COME WITH A SMILE

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Written by David Bowie and Brian Eno
Performed and produced by She's Excited!
Mastered by Subwav Mastering Services: http://subwav.com/music-mastering-services/
Artwork by Lindsay Weitzman: https://www.instagram.com/linds_see_/
Distributed by Teknofonic: https://teknofonic.com/

+++ 100 Free Downloads on Bandcamp – get yours now! +++

# SPOTIFY: https://open.spotify.com/album/2l4J6HukHRAnl3RIKGQkLw

# BANDCAMP: https://she-s-excited.bandcamp.com/track/hallo-spaceboy-david-bowie

# iTunes: https://itunes.apple.com/us/album/hallo-spaceboy-single/1329984690

# AMAZON: https://www.amazon.com/Hallo-Spaceboy-Shes-excited/dp/B078P3WZVG/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1516020372&sr=1-1-mp3-albums-bar-strip-0&keywords=She%27s+excited%21

Hallo Spaceboy
(Lyrics by David Bowie)

Spaceboy, you're sleepy now
Your silhouette is so stationary
You're released but your custody calls
And I want to be free
Don't you want to be free
Do you like girls or boys
It's confusing these days
But moondust will cover you
Cover you
This chaos is killing me

So bye bye love
Yeah bye bye love
This chaos is killing me

Hallo Spaceboy
You're sleepy now
You're silhouette
So stationary
You're released but your custody calls
And I want to be free
Don't you want to be free
Do you like girls or boys
It's confusing these days
But moondust will cover you
Cover you

And the chaos is killing me
Yeah bye bye love
So bye bye love
Be sweet, sweet love
Bye bye Spaceboy

Hallo Spaceboy

100 Free Downloads

I present for you my track The Lady Of The Lake. A hybrid of electronica and orchestral sounds.

Enjoy XXX Janny AKA Jo Jo :)

Lady Of The Lake

Tribute

One Clock at a Time
Three Photons featuring The Gatsbys
Written and mixed by Tim Griffis at Princeton Studio. 
Thanks to Dirk Taubenheim for agreeing to help with this song.  I have great admiration for Dirk's musicianship and sense of music!
Mix 2: April 7, 2020 mixed to a 1/4 inch 2-track tape system (MCI JH-110)

Thank you to Adrian Danciu at Kinocut Pictures (visual.kinocut.com) for his Clock photo in old downtown Mexico City! 
----------------------------------------------------------------------------------------------------------


Technical Details
Recorded at Princeton Studio
Tim's Guitars
Rhythm and Lead Fender Stratocaster
Rhythm Gibson Les Paul Standard

Dirk's Guitars 
Bass 
Arpeggios - Silvertone
Rhythm - Rickenbacker
Rhythm - Acoustic

Dirk's backing vocals recorded at his studio.

Mics: Neumann TLM 67 
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Eventide Eclipse effects
-------------------------------------------------------------------------------------------
Lyrics
Verse 1
If I could see
all the things that waited for you and me
I'd change the world
One clock at a time
I'd wave my magic wand
for you...

Chorus 1
There's a light in your life
let it be your guide
The clock keeps score
for you tonight
We can change the world 
one clock at a time
don't let it tick away....

Verse 2
If I could see 
through the shadows of life
I'd change the world
One clock at a time
I'd wave my magic wand 
for you...

Bridge
One clock at a time
One clock at a time
I could change time
One clock at a time

Chorus 2
There's a light in your life
let it be your guide
The clock keeps score
for you tonight
We can change the world 
one clock at a time
don't let it slip away....

Outro
One clock at a time
One clock at a time
I could change time
One clock at a time

One clock at a time (ft. The Gatsbys)

Somewhere. Music by Leonard Bernstein. Lyrics by Stephen Sondheim. 
 Arranged, performed and recorded by Steven Pierce 1990.

Id At Large-Remastered

Somewhere

Chant: Juliana Paul ( Châteauroux ) Alexandre Riou ( Arcachon )
Paroles et Musique: Dominique Le Bars
Full version; https://dominiquelebars1.bandcamp.com/track/au-gr-du-vent-duo

Au Gré Du Vent ( Duo )

Thanks for all your generous support. You have helped us donate over $200 to the Organization for Autism Research (OAR) and counting! Help us reach our goal of donating $300 by either donating directly to OAR or purchasing the album on Bandcamp. 

“Twenty Twelve” is available on Bandcamp along with the original 5 instrumentals selected from Hot Os’ SoundCloud songbook. 

All profits from purchases will be donated to Organization for Autism Research. "The Organization for Autism Research (OAR) was created in December 2001 – the product of the shared vision and unique life experiences of OAR’s seven founders. Led by these parents and grandparents of children and adults on the autism spectrum, OAR set out to use applied science to answer questions that parents, families, individuals with autism, teachers and caregivers confront daily. (The OAR) is dedicated to improving the lives of everyone affected by autism by supporting research that produces meaningful and practical results. We also keep families, educators, self-advocates, and professionals informed by delivering free, evidence-based resources and information everyday." To learn more about the Organization for Autism Research, visit: https://researchautism.org

“Twenty Twelve” Sticker Set and Zine also available on Bandcamp. 

There are so many great musicians on SoundCloud, I wish I could make music with everyone of you. I often reflect on all the great music you have all made, how we are constantly making new songs (because that is what artist do), and how many of our great creations can easily get forgotten. Most of our songs don’t get a chance to live like those songs that get repeated on the radio. And while many of us probably don’t like mainstream radio, many of us would probably like our best songs to have a bigger life, or at least shine a little brighter and be remembered a little longer. As a way to breathe additional air into one of our community members older music, I selected 5 tracks from Hot Os discography and remixed them to make “Twenty Twelve”

Humongous thanks to Hot Os for letting me select and edit 5 prime beats as well as raid his Instagram account for Zine images. Massive thanks to Janine Levinson and Jay Walker Black for dropping those hot guest vocals. And a giant thanks to Caedmon Rigby for all his time and creative energy mixing and mastering “Twenty Twelve” to make it sound so original, so professional, so fresh, and so clean!!! I love working with you all! Part of what makes collaborating so worthwhile is spending creative time with your friends.  

Twenty Twelve 

VHS Recorder (intro)
Wannaget Outtahere
Engine Ignition (interlude)
Time 2 Go Out
Telephone (interlude)
B My Smile
House party (interlude)
Lemon π Spicy Chi
Cafe (interlude)
Init or U Out
City Street (outro)

Hot Os: Production and Art
https://soundcloud.com/hotos
Caedmon Rigby: Mix and Master
https://soundcloud.com/caedmonrigby
Janine Levinson: Lyrics and Vocals on Wannaget Outtahere & Init or U Out
https://soundcloud.com/janinelevinson
https://soundcloud.com/janineandtheproblem
Jay Walker Black: Lyrics and Vocals on Lemon π Spicy Chi
https://soundcloud.com/jaywalkerblack
https://soundcloud.com/walkerblackproductions
Couch King: Lyrics, Vocals, and Arrangement 
https://soundcloud.com/couch-king-presents
https://musiciselation.bandcamp.com

Lyrics available on Bandcamp

Twenty Twelve

Bandcamp

Hot Os, Caedmon Rigby, Janine Levinson, Jay Walker Black, & the Couch King - Twenty Twelve

Train

YouTube: https://youtu.be/RmdwzoKbD5o Website: https://DAVEHEFFNER.COM. Style: Singer-Songwriter.  Featuring: Anna Rader - vocals, Alfonso Llorente Sardi - acoustic guitar, Dave - keyboard, production.
My compositions are often complex, but occasionally a song leads the writer to more simplicity. Such is the song ballad "Love Today" inspired by the phrase found in the first verse, "I wondered what memories I'd leave behind." Following the more usual orchestration, ended up greatly reducing the drum, bass, and strings, while eliminating the electric guitar. Bogota guitarist Alfredo Llorente Sardi redid the guitar track with a beautiful acoustic rendition. My daughter Anna Rader sings the reflective words with her rich soprano voice. The song concludes, "to show some love today."
LYRICS
VERSE1
Sitting alone in my office one day,
Sun going down, Chores out of my way,
I wondered what memories I’d leave behind.

VERSE2
Would memories be of me smiling?
Would the stories be inspiring?
Would I be remembered as being kind?

CHORUS
Memories are short and do not last.
What will be remembered when we’re past?
Try, try, try, to show someone love today!

Get out of your room. Go have some fun.
Make some new friends or visit special ones.
Try, try, try, to show someone love today!
BRIDGE
VERSE3
Tell a story. Don’t make it long.
Write it down. Yes, sing a song.
Let friends know your love is here to stay.
VERSE4
Acres of diamonds in your own backyard.
Help someone. Let down your guard.
Warn the young of hazards and show them the way.
VERSE3
CHORUS
REFRAIN
Try, try, try, to show some love.
Try, try, try, with help from above.
Try, try, try, to show some love today!
ENDING

Love Today (ft. Anna Rader - vocals, Alfonso Llorente Sardi - acoustic guitar)

Guitars and Keyboard by Ken Minty
	Recorder by Marcia “WhistleWeaver” Phillips.   To hear more of Marcia's exceptional music please visit:   https://soundcloud.com/whistleweaver   Many thanks Marcia for taking part in this project.
	Cover Art by Karsten Paulick from Pixabay


	Rat was the son of Rat, by Rat - one of a litter of 5 males and 6 females, whose names, respectively, were Rat, Rat, Rat, Rat, Rat, Rat, Rat, Rat, Rat, Rat and Rat.

	Rat was a truly remarkable rat, beyond doubt, the rat of his generation.
	As is the nature of rats, Rat grew up very rapidly, and was soon wondering about the nature of life.   Having become a master of the maze, he made it his life's purpose to inspect every facet of life and the universe.
	Rat is known mainly for developing the theory, and refining the practice, of the domestication of humans.   He was the first to observe that domesticated humans do have a limited number of primitive emotions, the most important being loyalty.    This seminal work was later further developed by his great-grand-daughter, Rat, who showed that, with training, humans could even display love at the most basic level.
	It is pertinent to point out that Rat was widely travelled – he explored, not only the entire building in which the lab is housed, but also a large part of the surrounding grounds, and even visited some sewers and other interesting constructions.
	He was a gifted intellectual, lived a long and fruitful life (almost three and a half years), was the progenitor of several hundred descendants, and will be remembered by ratkind until the end of the laboratory.

	Rest in Peace, Rat

Autobiography of a Lab Rat

Requiem for a Rat

Download

Requiem For A Rat

A song for that someone special in our lives.
Thanks for listening.
Arranged and produced & cover photo by, Mike Hilton © 28/02/20

Instruments;

Takamine 6-string
Fender Stratocaster
Synth Angelina (VST)
Vox amp

Angel

Piano : Elisabeth Dicker @https://soundcloud.com/liz-dicker
Orchestrations : Julien Morency  @https://soundcloud.com/julien-morency

Based on the book Cilka's Journey by Heather Morris

Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival.

When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child?

In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions.

Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love.

From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit―and the will we have to survive.

Un Triste Périple

Un Triste Périple - Elisabeth Dicker & Musicar

Happy to release my new collab with my talented friend @annabmaymusic !

Hope you'll enjoy it as much as we did!
And don't forget to visit Anna for more beautiful music :)

https://fanlink.to/staying

Staying Awake - Anna B May & Wane of Summer

Written and Performed by Josh McAlexander

Why I sing Hosanna

Why I Sing Hosanna (Original)

The only track released so far from my upcoming album on Triplicate Records, Torus, releasing in March 2020. https://triplicaterecords.bandcamp.com/

Mastered by Michael Southard

Inkdrinker

I've seen them all around the world: Berlin, San Francisco, Paris, Rome, Sydney, anywhere…. They exist across all social classes and in all ages. They are surrounded by an impenetrable aura of deep loneliness, of being cut off from lovers, of being locked up in a labyrinth from which there is no escape. 

In their gaze lies a deep, unquenchable longing for fulfilment. And yet they cannot look and are never really be seen. 

They do not recognize each other, even though they are all inhabitants of an isle:

The isle of the lost souls.

The isle of the lost souls

The Isle Of The Lost Souls

free download this track and the full 2020 vampiresa ep
from 3 alternative links:
-  https://archive.org/details/humanfobia-vampiresa-ep
- https://hearthis.at/humanfobia/set/2020-vampiresa-with-e.rar/
- https://humanfobia-official.bandcamp.com/album/vampiresa-ep-2020
letra: Mi ataúd está solitario
Mi ataúd está solitario

El Cementerio es mi hogar
Cada noche puedo sentir el perfume de la muerte
Tu energía y sangre vital serán mías
Necesito la compañía de un cadáver
Detrás de cada lápida está escrito
el nombre de los dieron la vida por mí

Necesito la compañía de un cadáver
Mi ataúd está solitario (x5)

Vampiresa

Ataúd Solitario(Burial Version)

Written, performed by Kyo Arakane
Bass guitar by Anthony Ciulla

Imagination is going too far tonight 
I am having another sleepless night 
Did they have to kill Martin Luther King Jr. 
Did they have to keep themselves superior 
Here I go…
We are always looking for humanity 
Blaming that Chinese Communist Party’s cruelty 
Why don’t we take a look at our own country? 
Why do people living in separate category? 
Here I go…
Xenophobia, bigotry in smiling masks 
Prejudice, friction, genocide 
Education doesn’t always work out 
What do you say?

2020 remakes

Xenophobia

decirte que te quiero

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

COME WITH A SMILE

RUIZZOIDMAN