KEXP ~ PACIFIC NOTIONS - part 5

T.Milly👑- Silhouette (Remix)

Thank you for listening
https://www.youtube.com/watch?v=Uzvf3aNaam8

Places Frozen in your Submerged Mind [Mix]

Some Things Distinct & Some Things Whole

Alpha Camelopardalis, or Alpha Cam, is a colossal O-type supergiant star in the faint constellation Camelopardalis, situated about 4,000 light-years from Earth. It boasts around 25–30 times the Sun’s mass and emits over 500,000 times more light, shining with a hot blue-white hue. Unusually, Alpha Cam is a runaway star, hurtling at over 60 km/s through our galaxy—likely ejected by gravitational slingshots in a young star cluster or a supernova explosion of a former companion.

As it speeds through the interstellar medium, Alpha Cam’s fierce stellar wind collides with surrounding gas and dust, carving out an immense bow shock. This bow shock—a curved, crescent-shaped wave of compressed, heated material extending roughly 10 light-years ahead—is invisible to the eye but glows in infrared wavelengths. NASA’s WISE telescope captured this feature as a red arc in space.

Slowed End track from Uncertainty Mix - https://soundcloud.com/witchleaf/uncertaintymix

Alpha Cam Percs up

Misty

Taken from the Project: Life collaborative album compiled to threat sick children through art.

Donate

The Dream of Life

I actually started this a few years ago. Not long after I did the first 'Walk With Me', but I never finished it. I ended up going back to that song to spark some ideas and made the song 'Wasted Years' on my last album. After that I decided to finish this one as well.

Walk With Me (Pt. II)

The Beginning

Age Is Just A Number (Slowed And Reverb)

I've always preferred All or Nothing.  The shades of gray in between seem to lack contrast and clarity.
This song is dedicated to all of the beautiful nuances of life that fill that void, because that's how life is.

By request this song is a bit longer than my usual so I hope you enjoy the full story.  Much love, U.F. 🙏

Bandcamp

all or nothing

Itinerary

Some selected live recordings from Mercury Theatre show in Auckland, New Zealand on the 28th May 2011

NOTE: These aren't mixed, what you're hearing is pretty much directly off the front house desk.

Rhian Sheehan - Standing in Silence Pt 3 (Live Auckland May 28th 2011)

The More You Know

How Do You Feel About Getting Married? Out Now - https://Dijon.lnk.to/Married

Jesse was late again, but I don’t mind I’ll wait for him
Jesse gets mean sometimes
But I don’t mind, he’s got a lot on his mind.
And dammit Jesse. It’s true. I do love you
And dammit Jesse. It’s true. I do trust you

Jesse’s a mess again
So I lie awake with him
And he’s holding on to something I can’t see
But it’s alright, I’m safe with him

And dammit Jesse. It’s true
I do, love you
And dammit Jesse. It’s true, I do trust you

And he could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.
He could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.

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jesse

In the late 90’s, east-side LA was in the throws of a post-indie explosion; a network of stoned bands ranging from neo-psychedelia to pseudo-country overran Spaceland (our generation’s Troubadour) and the local Silverlake Lounge. I was playing freakbeat records twice a week in dive bars, half of Spacemen 3 was crashing at my house (my drop-out roommate was Sonic Boom’s tour drummer) and it was during this blur that I met Raymond Richards, a clean-cut all-American pedal steel guitarist playing in Mojave 3 (the country-tinged 4AD side project of shoegaze royalty, Slowdive). I was instantly swept off my feet, head over heels in love with Raymond's weeping tone — the most chill-inducing, emotionally responsive dialog I’d had with music since discovering Satie as a child — it was then and it is now, truly haunting. After a year of personnel trials, my roommate and I stole Raymond for our own band, and not only did he smother our songs with his enchanting steel, he was virtuosic with a variety of atypical instruments such as baritone guitar and theremin, he utilized them all. The band was short-lived — I split to jam with Ariel Pink, Raymond fled to Portland, then me subsequently to New York City — but in founding the ESP Institute years later, there was always a recurring mental note; "we must make Raymond’s pedal steel album." I had managed to wrangle his blessed performance on a remix for Project Club’s 'El Mar Y La Luna', but it took almost a decade until I once again wore the producer hat and we began working on 'The Lost Art Of Wandering', a title borrowed from Sam Shepard’s 'Stories'. Spiritually candid, expansive yet enveloping, this is the strung-out, visceral country music that simply radiates from Raymond. Each song is his set of coordinates in a vast open terrain, holding a sentimental familiarity, a truthful longing for the simple comforts that diffuse life’s complications, a place to get lost. —Lovefingers

Produced by Lovefingers
Cover image - Barbara and Michael Leisgen, Eintauchen [detail], 1972

[ESP070] The Lost Art Of Wandering

Buy from ESP

[ESP070] RAYMOND RICHARDS - B3 - Idaho Falls, Idaho - SNIPPET

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Rhian Sheehan - Standing in Silence Pt 3 (Live Auckland May 28th 2011)

Rhian Sheehan

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