ALLUde_June 2021

Sui Zhen – Dekopon Dance

DFS011 
CFCF - Prisma 

Purchase: https://itunes.apple.com/us/album/driftless-ambient-i-single/id916315511

from the forthcoming Driftless Recordings compilation, "Driftless Ambient 1"

www.driftlessrecordings.com

Photo by Paley Fairman

Driftless Ambient 1:  CFCF- Prisma

"The Continuing Story of Counterpoint, Part Nine" by David Borden from "Music for Amplified Keyboard Instruments" originally released on Red Records, 1981. Forthcoming Spectrum Spools reissue due out early Spring 2015.

"The Continuing Story of Counterpoint, Part Nine"

Terror & Healing is a string of mind adventures, ten miniatures of possibilities, a bunch of invisible cities and imaginary beings. It’s a contribution to the exploring and unmapping of reality through imaginative research, making the ears like the fingers of the blind, piecing the multitude back into music.

Terror & Healing is Tsembla’s fourth release after the 2013 LP Nouskaa henget (New Images), Fauna (Ikuisuus, 2011) and Tuplafiesta 7” (Vauva, 2009). Tsembla, aka Marja Johansson, is a Swedish-Finnish artist operating out of Turku, Finland. She’s an active worker in the musical activities of her hometown and a member of the Kemialliset Ystävät ensemble. Arranging sounds from manipulated samples, electronics and objects, Tsembla’s music is rich in detail, riding on waves of warped melodies, fluttering rhythms, abstract voices and mutating textures.

Tsembla : Terror & Healing

Animal Negatives

Sokean sormet

The End of Gold

Disputing With Stray Dogs

Purple Arrows

Love Potion

An Absence Surrounded By Presence

Go Fast As Fire, Return Like Smoke

Sinuhe Bebe

Alejandro

Music by Marja Johansson, with:

Emil Johansson (bass 1/2/6/10)

Niko-Matti Ahti (guitars 6/10)

Antti Tolvi (synthesizer 3)

Mastered by Timothy Stollenwerk

Cover art by Marja Johansson with hand lettering by Niko Karlsson

Recorded in Turku 2013-2014

*********************

www.tsembla.com

Tsembla - Animal Negatives

Earth Beat

She Who Could Bind You

A selection of tracks from Rupert Clervaux & Beatrice Dillon's 'Studies I-XVII for Samplers and Percussion'. 

Available on LP and as a download.  All LPs come with the download included.

II – by Rupert Clervaux & Beatrice Dillon

appears on NNA90: Nerftoss "Crushed"
Available May 27, 2016 on Cassette & Digital formats.
Grip Here:
Bandcamp: bit.ly/1WfhFBm

Crushed

Nerftoss "Bender"

une reprise de ZNR - Solo un día (Hector Zazou, Joseph Racaille, Patrick Portella)

Album: Barricade 3 
1976

Musique: Vincent Pieuvre 
Chant, bol chantant: Olia Eichenbaum
Chœur: Jessica Resmond
Grand merci à Sébastien Trihan 
L'Image: Leonora Carrington & Alejandro Jodorowsky, 1957  

sólo un día en Paradise y miles años pasan en la tierra

les pièces du jeu sont couchées sur le sol, 
cosas caminan to emptiness

el woodman vuelve a casa
el haft of his hache a pourri en el viento

nada como hoy, solo el puente
still spanning un rainbow granado

sólo un día en Paradise y miles años pasan en la tierra
les pièces du jeu sont couchées sur le sol, 
cosas caminan to emptiness

Œ - Solo un día

Hippies Wearing Muzzles - Kakapo Strigops
From the album Animist Pools

Watch the video here: https://youtu.be/EU9wt12bzKw
Bandcamp Pre-Order: http://smarturl.it/hp07-bc

©2016 Human Pitch / www.humanpitch.fm

Hippies Wearing Muzzles - Kakapo Strigops

Artist: Elko B.
Title: I Bambini Di Basilisco
Format: 12 inch vinyl (incl. download)
Release date: 8th of February 2017
Cat no: EKS013
Edition: 500

Pre-order here: https://eksterlabel.bandcamp.com/album/i-bambini-di-basilisco

Introducing Elko B.’s debut on Ekster: “I Bambini Di Basilisco”. Twelve tracks pressed on 180g vinyl with pantone printed sleeves and silk screened (glow in the dark) plastic over-sleeve.

Considering Elko Blijweert's been active in the Belgian music scene for about fifteen years now, it comes as quite a surprise that "I Bambini Di Basilisco"is only his first ever solo album. Known mainly for his virtuoso yet ever idiosyncratic guitar playing, Elko B. treats the listener to much more than just that. With the exception of the heavily guitar-driven western pastiche "Cochon Torrero", the emphasis here lies on dark Carpenteresque synthesizer sounds as well as jolly child-friendly melodies. The twelve pleasantly concise songs, mainly based on compositions Blijweert made as soundtrack material for contemporary dance theatre and children's puppet theatre, beautifully blend together into a whole as the listener is presented with a unique glimpse inside the wide-ranging imagery that is Elko B.'s ever-expanding musical world.


Track list:

A1: Une Fille Dansante
A2: Krokodil
A3: Afrikakat
A4: Crawling Night Bears
A5: Aurelia
A6: Save The Knight

B1: Chyena
B2: Une Fille A La Plage
B3: Nachtelijke Verwelkoming
B4: Cochon Torrero
B5: Karabair (solo)
B6: Basilisco

I Bambini Di Basilisco

Elko B. - I Bambini Di Basilisco (preview)

Full stream of Ellen Arkbro's stunning composition "Mountain of Air," a rework a track from her latest work, 'for organ & brass,' out on Subtext Recordings on April 14.

More info: https://www.xlr8r.com/news/2017/04/premiere-hear-a-stunning-new-composition-by-ellen-arkbro/

@ellenarkbro
@subtext-recordings

More info

Premiere: Ellen Arkbro - Mountain of Air

Joshua Abrams & Natural Information Society Simultonality 1

Planetarium 12" EP out now on Smalltown Supersound w/Remixes by Gigi Masin.
smarturl.it/sts31612-retail

Safe

Vinyl available now via HYMN and Vinyl Factory >>

https://thevinylfactory.com/product/to-corpse/

In July 2017, the city of Naples and The Sicilian island of Stromboli hosted I Polpi, a festival of contemporary art presented by Fiorucci Art Trust and curated by Milovan Farronato, in partnership with The Vinyl Factory and spearheaded by Eddie Peake.

Electronic producer Actress, musician Gwilym Gold, interdisciplinary artists Evan Ifekoya and Victoria Sin, poet and writer Holly Pester and the natural sound of the island of Stromboli each created unique compositions to accompany Peake’s performance in five variations, To Corpse, performed live by the composers along with the dancers Valeria D’Antonio, Kieram Corrin Mitchell, Emma Fisher, Sara Lupoli and Francesco Russo across five different locations in Naples and Stromboli.

* Gatefold sleeve and two printed inner sleeves
* Double heavyweight 180-gram clear vinyl
* Limited edition of 500 copies worldwide

Romance Layers Cadenza // To Corpse 2

Tongue

Two for C

для FOR (RVNGNL50 - 320 - Promo)

дуб OAK

Kate NV - дуб OAK

From the album With Voices available January 18, 2019 from Western Vinyl.

With Voices is the newest recording by Dutch composer Rutger Zuydervelt under the moniker Machinefabriek. True to its title, the album’s eight pieces exhibit Zuydervelt’s use of cassette recorders, tone generators, radios, synths, and other hifi curio to construct bewildering aural architecture around vocal contributions from Peter Broderick, Marissa Nadler, Richard Youngs, Chantal Acda, Terence Hannum (of Locrian) and others. These human voices are featured as musical instruments rather than mere vehicles of lyrical content, resulting in a sub-linguistic mosaic of primordially stirring moods.

The initial spark of With Voices was kindled while Zuydervelt was in Taipei creating music for a dance company. In the final days of his trip, a dancer named Wei-Yun Chen caught Zuydervelt’s ear with an instagram video featuring a voice that turned out to be Wei-Yun’s own (she would end up on the album’s seventh movement, a piece that features dissected bits of Taiwanese poetry amid low-pitched murmurs and whispering fogbanks of static). The encounter stirred Zuydervelt to create a single 35 minute soundscape upon which each vocalist on With Voices was encouraged to improvise, be it talking, reading, singing, or wordless, guttural intoning. Such vocal smatterings were then used to determine how the other tonal elements should be arranged, dictating where each musical passage would ultimately lead. “The idea was for everyone to just do what came naturally” he recalls, “the element of unpredictability was important to me.” 

Indicative of this approach “III” (the tracks are simply titled with Roman numerals) slowly winds like ivy through staccato phrases spoken by Zuydervelt’s peer Peter Broderick, whose micro-incantations skip along mechanically only to telescope into monastic grandeur at the track’s midpoint; the vibrations of vocal cords are often stretched to a seismic hum to form the heavy implements in Zuydervelt’s toolkit. On “V”, tape recordings of Berlin electronic artist Zero Years Kid (aka Joachim Badenhorst) sputter with their own apparent intelligence like a faulty AI attempting to interpret reels of human speech in some ruinous library of the distant future. Finally, a siren-like Marissa Nadler leads the suite to its lullabic endpoint with overlapping wisps of harmony devoid of accompaniment ending the album on an angelic note.  

In these moments, like much of With Voices, warm-blooded arteries seem to have grown around bits of well-designed artifice to form something warmly alien, soberly futuristic, and inherently satisfying. More than simply an album of collaborative features, With Voices is a mutating collage of modern minimalism that challenges as often as it comforts. There is an alchemical, metallurgical quality that arises from Zuydervelt’s unique way of merging humanness with abstraction, harshness with beauty, and unintelligibility with familiarity on what may be the most affecting Machinefabriek release to date.

With Voices

Machinefabriek - "III (with Peter Broderick)"

changes

"Shaped by Stories"
Text: Marie S Zwinzscher
Musik & Produktion: Lisa Zwinzscher
Mix: Studio hm20
Mastering: Philipp Ruoff
(c) 2020

An Immersive Theater Installation and Live Action Role-Playing  Game for People who Identify as Women* 

Exvoto 

Medium: Immersive Theater Installation and  Live Action Role-Playing Game 
Concept, Idea: Marie S Zwinzscher 
Artistic Ensemble:  
Camilla Lønbirk, Wanja Neite, Olivia Schøder,  Jos Porath, Marie S Zwinzscher  
Lenght: 2,5 days 
Capacity: 15 participants/weekend 
Ensemble: 5-8 Performer 
Language: German 
Production April to October 2021 

Premiere: (aprox.) 20.-22.August 2021 Shows: August/ September 2021 
Location: Packebusch (Sachsen Anhalt) Documentation: 30 min dokumentary 

Production: VorOrtung - zeitgenössische Kunst  und Kultur im Kontext e.V. 
& Set-Design-Duo MOTHER 
Project-Fotographs: (copyright) VorOrtung e.V. 

Exvoto is a 3-day immersive theater installation  and live action role-playing game for people who  identify as women*. Exvoto is a sacred place, set  in an undefined future, outside of linear time: a  temple of healing and transformation where  women* come together to bare their battle scars.  Battle scars left over generations, even if they are  not visible to the eye. 
In search of a new myth for women* of the 21st  century, a maximum of 15 participants per  weekend will come together in August 2021 for a  3-day event on the site of the former local  recreation center in Packebusch / Saxony-Anhalt.  You take part in workshops, eat and sleep on site  and are involved in the immersive theater play for  about 24 hours. In order to be able to realize the  project, the artists started a crowdfunding  campaign on Startnext. 

The team includes theatremaker, -teacher and  performer Marie S. Zwinzscher (Creative Director/ Performance), artists Jos Porath (production/ dramaturgy), Olivia Schrøder (set design) und  Camilla Lønbirk (set design), among others. All  team members have worked worked for and  collaborated with renowned groups like SIGNA  (Denmark) and Punchdrunk (UK) and institutions  like Hebbel am Ufer (Berlin), Wiener Festwochen  (Vienna), Volksbühne (Berlin) and the Deutsches  Schauspielhaus (Hamburg). 
 Jos Porath, Camilla Lønbirk, Olivia Schøder, Marie S Zwinzscher  


CONTACT:  
Marie S Zwinzscher  
www.mariezwinzscher.de 
+49(0)1739270984  
exvoto@posteo.de 
www.vorortung.de

ALLUde_June 2021

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