces like "Moldau" by Smetana in breathtaking precision and presents masterful pieces of music that are usually played by an entire orchestra.

Meanwhile, a worldwide audience listens to his virtuosity and enjoys the unprecedented sounds. Pieces, that no harpist played before, or even thought about - like the Haydn piano concertos. Not only that makes him one of the most extraordinary musicians, even masters of this time.

Xavier de Maistre began to study harp with 9 years. Like many other famous musicians, all started with love - but in this case not as expected the love to his harp. It was rather the love for his former teacher, who offered extra harp lessons. Early, it turned out that Xavier has a great talent and no wonder he started with 25 years to play for the Vienna Philharmonic. Before that he played 3 years for the Bavarian Radio Symphony Orchestra and in 1998 Xavier won the first prize of the "USA International Harp Competition“, the major harp competitions in the world. But since Xavier´s family is not from a traditional harp-playing dynasty they put great importance to a solid education. So Xavier started his study of politics at the „Institut des Sciences Politiques“ in Paris and spent 1 year in London at the „London School of Economics ", when he finally decided to prefer music to the political studies. For a musician, he achieved very early what all harpists dream of – a position in one of the best orchestras in the world, the Vienna Philharmonic.

However Xavier de Maistre was about to go on. To see this point as the highlight of the career, which would definitely be a great honor for most of the harpists, and aslo for Xavier, but it was also a kind of sad moment. He achieved the ultimate goal of a harpist at age 25. Through his countless appearances and his keen ambition he has always wants to refute the long-existing bias of the harp - played in the background by angel-like women. Thanks to his his quick anticipation, intelligence and tremendous skill, he has played many pieces as a soloist with the harp and delighted thousands of listeners. Finally, he succeeds to establish the harp as an independent instrument. During his career, many great conductors such as Riccardo Muti, Sir Simon Rattle, Sir Andre Previn, and Daniele Gatti became curious on him and his passion and asked him to play with them. A long series of concerts follows, convincing the audience that Xavier de Maistre is undoubtedly the master of his instrument. Not for nothing, beside famous conductors, also the most successful singers like Barbara Bonney, Kathleen Battle and Diana Damrau played with him. Likewise, of course, the long list of world-renowned opera houses which he had already visited: Theatre des Champs Elysees Paris, Concertgebouw Amsterdam, Musikverein Vienna, Tokyo Opera City, Lincoln Center New York, Salzburg Festival, La Scala Milan and many others.

No wonder, Xavier´s enthusiasm and his gift to play will not put an end to this success story. Awarded with the Echo Klassik Award 2009 for his album "Nuit d'Etoiles" as "Instrumentalist of the Year" (Sony Music) he reaps the fruits of his labor.

For more than 9 years Xavier de Maistre is working as a professor at the Musikhochschule Hamburg and now also teaches at the Julliard School in New York, at the Toho University in Tokyo and in London at Trinity College. After 11 years with the Vienna Philharmonic Xavier leaves his position in order to devote himself to his international solo career - a step that no harpist has done before.

Roxey Mackay is following