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<a href="spotify:artist:0W8ZVf53GqJkTOPRWQaaBq">Chloé</a>'s favourite tracks. Updated regularly. Curated by Chloé. More track IDs <a href="spotify:genre:track_id">here</a>.

Chloé's track IDs

K-Tracks: Night Tunes 1

rRoxymore

cello, sir radioot!/ sweetest program, allwayZ.have a great week, radioot! tc. thanks so much.

jâppa

How to Tell a Joke

Always tell the truth. 
Start before the beginning. Infinite context. 
Contort your face. You're the clown. 
In the middle, 
walk them through your mind. 
walk them through your mind. 
walk them through your mind. 
walk them through your mind.
They'll find out you didn't lie.
Always lie. 
They know it's true, but you didn't really mean it. 
Confront them. They're the clown. 
End on a punchline. Deck them right in the jaw. 
It was just a joke. Make them think about it. 

- Phi Hoang

How to Tell a Joke

Anthy / Serpentine

Rise (Bonus)

Perpetual Now

Sun in C

Volcano

Helix

Gall Tones

Sumiya

First, I Heard Colors

The Tiger

Grooveboxxx

The Temple

Put Your Face Away

Remixes from The End of The World

The Gallery (Chloé Remix) [feat. Whalesharkattacks]

Mespo Dance

Flex004

Sulky Slug

Ophélie - Sulky Slug

As part of Pollination's second 'Open Culture: No Borders' volume, Yorkshire-born, London-based Kitsta delivers the track 'Tendrilla' as part of the 40-track compilation. The slow-paced but heavy weight cut takes you on a hypnotic, mind-melting realm while at the same time it caters dancefloors all over.

Open Culture: No Borders is a campaign demonstrating solidarity with refugees and asylum seekers, as an ongoing response to the UK government’s ‘Hostile Environment Policy’. The policy has involved a slew of regressive legislations, intended to create a deliberately challenging environment for migrants to settle. In the process, we are seeing cruel approaches to the treatment of refugees and asylum seekers, the use of provocative language intended to create division and the adaption of laws which offer protection of human rights for all.

Proceeds go to Safe Passage International, who support unaccompanied children seeking asylum to reunite safely with their families across Europe, and campaign for more accessible, safer routes.

Read more
Safe Passage - www.safepassage.org.uk
Campaign webpage - www.pollination.uk/projects/open-culture-no-borders  

Kitsta
@kitsta_dj
www.instagram.com/kitsta___/

Pollination
@pollination-uk
www.instagram.com/pollination.uk/

Open Culture: No Borders, Vol. 2

Tendrilla

Premiere: Kitsta - Tendrilla | Pollination

Buy : gridrecords.bandcamp.com/album/sans-rel-che
Stream : li.sten.to/vcjyvgex

To celebrate Grid 2nd anniversary, we gathered together thirteen earth-shattering tracks from the bass scene’s most promising creators, all aimed to move you in the most primordial way. Evoking images of vast landscapes and deep underground catacombs.

This compilation takes the listener deep into the earth with twisted percussion workouts from the likes of Jabes, Piezo, Ronan and Sister Zo… and back into the light with serene compositions from E-unity, Tammo Hesselink and A Psychic Yes, whilst Jay Duncan, Basile3 y Clara!, Jonny From Space, Flaty, Seekersinternational, and blu-e join the dots with their genre-defying creations.

As was the case with Grid’s previous compilations 'Improvisations' and 'Da Capo Al Coda', the label once again puts its stamp on a moment in the underground by collecting together productions of the highest quality that push the boundaries but undeniably make you want to move.

1. Tammo Hesselink - Paint Reduce Trick
2. Ronan - Shadowbox
3. E-Unity - Of all the places I could be
4. Basile3 y Clara! - Respira
5. Jay Duncan - Frog Work
6. Jabes - Gaol Figure
7. Seekersinternational - Guide Dem Selecta
8. blu-e - Taken A Turn
9. Jonny From Space - Never The Right Time
10. Sister Zo - EMP
11. Piezo - 4e4u
12. A Psychic Yes - Moz Loves Frogs
13. Flaty - Crossmath

Mastered by Krikor Kouchian
Artwork by Unité Services

Supported by : Akanbi, Anaco, Animistic Beliefs, Aquarian, Aroent, Atrice, Ayesha, Batu, Bill Kouligas, Blank Patrick, Blume, Borusiade, Celestian, Ciel, Cleyra, Danielle, De Grandi, Deena Abdelwahed, Deft, DJ Voices, Doctor Jeep, Ed Davenport, Eric Cloutier, Flore, Formally Unknown, Forest Drive West, Giant Swan, Giulia Tess, Gramrcy, Henry Greenleaf, Huerco S., Glances, Jay Carder, Joanna OJ, Jurango, k means, Kaval, Kouslin, Hassan Abou Alam, Laced, Laksa, Lee Gamble, mad miran, Madam X, Mia Koden, Mumdance, Nazira, Neinzer, Nick Craddock, Oceanic, Ojoo Gyal, Om Unit, Oxyd, Pearson Sound, Ramzi, Realitycheck, Rhyw, Romy Mats, rRoxymore, SHE Spells Doom, Shifted, Slam, SSSLIP, Sofay, Solid Blake, Soso Tharpa, Steve Barker, Syz, Tia Cousins, Unknown Mobile, Valesuchi, Will Hofbauer, Wordcolour, Yilan, Zenker Brothers and more.

Sister Zo - EMP

Rinse FM Podcast

rRoxymore with Indigo Plateaux - 07 October 2023

All proceeds go to https://pcrf1.app.neoncrm.com/forms/gaza-relief

Thank you Outsider for the mastering

Acidfinky - 333

a night with the piano & me after listening to some genius Nils Frahm ...
full album available NOW - https://open.spotify.com/intl-de/album/2aUfcdFYn4GUmWWeKn3xxj or https://linktr.ee/martinroth

An Analog Guy in a Digital World

An Analog Guy In A Digital World

rRoxymore with special guest KILLA  - 02 December 2023

In the fabric of New York's club scene, Kristin Malossi – @latenitesbookclub – is a crucial thread. As DJ Voices, her sets favour "energy and drama over genre". As one of the bookers at underground institution Nowadays, she champions artists who imbue their selections with authenticity and adventure. Alongside her 90-minute Recognise mix, she tells Eoin Murray how a devotion to community and integrity informs everything she does

Interview & tracklist: https://djmag.com/features/recognise-dj-voices-interview-nowadays-new-york

Tracklist & interview

Recognise: DJ Voices

Between The Buttons

rRoxymore - 03 February 2024

MASCHINELL NETLABEL 002   

HEIKO NAUT - KNISTER KANISTER

FREE DOWNLOAD

MASCHINELL NET 002   HEIKO NAUT - KNISTER KANISTER  [FREE DL]

Suzanne Ciani
Buchla Concerts 1975
FKR082LP
Finders Keepers Records

Finders Keepers invite you to witness the incredible first ever Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking.

This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance.

In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith.

These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then.

Suzanne Ciani - Buchla Concerts 1975 (Excerpts)

Aquemini

ATLiens

Fela Kuti - Trouble Sleep Yanga Wake AM (1972)

2nd track on 'Intact' (Jj funhouse, 2016)
http://www.jjfunhouse.com/catalogue/jj010

Data

En la selva amazónica, “ICARO” es el nombre con el que se denomina al canto o melodía que utilizan los chamanes durante la realización de sus trabajos y rituales.
Ese canto resume el conocimiento del chamán, ya que constituye su patrimonio curativo, su arma de trabajo y la herencia que deja a sus discípulos. Es fundamentalmente, el vehiculo de su energía.

<a href='https://theartistunion.com/tracks/76e31f'>Download for free on The Artist Union</a>

Download

Klik & Frik - Icaro (feat. Claudia Stern)

Blue

Blue Dub

https://soundcloud.com/subconscience

Mastering by Robert Hundt @ Anti-Logic Studio
Artwork by Benjamin Samson

Techno Again

The Sacrificial Code

Kali Malone - Litanic Cloth Wrung (from "The Sacrificial Code" iDEAL 2xLP/3xCD)

Zdenka Kovačiček

Kobra

Bookings and inquiries : Carin@outer-agency.com

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