Upcoming Major Gigs/Tours: 
None

Robot Bomb Shelter, a controllerist, is taking "live electronic dance music" to a whole new level by creating his own music on-the-fly.  He blends together several types of dance music, including Techno & Industrial/EBM to create a truly unique, crowd and mood-driven performance.

Signed to:
Friends with Benefits Records (US)
Golden Age Records (US)
Blue Pie Records (Australia)

Previous Major Gigs/Tours: 
May 2013 - Chicago, Montreal (One Man Band Festival) and Boston
12/11/2011 - Project Nunway presents Robot Bomb Shelter LIVE (San Francisco, CA)
September 2011 - RBS Japan Tour (Tokyo, Osaka, Kobe)
May 6 & 7, 2011 - UP F.A.M.A. (Guatemala City, Guatemala), 2 shows
May 13, 2011 - Bottom Lounge, Chicago, IL
May 14, 2011 - Kinetic Playground, Chicago, IL
June 2010 (Spain)
September 2010 (Japan - Osaka and Kobe)
September 2010 (Folsom Street Fair, opened for Nitzer Ebb)
March 2011 - Canadian Music Fest (Toronto, Ontario, Canada)

'Robot Bomb Shelter is changing the dance floor experience with his innovative, fresh, and extremely infectious brand of techno.' - the Toronto Examiner

Since 2006, controllerist Jake Brower has been crafting live improvised sets from disparate elements - electro, techno and industrial/EBM.  His sets redefine electronic music, and his beats inspire harmony in the wilderness of the hearts of fans around the globe.

Robot Bomb Shelter releases are available on Beatport, iTunes, Rhapsody, eMusic, Amazon & many more.

PROFESSIONAL RELEASES
EP - Beyond the Shadow: 4/8/2014
EP - The 9th Machine: 10/21/2013
EP - Gays Hate Techno Compilation: 6/18/2013
EP - Osculate: 2/12/2013
LP - Staring at Screens: 8/1/10
EP - Robot Picnic: 6/1/09
Single - Synthetic Famine: 10/4/09
Single - Get Out by ejector (Robot Bomb Shelter Mix: 3/1/09

Marc Yeats is a British composer, abstract landscape painter, writer, poet, and artistic practice researcher. His work as a painter and composer is closely linked to techniques developed over many years, with compositions influencing new approaches to painting and techniques in painting influencing musical development. Although interested in surfaces represented in sound, colour, form, and texture, his work is further influenced by a fascination with layering, geology, erosion, landscapes, and place-specific resonance and its manifestation and embodiment in his work. Understanding, strengthening, and researching this self-referential relationship remains a life-long challenge and passion and sits at the heart of Marc’s work.

Yeats’s creative output is diverse, spanning music, painting, and literature. His recent Collected Poems Volume 1 (2005-2024) and Timecode-Supported Polytemporal Music: What It Is and How to Write It (November 2025), published by Vision Edition, are a testament to his versatility. As a researcher, his book Music, Painting, Landscape, and Me (April 2024, Vision Edition) delves into the deep interconnection between his roles as composer and painter, examining media, landscape, philosophy, neurology, perception, interpretation, walking and embodiment.

The John Davies Gallery in Moreton-in-Marsh represents his paintings, while his music is published by Composers Edition and available through Alexander Street Press libraries. His compositions have been performed by leading orchestras, ensembles, and soloists worldwide, including by the BBC Philharmonic with I See Blue (1995) and PAGAN II (1997), and most recently the unimportance of events (2021) for 22 players with the BBC Scottish Symphony Orchestra. At Tectonics Glasgow 2024, this time with the full orchestra, his spatialised polytemporal orchestral work ‘a point in the landscape’ was also featured and broadcast on BBC Radio 3.

Other commissions include the round and square art of memory (1999), a piano concerto for the BBC Philharmonic; My Blood is as Red as Yours (2008) for the Hallé Orchestra to mark World Aids Day; the choral piece sturzstrom (2012) for the Cultural Olympiad; and Forget-Me-Not (2016), a vocal installation on dementia commissioned by Yeovil District and Dorchester County Hospitals. His chamber and ensemble works are numerous and widely recognised.

Dr. Yeats has significantly advanced the study of polytemporal composition, presenting his research at institutions such as the University of Manchester, the University of Leeds, and the City University of New York. His AHRC-funded PhD research at the University of Leeds (2017-2021) focused on developing timecode-supported polytemporal composition methods, pushing the boundaries of how complex, unsynchronised musical structures can be performed without a conductor or unified pulse. His compositional method involves fully notated lines of material operating in different tempi, synchronised via mobile phone stopwatches and part-embedded timecodes. This technique enables performers to follow their temporal paths while maintaining structural coherence.

Marc’s innovative approach explores the balance between composer control and performer flexibility, yielding unpredictable yet recognisable results with each performance. His conductor-less, scoreless method allows musicians to interpret their tempi, using timecodes to navigate the music’s complex polytemporal structure. This pioneering method opens new possibilities for writing and performing multi-tempi orchestral music, enabling complex sonic relationships by managing indeterminacy.

The voice on the renowned 1989 track “Reach Out”, which has been sampled by many, including Black Eyed Peas (Boom Boom Pow)
The female singer with Happy Mondays. 
Rowetta has been appearing at selected dates with Peter Hook & The Light (Joy Division/ New Order) as part of his Unknown Pleasures and Closer tours and on E.P. 1102 / 2011
Rowetta's latest collaborations:
'It's All About House Music' - Alex Gray & Rowetta on Cr2 Records
'Is It All Over My Face' - Mirror People feat Rowetta

Passion, innate talent and ability for the music, all together with joy and dedication, are the best adjetives to describe Juanma Escudero as a DJ and Producer. 

His music boosted him up to multiple worldwide events and parties like Replay (Viena), Cox (Milan, Pisa), Le 6 (Niza), Construction (Lisbon), RED (Boloña),  HERO (Rome), Gibus (Paris), The Black Room (Barcelona),  Amen (Madrid), Kluster (Madrid), LOL (Madrid) and Pervert (Barcelona), among many others.

He was also chosen as the Main Floor DJ for 2017th Folsom´s closing Party: REAL BAD XXIX edition in San Francisco, California.

Let yourself go and simply enjoy his energetic and powerful sounds.

Info & Contact: juanma.escuderodj@gmail.com

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Pasión, talento innato y un rico conocimiento musical, asimismo como alegría, dedicación y vocación, son algunos calificativos para describir a Juanma Escudero como DJ y productor.

Su incofundible y único estilo lo ha llevado a formar parte del cartel de múltiples eventos y fiestas mundiales como Replay (Viena), Cox (Milán, Pisa), Le 6 (Niza), Construcción (Lisboa), RED (Boloña), HERO (Roma), Gibus (París), The Black Room (Barcelona), Amen (Madrid), Kluster (Madrid), LOL (Madrid) y Pervert (Barcelona), entre muchos otros.

Fue elegido, también, como el "Main Floor DJ" para la fiesta de cierre del Folsom  de San Francisco (California) 2017: "REAL BAD XXIX Edition".

Simplemente déjate llevar y disfruta de sus poderosos y energéticos sonidos.

Info & Contacto: juanma.escuderodj@gmail.com

Robert Bruce 3 is following