COME WITH A SMILE

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

Original version "Subwaves" 2017 made with IOS Garage band, now remixed and mastered in Logic and Ozone.

Aquator 2024 (part 2)

UnBoxed October 2024

[ d o w n l o a d a b l e ]

Done

a meandering ukulele, a track of chorus guitar and a track of ring-modulated guitar, and a couple of synths...

Random Leavings (On Dead Shadows)

Album BACK TO THE ORIGINS
RELEASED: August 1, 2024 - The album contains 12 tracks Ambient and 'long 77 minutes. And 'available now on AMAZON: https://www.amazon.com/music/player/albums/B0DDL7C87C

12 - Origins - Album BACK TO THE ORIGINS

STOP, NO WAR

This composition presents you with a musical plateform that represents you calling out to your  past family, friends or people you have felt a bond with,or who are experiencing hardship.
The Sad Souls are captured in the -Celo, flute and piano.
The Happy responses are felt in the guitar and piano
I hope you can relate to this composition as it allows you to  create your vision.

My Soul cries out for you

A few people have contacted me about the original track "Talking to myself",   and asked if they could hear an acoustic version, so here it is. appreciate your likes/comments/plays etc etc

Hope you like 

G

Talking To Myself (Acoustic)

Pipers was supposed to be part of a 'triptych' but now has ended up being a 'polyptych'...

Dall-E SUCKS as there are no explosions going on in the image, as the prompts were blocked due to "unsafe image content detected" (explosion)

Explosions were part of the track...as artists we should be able to express what we want without regard to some algorithm dictated by our 'betters"...

See https://soundcloud.com/remnant60/pipers-into-the-thistles-parts-1-3
for the rest of the story...

Pipers Into The Antideim (Part 4)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

original Music/Lyrics/Vocals: Neowakan
2006

The tears of the sun

Chant: Juliana Paul ( Châteauroux ) Alexandre Riou ( Arcachon )
Paroles et Musique: Dominique Le Bars
Full version; https://dominiquelebars1.bandcamp.com/track/au-gr-du-vent-duo

Au Gré Du Vent ( Duo )

A song for that someone special in our lives.
Thanks for listening.
Arranged and produced & cover photo by, Mike Hilton © 28/02/20

Instruments;

Takamine 6-string
Fender Stratocaster
Synth Angelina (VST)
Vox amp

Angel

Piano : Elisabeth Dicker @https://soundcloud.com/liz-dicker
Orchestrations : Julien Morency  @https://soundcloud.com/julien-morency

Based on the book Cilka's Journey by Heather Morris

Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival.

When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child?

In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions.

Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love.

From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit―and the will we have to survive.

Un Triste Périple

Un Triste Périple - Elisabeth Dicker & Musicar

decirte que te quiero

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

https://dominiquelebars1.bandcamp.com/album/8top-lalbum-communautaire

Au Gré Du Vent ( Duo )

8top L'album communautaire

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