Top 50: Alternative Rock

DATE

🎆 HAPPY FOURTH TO THE INDEPENDENTS🇺🇸

This is Circadian Tuxedo — a 9-minute rap odyssey draped in heroism, beat alchemy, and lyrical fireworks. I’m Blane Bent, stepping out of Upstate New York like a silhouette under streetlight halos—four beat switches deep, running bar-for-bar through a sonic battlefield. Pure Instinct, hunger, heart, and a tux tailored for war.

🕶️ ACT IV – “Circadian Tuxedo (The Midnight Rebirth)”

We went from Final Form to being like water, completely Formless! Inspiration pulling from the Kingsman, and high level barbershop conversations! Synths that sound like satellites locking in as we prepare for the new Accel Synchro! I’m back in the tux—midnight black with clock hands sewn into the lapels. Every flow here is surgical.
I’ve adapted to the algorithm. I’ve danced with fatigue. I’ve mastered time zones and timelines.
This is the rebirth—an anthem for every overlooked artist who became their own revolution. America, meet your next top lyricist! 

We carefully stitched 4 beats together from @YbhBeats to the legendary @eMDee to pull off such a heroic harmony of sounds! I’m taking you all for a joy ride in a cinematic audio adventure. The official rap game Ryan Coogler & Michael B. Jordan with the top tier help from one of the best engineers on the planet, my ace in the race since I bust in raps in the space, no other than the legendary prolific @DBrownSounds ! 

🎨 THE VISUAL LANGUAGE OF “CIRCADIAN TUXEDO”
Crafted with extraordinary precision by my photographer and visionary art director @GetDesignsHere, the Circadian Tuxedo cover is more than an image—it’s a monument. A golden totem of ambition, heritage, and hip-hop royalty. 

At the center stands the BaBylissPRO trimmer, crowned and enshrined, doubling as Excalibur for the modern-day gladiator-barber-emcee. It’s flanked by two golden dragons, symbolizing duality—day and night, hunger and harmony, legacy and now. Their wings stretch upward, touching two vintage boom boxes, each like lion-throated guardians of sound, past and future.

Barber poles stand like divine columns, ancient yet modern, wrapped in the classic red, white, and blue—a nod to independence and culture. Golden scissors hover in symmetry, one side gripping a PlayStation controller (joy, childhood, escapism), the other suspending a pair of iconic retro kicks (hustle, grind, elevation).

From the clouds behind to the specks of confetti gold, every piece bleeds precision and pride.

This isn’t just cover art.
It’s a crown jewel.
A mural of identity.
A sonic armor tailored in digital gold.

Much love and pride to @GetDesignsHere for breathing life into this vision and curating every detail with an obsessive level of excellence. He didn’t just design a cover—he engraved a legacy. Salute to the alchemist behind the lens.

💈Blane Bent - Circadian Tuxedo (Prod By. Ybh Beats & eMDee)💈

Blaze

Addicted

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3Dbeat$ "HITMAN"

Wim (Prod.Haitifreshblessthekeys)

POP OFF (AI)

The Return (2025)

Produced by Jump Chambers

Lyrics:

[chorus]
What is important to you? 
What is it you like to do?
What is important to me?
Living life, young, wild and 🆓 

What is important to us?
Definitely having trust
Why is bro acting so sus?
Actin like he ain’t the plug
Makin em smiles like a drug 
(one more time)
2x

[Verse 1]
Keep it 💯
In need of a squad like 
Hunter X Hunter

Killua bringing the game 
liken no other
He bring the thunder ⚡️⚡️

Leoreo 
he be the corny hoe
Yet he go toe-to-toe
Like a star stunner

Kurapika giving no CRAP 
Ro-Sham-Bo 
Ready to plunder

Gon 
are them 
days 
where we lay
Playin video games 🎮 

Doom scrollin on the gram
Rottin the fuck out our brain 🧠 

Forcing creativity
Is admittedly givin me
Serendipity differently
Got me livin efficiently
FUCK

Wake up!

Why did you leave the keys 
up on the table?
Don’t tell em your plans 
that shit could be fatal
I kill him in silence 
I kill him like fable 

I do my own thang 
In love with the gang 
Got God in the name 
It’s Kami the Kang
Got God in the name 
It’s Kami the Kang
Got God in the name
It’s Kami the Kang
Yuuuuh

[chorus]

What is important to you? 
What is it you like to do?
What is important to me?
Living life, young, wild and 🆓 

What is important to us?
Definitely having trust
Why is bro acting so sus?
Acting like he ain’t the plug
Making them smiles like a drug

What is important to you? 
What is it you like to do?
What is important to me?
Living life, young, wild and 🆓

What is important to us 2x
(OH SHIT)
what is important to us 2x

[verse 2]
What is important to us?
Is finding out who we could trust
If anyone’s acting the sus
Squad might just turn them to dust
Hopefully, they readjust
Before we discuss 🔫 

Converting them would be a plus
Kami Kang gang
Know they robust
We got the dang thang
Don’t make us bust
We got that dang thang
Don’t make us bust
🥜 🥜 

Once upon a Time
He was on a grind

Yuh yuh yuh

Wasn’t doing well 
wasn’t doing fine

Yuh yuh yuh

Had to make a change
Better use of time

Yuh yuh yuh

Hoppin off the gram
And hopping on a rhyme

Yuh yuh

Iconic like sonic 
someone would say that is ironic
It’s not his speed
It’s his logic
Save me the need
Blue is pneumonic

As if Jazz is the topic
we always hit in the tonic

Living it young, wild and free
Yo, that’s important to me

so uh
What’s important to you?
From the kang, Kami Kang
To the crew ✌🏾

Importance

Sense

Orbit 1 I lace fractal frequencies, folding filament syntax
Quantum in the cadence, dual states under my syntax
Wave in the whisper, particle when the kick slaps
Measure renders meaning, I collapse and then riff back
Multisyllabic vectors curve, carving invariant tracts
Cognitive circuits click, clocking spike-timing impacts
Phase-locked loops in lungs, meter mapping the synapse
Symmetry in consonants, vowels surf like a syntax

Orbit 2 I braid nine orbits tight, feedback framing the thesis
Control law in the chorus, damping chaos to pieces
Observer in the pocket, I bias priors to clean this
Kalman in the couplets, noise fades and the mean hits
Topology of motives, motifs spiral in helix
Alliterative gravity drags bars into deep pits
Assonance as an ether, air vibrates where the beat sits
Polyrhythmic overlay, five against your neat grids

Orbit 3 My schema is a schema of schemas, nested recursion
Neuroarchitecture echoes, columns fire in immersion
Columnar microcircuits align to bar dispersion
Gamma binds the features while theta sets the version
Glia clear the channel so signals keep their excursion
Homeostatic balance keeps amplitude from subversion
Predictive coding listening for mismatch and diversion
Error turns to learning, I pivot with each inversion

Orbit 4 I map a city of symbols with streets of stochastic rules
Bayesian boulevards bend truth’s probabilistic tools
Sociopolitical pressure flows through hydraulic pools
Power seeks a gradient, feedback fashions the schools
Actuator is policy, sensor is public mood
Controllers sit in chambers, tuning rhetoric’s food
Oscillation of narratives, limit cycles renewed
Stability is costly when fairness is overdue

Orbit 5 Gene circuits hum in time with the kick and the snare
Transcription in the stanza, translation under the snare
Ribosomes of rhythm assemble meaning from air
Promoters are the prompts, enhancers flicker and glare
Epigenetic memories, marks on measures I wear
Methyl fold of a metaphor, chromatin open and bare
Selection is the crowd, fitness peaks in the glare
Drift in culture’s alleles, rare variants I declare

Orbit 6 I quantize breath to quanta, discrete packets of phrase
Fock space for the phonemes, occupation arrays
Hamiltonian of hunger, I minimize through the maze
Lagrange craft for constraints, optimize in the blaze
Renormalize the jargon, cancel divergences raised
Gauge freedom in my framing, choose potentials I phrase
No-signalling in discourse, I won’t violate phase
Entangle distant meanings, then separate with praise

Orbit 7 My AI bones are tensors, weights welded like rails
Manifolds of understanding unfold in hidden veils
Jacobian of judgments adjusts when data hails
Backprop takes the blame and reduces prior fails
Curriculum of conflict, hard samples, sharper nails
Sparse codes carve the clutter, attention trims the tails
Safety is a Lyapunov, distance to brittle trails
I keep a margin positive, steer away from the gales

Orbit 8 I stage a systems opera, cues queued by causal graphs
DAGs direct the drama, edges tilt moral paths
Intervene, don’t just watch; counterfactual math
Do-calculus cuts confounders that camouflage wrath
Fairness is constraint, Pareto front in its bath
Cost surfaces are rugged; we climb with careful craft
Mechanism before myth; if the story is chaff
I prune it with Occam, then audit every draft

Orbit 9 Return to first conditions, recursion seals the ring
Every ninth I refract it, bring the origin’s spring
I sample from the prior of purpose while I sing
Posterior gets sharper, truth tightens like a string
Breath lines up with tempo, neurons fire in a sling
Meaning rides on rhythm, not the crown but the wing
I write for testable claims, not the glitter of fling
Signal over spectacle; that’s the measurable king



CosmoHKAK - triplet grid

Falling Down

Lil Peep & XXXTentacion - Falling Down

Sunlight On Your Skin

Lil Peep & ILoveMakonnen - Sunlight On Your Skin

this is an alternative rock song played entirely by (me) Deadface!
Questa è una canzone di genere alternative rock suonata interamente da Deadface!
.
Link instagram: www.instagram.com/_deadface_is.on.dmt_/?hl=it
.
Lyrics:
I had to touch my faults to understand myself 
but I have too many thoughts, there are too many voices
when will they disappear? do I have to wait a few years?
another day to defeat fear, another day mhmh
Fate and me face to face, I can feel its bad taste 
Death and me face to face, should I leave in another way?
They think i'm out of one's mind 
They think i'm out of one's mind 
They think i'm out of one's mind 
A few days after my suicide 
They will know why I didn't survive
They will know why I chose death
One more cigarette
Just to kill my time.
Another toxic girl 
wants me to be fine
MhhMhhh.

Life Is Too Long

No Use For A Name & NOFX inspired punk circa 1990's

Senior Year

R.sinik (arsenic) is a lyricist and producer from Portland, Oregon. He is one of three members of the rap group Outtelligence. Outtelligence released 3 separate projects as a group, being featured in movies and on an unsigned hype mixtape distributed by Shadyville records.

Since 2007 R.Sinik has been working as a solo artist, releasing multiple singles and two full length albums; Live From Nowhere (2016) and John Was Here (2024). He is known for his politically driven socially conscious songs and intricately layered multisyllabic rhyme schemes and word play.

LEXO is a beat maker, producer, engineer, rapper, singer, LexRock Pro. founder he is all about music
find him on facebook "lexo mkhwanazi"
on twitter "@Mkhwanazi1"
at LexRock Pro. we bring you sounds you can't wait to tell your friends about

The Return (2025)

R.sinik

Recent comments

Liri Dais

ddynamike aka lil allyk

@DirtyMoneyBP

Alexandru Bleu

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