Oh dear your baby planet has just met a super nova remnant.


Accompanying image used under CC4
By ESO/L. Calçada - ESO, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=8424516

Protoplanetary disk ablation

Inspired by the Youtube video of Magnapinna (Big fin squid) filmed in the Gulf of Mexico.
https://www.youtube.com/watch?v=To2_Gq14UVs

Created using
4ms Spherical Wavetable Navigator  Oscillator
MakeNoise Wogglebug
MakeNoise Mimeophone
ALM Pamela's New Workout
DivKid 0chd

Image taken from National Oceanic and Atmospheric Administration  "Windows on the deep 2021" project https://oceanexplorer.noaa.gov/okeanos/explorations/ex2107/media-resources/bigfin-squid.html

Magnapinna

First Light (Interlude)

From a beautifully resonant recording of a metal windmill: https://freesound.org/people/spoonbender/sounds/269462/

Windmill Variations #5

With the upcoming Keith Rowe celebration in Berlin just around the corner, reflecting upon how Prepared Guitar noise crossed cultural boundaries. Pink Floyd in 66/67 a band of the London arts scene. Legend has it that Keith Rowe influenced Syd Barret to do improper things for the guitar that no other Pink Floyd guitarist cared to explore. I found this idea more plausible than Syd being stoned or aggressive -- although both artists might have found they shared a transgressive feeling for how such noises are the thang to challenge the thinking about the thang. While there's nothing in Syd's guitar sound surpassing anything Hendrix hadn't blown through several times with the vitality of ten thousand cats, it's also more complicated to think it through the Keith Rowe perspective. Hendrix's path, in my reading, was, yes, to found his own sound, gain his freedom, but also to destroy the white western exploitation culture with the rage of the slave uprising through the electrified blues and render, as a result, an American problem and treasure. In the last days, Jimi wanted to bring it back home and play deep electro-acoustic blues and rock the studio like CAN influenced by Stockhausen on shrooms. Keith's sound was already detached from folk traditions, more consciously post-modern (self-historicizing, self-contextualizing -- to lay the emotional guitar down, pushed away from the body), and few people really want to deal with that new kind of wilderness he explored in HARSH, where you see shards of what he maybe transmitted to Syd and which Jimi knew very well but never lived to take out of the rock and roll physicality context. Prepared Guitar music doesn't really exist if the guitar is not really involved, though. This track is all about those cross-over moments between the psychedelic movement and fluxus and free improv and indeterminacy. Syd was still in a rock band rooted in the Black Music of the Colonies and then they got rid of him. Noise has maybe messages beyond human aesthetic.

Syd B Keith R

Sonic Installations II (raadiolained)

TIME

The Giant Swing

No - Man´s - Land

Ritual

Chapter I ''Slowed Tales from the Lands Between''

Chapter I "Slowed Tales from the Lands Between"

Sequend「SLOWED」

Rumblin Cynth Rampo is based on the South Glamorgan coast she describes herself as cacophonist. Working in the genres of ambient, industrial ambient and noise she explores the worlds of science, space, heavy industry and the deep dark places of earth (or any things that she fancies).

Her tracks are created using modular and hardware synths, soft synths, diy electronic noise boxes, bread-boarded temporary sound generators and effect as well as field recordings. 

Inspiration comes from the natural world, science and space.  Influences include Bach, Beethoven, Mahler, Pierre Schaeffer, Daphne Orme, Delia Derbyshire, Louis and Bebe Barron, Can, Cluster, Tangerine Dream, Hawkwind, Throbbing Gristle, to name but a few.




Protoplanetary disk ablation

Rumblin_Cynth_Rampo

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