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Patrick Ytting joins Oliver Sadie at his recording studio for a late night improvised 2-piano duet. Help yourself to a download.

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A Meditation with Oliver Sadie & Patrick Ytting [Downloadable]

in the crooked timber

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A Horror From Beyond Our Dimension

A cue from the film Belief: The Possession of Janet Moses.

© Rhian Sheehan 2015

Last Supper

Ascend

A cue from the film Belief: The Possession of Janet Moses 

© Rhian Sheehan 2016

www.rhiansheehan.com

The Trial

The second cue of a score - the documentary is about the water crisis in Zambia, Africa. This piece was written for scenes that reveal how many people die per year due to unclean water - it's depressing. The tone needed to be sorrowful and gripping. I feel like the vocals that come in midway through accomplish that. my friend Aubrey Prunty helped me out with all of the vocals on this score - she's got an amazing tone for music like this!

Thirst

This track was written for a competition where the rules are to use 3 virtual instruments, one of which solo, and having total length 60-90 seconds.
 
VST 1 (Solo): Kirk Hunter Concert Brass 2, French Horns Solo 
VST 2: LA Scoring Strings Lite, Ensemble Sustenuto Espressivo 
VST 3: Spitfire Percussion, Tubular Bells

<B>Image: "A Soldiers Anguish"</B> Copyright Anderson Duffett 2011
http://www.flickr.com/photos/anderson_duffett/5971183681 All Rights Reserved

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Hero, Fallen

Sjors Mans - Baltimore

A cue from the feature length documentary film Belief: The Possession of Janet Moses

The Pier

Invites (August 2017)

New Horizon

The Dark Side Of Thyone

The Exchange

From the new UK Planetarium 3D show "We Are Aliens". Narrated by Rupert Grint
http://wearealiens.com/
www.rhiansheehan.com

Rhian Sheehan - Leaving Earth (We Are Aliens soundtrack)

Doors

Visual Artist, Film maker, Photographer, Music lover

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

The Trial

Rhian Sheehan

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