

Just reposting nice tracks for every mood !

Check out the likes, too !

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

A full service record label and digital distribution company

𝐓𝐇𝐄 𝐁𝐈𝐆𝐆𝐄𝐒𝐓 𝐈𝐓𝐀𝐋𝐈𝐀𝐍 𝐓𝐄𝐂𝐇𝐍𝐎/𝐈𝐍𝐃𝐔𝐒𝐓𝐑𝐈𝐀𝐋 𝐋𝐀𝐁𝐄𝐋 & 𝐂𝐎𝐌𝐌𝐔𝐍𝐈𝐓𝐘 𝐒𝐈𝐍𝐂𝐄 𝟐𝟎𝟏𝟓

+ 𝟐𝟕𝟎 𝐄𝐏'𝐒
+ 𝟐𝟕𝟎 𝐒𝐈𝐍𝐆𝐋𝐄 𝐓𝐑𝐀𝐂𝐊𝐒
+ 𝟐𝟎𝟎 𝐏𝐎𝐃𝐂𝐀𝐒𝐓𝐒
+ 𝟐𝟎𝟎 𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄𝐒

𝐎𝐕𝐄𝐑 𝟏.𝟗𝐊 𝐔𝐏𝐋𝐎𝐀𝐃𝐒!

𝐁𝐚𝐬𝐞𝐝 𝐢𝐧 𝐓𝐫𝐢𝐞𝐬𝐭𝐞, 𝐍𝐨𝐫𝐭𝐡-𝐄𝐬𝐭 𝐈𝐭𝐚𝐥𝐲.

𝐏𝐫𝐨𝐦𝐨, 𝐏𝐫𝐞𝐦𝐢𝐞𝐫𝐞 𝐒𝐮𝐛𝐦𝐢𝐬𝐬𝐢𝐨𝐧, 𝐒𝐞𝐫𝐯𝐢𝐜𝐞𝐬 𝐫𝐞𝐪𝐮𝐞𝐬𝐭 & 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐒𝐭𝐮𝐝𝐢𝐨 𝐈𝐧𝐪𝐮𝐢𝐫𝐞𝐬: insaneindustrymusic@gmail.com

𝐈𝐧𝐟𝐨, 𝐂𝐨𝐥𝐥𝐚𝐛𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐈𝐧𝐪𝐮𝐢𝐫𝐞𝐬 & 𝐃𝐞𝐦𝐨𝐬: 
insaneindustry@yahoo.it

𝐌𝐞𝐫𝐜𝐡𝐚𝐧𝐝𝐢𝐬𝐞:
https://insaneindustrymusic.com/

Dj/Producer : Hardcore & Terror / Techno & Dark Techno 
BOOKING : korzatex@hotmail.com

Biographie
Im Jahr 2007 begann der Remscheider die Elektronische Musik für sich zu entdecken.
Nach einige privaten Versuchen im engsten Freundeskreis, begann er unter seinen damaligen Künstlernamen "Simple Tronic", seine ersten House und Minimal Sets aufzunehmen. 2009 machte er durch verschiedene Social Media Netzwerke (Faceboock ect.) auf sich aufmerksam. 
Seine Feuertaufe absolvierte er unter der kritischsten Crowd in Düsseldorf und zwar im legendären "RHEINGOLD" diese Erfahrung prägte seinen weiteren Werdegang.
2011 wurde er Resident der Partyreihe "Electronic Beats" wo er einen immer mehr bedeutenden Feinschliff in Sachen Auflegen bekam.
Nach einer 3 Jährigen Pause, startet der heute 30 Jährige unter den Namen "DNIZ" in einer bis dato unbekannten Genre für Ihn, dem treibenden düsteren Darktechno, frei nach dem Motto "Marschiert gut,alles gut". Er bekam im  August 2019 die Chance auf dem TalTakt Open Air, sein können mit neuem Style unter Beweis zu stellen. Das brachte ihm einen Platz bei der Eventreihe TalTakt ein, wo er bis April 2020 seinen Style an die Massen weitergab. Seit Mitte April 2020 ist er  festes Mitglied bei BassMeetsElectro sowie bei Spontan Techno, wo er seinen Style mitlerweile als fester Resident Dj treibend nach vorne präsentiert. 
Sein Talent spricht für sich und seine Fans wissen genau, wie er die Menge zum ausrasten bekommt. Sein Style ist düster, treibend und strange nach vorne.

MY style is heavily influenced from East Germany  HARdTEkk + Tekk  + OLDShOOL SCHRANZE Style!!
-Wormi is only self Produce his Music
-Practice dj-ing since 2002
-Practice music since I was 7 or 8 jears old
-HANSON & Schrempf influenced (pipe Schranz, hakke, Hard Style, etc.)
-tekkno and all what is bumpy and scratchy
-most inspiered me (westbam, Marco Remus, daft punk, Hanson & Schrempf etc.)
-in ten years i have practice the most tekk styles from D & B till
hakke over booty and Schranz so im flexible
musts like hard and dirty not too fast
-Music Is my weapon .... !!!
-So view at

+++ https: //soundcloud.com/turni83++++

****LETS ROCK*****

TAIJI 

https://youtube.com/user/stylistenin
https://taiji.base.shop
http://twitter.com/taiji_tsk
http://facebook.com/taiji.tsk
http://www.mixcloud.com/taiji/
http://www.revolver-dj.com

'98 TEENS DJ CHAMPIONSHIPS CHAMPION

'98 DMC JAPAN FINAL 5th PLACE (KANSAI BLOCK 2nd PLACE)

'99 OFFICE GM DJ BATTLE CHAMPION

'99 DMC JAPAN FINAL 3rd PLACE 

'99 B-BOY PARK DJ BATTLE CHAMPION

'00 DMC JAPAN FINALIST (KANSAI BLOCK CHAMPION)

'00 VESTAX EXTRAVAGANZA TEAM CATEGORY CHAMPION

'01 OSAKA ROCK THE HOUSE DJ BATTLE CHAMPION

'01 DMC JAPAN FINAL 3rd PLACE (KANSAI BLOCK CHAMPION)

'02 VESTAX EXTRAVAGANZA ASIA CHAMPION&WORLD 2nd PLACE

'04 DMC JAPAN CHAMPION (KANSAI BLOCK CHAMPION)


TAIJI began DJing in 1995. In 2002, he was a representative of Asia at the World DJ Championships in London, where he claimed 2nd prize. In 2004, he won the DMC Japan final and achieved impressive results at a variety of conventions, proving he's one of the best turntablists in Japan. His ability to exercise precision control in beat juggling, well- developed musicality and sense of originality are renowned not only in Japan, but around the world. The exacting musicianship of his PLAY, which fully exploits the techniques cultivated in the competitive world of DJing, has its roots in HIP HOP. It involves flexibility in play style with respect to song selection, guided solely by a freedom of thought with mysterious origins and full of originality, TAIJI's take on GOOD MUSIC developed over his long career and his world view that changes in terms of time, genre and border are unrelated. He is also a member of the stylish turntablism group T-SKRABBLE DJs, which hail from Kansai. This group focuses primarily on studio productions and turntable performances, which incorporate a certain degree of aggression as a primary element.

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