Again recorded next to a nuclear power station, 'Silouettes' is a sister to 'The Wilds' album.

The Empathy Museum is the world's first experiential space dedicated to developing the skill of empathising. It explores how to view life from the perspective of other people in order to transform personal relationships and inspire practical action around global challenges.

Explorer. Adventurer. Manipulator of Sound. Master of Ceremonies. Producer of Yasiin Gaye, Fela Soul, Bizarre Tribe, A Common Wonder & more.

BIO:

Forging an evolution of the "mashup" album format, producer Amerigo Gazaway's "conceptual collaboration" projects imagine studio sessions between like artist of different genres and eras. With a process the LA Times' Randall Roberts described as "drawing a different design within a similar framework," the producer/DJ deconstructs and re-orchestrates samples from his respective subjects, bridging overlapping themes of the two musician's classic catalogues. Equally influenced by his Brazilian roots and southern U.S. upbringing, the 28 year old Nashville native's work was featured in Apple's "What Will Your Verse Be" series of iPad commercials, called "brilliant" by music’s premier aficionado, Questlove, and earned praise from national/global outlets such as The Guardian, Huffington Post, The LA Times, Vulture, NPR, BBC, MTV, BET, REVOLTtv, EBONY,VIBE, XXL, THE SOURCE, OKAYPLAYER, Wax Poetic, Gizmazo and HipHopXL to name a few. 
 
The son of renowned Jazz trumpeter, Gary “El Buho” Gazaway, Amerigo’s thematic documentary-like concept albums uses found interview sound-bites, live performances, and original multi-track stems to help narrate and craft his combined artists' stories. Finding his first success with 2011's Fela Kuti/De La Soul pairing "Fela Soul," the project went on to land on several year-end "best of" lists including NPR, Soul Train, and OKAYPLAYER. Following the release in 2012 with "Bizarre Tribe: A Quest to the Pharcyde", a concept that layered vocals of The Pharcyde over re-imagined productions sourced from the original Soul, Jazz, and Funk records ATCQ utilized to create their productions, Gazaway would later collaborate with The Pharcyde on their single "Still Got Love" and perform with the legendary group at SXSW.
 
Continuing the theme of his previous work in 2014, the producer united Brooklyn rapper Yasiin Bey (FKA Mos Def) and soul legend Marvin Gaye for a dream collaboration aptly titled "Yasiin Gaye" (side one and side two.) Building the album’s foundation from deconstructed samples of Gaye’s Motown classics, Amerigo re-purposes the instrumentation into new productions with the familiar fervor of the original work. Carefully weaving Bey’s tangled raps and Gaye’s soulful vocals over his new arrangements, Gazaway delivers a quality much closer to an authentic collaboration than a lukewarm “mashup” album. Drawing nearly 20,000 downloads in its first two days of release, the “Master Modern Soul Match Maker” (Juan Vidal- Vibe Magazine) earned a perfect “5 Star” review from BET, collaborated with New York Magazine cartoonist, Drew Dernavich, for the project's side two cover art, and landed on Billboard's Best Selling Singles Chart with the album's third single, "You Are Undeniable."
 
Honing his DJ skills through tours of Europe, Brazil, and the U.S., Gazaway’s dancefloor driving live set features classic breakbeats, original blends, remixes, edits, and mashups of multiple genres including Funk, Soul, Disco, Hip-Hop, Afrobeat, and everything in-between. With presentations and lectures logged at USC, MTSU and upcoming dates at Google HQ (NYC) and SXSW 2015, the DJ/Producer continues to highlight the possibilities of sample based art and shows no signs of slowing down.

Belfast-born Dominick Martin has spent the last 30 years simply creating. He’s done so with a sort of restrained melancholy that’s broad enough to encompass a myriad of tempos and genres. Over 22 albums, this includes his more song-based experimental LPs, from drum & bass into dub, techno, house, ambient, jazz, soul, blues and folk.

The same can be said of his award winning DJ sets: Fluent within his own vast range, favouring the bookings where space and time allow him to draw out a narrative and provoke emotions, predominantly based on his own material. Calibre sets draw from his own personal spectrum, never resort to hype tactics and are perennially sprung with never-before-heard surprises. Whether you experience him taking over a room for the full 6+ hour trip, or he plays a shorter higher impact role on a bigger bill, his singular signature persists: a soulfully honest sense of the transcendental and a unique perspective and approach.

People have described my work as intensely atmospheric pieces of film noir music. low-tempo scene-setters of evocative and spatial beauty...I like to think of it as simple shit done well.

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