** Now making music under the name Boy Runaway **
Journey folk from the Cloudlands

If you're looking for my composition work go here: https://soundcloud.com/brunomerzcomposer

https://akirakosemura.com/
Akira Kosemura (he/him) is a composer and pianist hailing from Tokyo, Japan. He is a prolific artist, constantly releasing solo albums and composing music for films, TV drama, games, stage, and commercial music.

Akira founded his own label Schole Records early on after his solo album It’s on Everything released in 2007 while he was still in school. In 2017 and 2018 Akira’s music was ranked in Spotify’s “Most Played Japanese Artists/Songs Top 10”, and his works have been highly acclaimed on media around the world, including US music media Pitchfork, Australian newspaper THE AGE, French public broadcast FIP, and Canadian public broadcast Ici Musique.

Akira’s major score works include Fragments of The Last Will by Takahisa Zeze, the Cannes 2020 featured film True Mothers (Asa Ga Kuru) directed by Naomi Kawase, Hollywood produced drama series Love Is__, the Nintendo Switch game Jack Jeanne produced by Sui Ishida, the TBS drama series Chugakusei Nikki, the contemporary ballet piece MANON, and the Japan Pavilion in Milano EXPO. His music pieces were also featured in the Amazon original movie Jonas Brothers’ CHASING HAPPINESS, the Venice Film Festival Golden Lion awarded director Audrey Diwan’s debut film Mais vous etes fous (Losing It), and the Toho movie Omoi, Omoware, Furi, Furare.

In recent years, he has worked on projects in different media such as SK-II STUDIO’s documentary The Center Lane (featuring Rikako Ikee), directed by Hirokazu Koreeda, the runway music for a collection from apparel brand TAKAHIROMIYASHITA The Soloist., as well as music for LA MER BLUE HEART, LAND ROVER, and L’OCCITANE. Akira has also co-produced a song with American musician Devendra Banhart.

In addition to his versatility and diverse portfolio, Akira has been working on a world scale. In 2022 he signed a contract with prestigious Decca Records, and the EP Pause (almost equal to) Play was released worldwide. Akira’s music was also sampled in John Legend’s song “The Other Ones feat. Rhapsody” included in his new album Legend Act I & II. And Akira’s first major album SEASONS was released on Decca Records (UMG) on June 30, 2023.

Submit music for repost, we review everything: http://bit.ly/2TaPWI0 also use Submithub : http://bit.ly/1OkMLGu
Backup link https://forms.id/f/roughplates.id.blockstack/eb7ab0e5d4

Official SoundCloud account for Blue Note Records
www.bluenote.com

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Roxy Thomas 1 is following