another exciting joueney into your special sonic world Gwen hope you are well

super soundscapery Gwen (love the artwork also)

started off as interesting and then suddenly heads skyward thru some incredible transformation

Lovely dronescape. It metamorphosises like the artwork.

proper demented dark ambient fluctuations

Just getting back into our music community after a long hiatus...  Have missed your incredibly fascinating offerings, Gwen!  Superb experimentations!  Hope you are keeping well.  :)

nice to wake up to a lullaby for a change
this guitar has got to have been influenced by watching cats play with string 🐈
yet another 'wake-up' feel, i'm gonna have to mix them all together
...the alarm clock megamix...

wake up

Que Sera Demain ? - Was wird morgen sein? - What will be tomorrow?

Que Sera Demain ?

A nifty track half by Z, half by G. I think it sounds like sunrise over a coastal city, perhaps on a foggy morning. G's view of it is decidedly more urban, as she thinks it sounds like a trainyard or an overpass type area.
This features dungchen, bass melodica, fiddle, waterphone, drum kit, and a number of synths and world instruments.
The dungchen (Quilcom SIM-DUNGCHEN) is the lead instrument, and is going through 3 pitch shifters which gradually diverge, with one going up an octave, one going down an octave, and the middle one doing its own crazy-ass thing. This is how the fifths morph into minor chords and such.
There's also a full drum kit being bitcrushed by HomeCorrupter to get those sizzling white noise sounds.

Meditation No.36 - The Last Guttersnipe

Another track from my first album 'Landing Party' out end of July. The Fourteenth Day is dark, haunting and melancholic.

The Fourteenth Day

The heat from fire

The Heat From Fire

Inadequate Space

A Beetle Capsized

Water under the mountain (A108 - 2)

K G G - Alien Birth

Ijesuald

Rumblin Cynth Rampo is based on the South Glamorgan coast she describes herself as cacophonist. Working in the genres of ambient, industrial ambient and noise she explores the worlds of science, space, heavy industry and the deep dark places of earth (or any things that she fancies).

Her tracks are created using modular and hardware synths, soft synths, diy electronic noise boxes, bread-boarded temporary sound generators and effect as well as field recordings. 

Inspiration comes from the natural world, science and space.  Influences include Bach, Beethoven, Mahler, Pierre Schaeffer, Daphne Orme, Delia Derbyshire, Louis and Bebe Barron, Can, Cluster, Tangerine Dream, Hawkwind, Throbbing Gristle, to name but a few.




The Heat From Fire

Rumblin_Cynth_Rampo

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