Recordings of events and talks at the Institute of Contemporary Arts in London.
More from Infrequencies podcast: ica.art/infrequencies

Juliet Jacques & Morgan King met at the Animamus Art Salon at Apiary Studios, London in October 2013, where Juliet was reading her essay about the life-simulation computer game 'Alter Ego' (1986) and soon decided to collaborate on a musical project.

Juliet is a writer whose short fiction and essays have appeared in Five Dials, Granta, The London Magazine, Berfrois, Catapult and elsewhere. Her book 'Trans: A Memoir' is published by Verso in September 2015.

Morgan began his musical career as the drummer in Manchester band Illustration, who featured on the Some Bizzare compilation (1981) with Soft Cell, Depeche Mode, The The and various others, and worked with Martin Hannett and Mike Hedges. He later became involved in the Chicago house scene, and won a Grammy for Best Album ('Adventures in Clubland') with Clubland. He has also been a solo artist since 1990, when his single 'I'm Free' became an underground hit; his latest album, 'Grains & Grams' was released on 1 September 2016.

Vocals and lyrics - Juliet
Music - Morgan

London's leading independent record shop. Also home to labels Phonica Records, Phonica White, Phonica Records Special Editions and @KarakulRecords.

Full features, including interviews and tracklists, for our Phonica Podcast and Phonica Mix Series on our editorial platform Off The Record ⬇

http://offtherecord.net/

Welcome to Well, Blactually.

A monthly podcast from two Black British girls trying to make it in a white man’s world. Listen to Gena and Natalie speak ~blactually~ about music, pop culture, dating, and everything in between.

Find us on the interwebs here:

Gena | Twitter: @SmileGena | IG: @SmileGena | @PoutGena

Natalie | Twitter: @natawhat_

And blacksolutely let us know what you think and what you'd like to hear from us at wellblactually@gmail.com

As social facilitators of change within the built environment,  3°09 is a multi-disciplinary collective working through digital migratory experiences both culturally + geographically. Critically analysing intersecting narratives and complex interdependencies; we design, research and adapt to different cultures, overlapping constructs and interconnected relationships within cities across our climate.

Born and raised in Gera in Germany, Dana Ruh soon found her way to the capital city of Berlin. Since then, she ha been on a constantly evolving musical journey. In the early years, her sound was rooted in techno and landed most often on the label Brouqade Records, which she established in 2007. The label is still running too, and celebrated its 10th Year Birthday Celebration entitled 'Past/Present/Future' that emphatically encapsulated all that's great about the label. 
Aside from Brouqade, Dana's music has also featured on the liked of Autoreply, Work Them Records, Howl and Underground Quality. It was Jus Ed's label where she released her stunning debut album. 'Naturally' in 2014, an LP that introduced Dana to a whole new audience and showcased her pure house sound with some distinctions. In 2017 she started her new Label 'Cave Recordings' that showcased her wide musical range mainly rooted in House with old school flavor. 
When she isn't busy in the studio crafting textured tracks, Dana is a fine DJ who holds down resident duties at top Berlin space, Club der Visionaere. It is there that she lays down seductive tracks from the worlds of house and techno as well as gems in between. Aside from her beloved CDV, Dana has played in some of the globe's foremost house and techno nightclubs, often alongside some of the scene's prime movers and shakers. 
Despite working in such an over saturated and competitive field, Dana Ruh manages to speak louder and more coherently that most, and for that reason she deserves all the love she gets.

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