.:time does not exist, there is only energy:.

@antispaceorg

Tomasz Balicki aka Atmos has during his 25 years of touring globally to festivals, clubs, and events, performed for and mezmorized psytrance stompers at the main stages of Boom Festival, Shankara, Ozora, Voov, and many more.

Not being a stranger to the rhythmical, arpeggiated, and analog bound in his creations, he has releases on labels such as Iboga Records, TIP Records, Future Music Records, his own Atmotech and many many more.

It would be a great understatement to claim that this short bio would be enough to describe this global psy-trance persona. That's why he invites you to check out more of what he has done and what he is currently up to by listening to his music here or visit any of his social profiles listed here.

Lastly from the man himself:
"Trust in trance" and "keep on keepin"

For bookings contact: booking@fm-booking.com

https://www.songkick.com/artists/465559-atmos

Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Compo/Live 
Ableton 11
Korg electribe 2
Tb-03
Mpk/Apc Mini💥
Cultivateurs de basses Sound6tem🎛



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