This is a track a part of a single called Red Wine & Foam and is available on Bandcamp. It is made for a short film by Austrian artist Josef Trattner, called Monochrome 100.  Showing 100 paintings he made, painted with red wine from Italy. Different type of redwine for each painting. Each one has its on shade of red. https://youtu.be/npiZlTqFCvM

Red Wine & Foam

Shades of Red

@octalindustries is the solo project of Jónas Thor Gudmundsson. The project was originally founded in 2003 by Jonas and Mike Sickinger, the founder of the Octal label. The debut release of their collaboration was the Automatik EP on the Transistor Rhythm output. Couple of years later they joined their friend Deep Chord for a shared 12“ release, which today is a quite a valuable gem for dub techno lovers. The three of them joined hands together later that year to create a 3x12“ release undir the pseudonym Spectral Network. The release was quite limited (111 copies) and was considered one of the most interesting 12“ releases that year by many critics. 
After the release of the Spectral Network eps the duo went for hiatus as other projects took over, also as opportunity for musical collaborations became harder as the Atlantic Ocean divides them. Jonas continued working on other projects as @ruxpin – producing numerous releases along the way. 
In 2011 the duo was asked by the French independent label @entropy-records to do some releases. As Michael was unable to participate, Jonas went on solo and worked on a full-length release, which later became Meeting of the Waves LP. Another remix followed for G.R.I.T. which was hailed by dubtechnoblog.com as the best remix of the year 2012.   
In more recent years, Octal Industries has been working on numerous collaborations with artists such as fellow Icelander @ohm-599575574 - and fruits of their work has been released on labels such as @thule-records, Rawax, @luckofaccess, @allinnrecords and many more. 
Octal Industries also released works independently in 2019 an EP entitled Julia Sets on @kontaktrecordscph, which featured a remix from the Detroit legend @mikehuckaby – and his second full-length album Our Seasons, which was released on Vertex in December 2019. 
Octal Industries, although being Icelandic in origin, works and resides in Tallinn, Estonia. 
Stay Rave with #R13!
Tracklist:
01 Federsen - Ghanja Dub (Vade Mecum)
02 Yotam Avni - Avka (Stroboscopic Artefacts)
03 Waage - XoS27 (Unreleased)
04 Octal Industries - Spectrum (Unreleased)
05 Exos - Lag11 Minifunk (Unreleased)
06 NonniMal - Skjуla (Thule Records)
07 Altitude - Simplicity (Obscure Components)
08 Malin Genie & Selidos - Come The Morning (Berg Audio)
09 Traumer - Burning (Berg Audio)
10 Ohm & Octal Industries - Drama Chord (Exos Remix) (Rawax)
11 Ozy - Pull The Strings (Force Inc)
12 Lakefkt - Oceania (Ohm Series 003)
13 Oculus - Morph (AE Recordings)
14 Ohm & Octal Industries - Hobart (Unreleased)
15 Exos - Attfalt (Octal Industries Remix)
16 Oxun - Forward (Unreleased)
17 NonniMal - Ronja (Thule Records)
18 Exos - Svali (Waage Remix) (Unreleased)
19 Andre Kronert - Triton (Berg Audio)
20 Octal Industries - Wildfire (Kontakt)

#126 | Octal Industries (IS)

One of the last three recordings of the legendary band ÞEYR, recorded in Copenhagen, in a Reggie Studio, terminating our last Scandinavian Tour of 1982.

Lunaire 7"

The Walk

(PL - scorll down for EN)
Nagranie pokazujące różnicę w brzmieniu skrzypienia drzewa z zewnątrz i z jego wnętrza. Na zewnątrz mikrofon AT BP4025 umieszczony kilkadziesiąt centymetrów od skrzypiącego drzewa. We wnętrzu wetknięte w próchniejące u podstawy drzewo mikrofony LOM Uši.
Pierwsze dwie minuty (00:00 - 2:00) to nagranie z zewnątrz - z mikrofonu AT BP 4025.
Kolejne dwie minuty (2:00 - 4:00) to nagranie z wnętrza drzewa - z LOM Uši
Ostatnie dwie minuty (4:00 - 6:00) to połączone oba nagrania z wnętrza i z zewnątrz.

======================
(EN)
A recording showing the differences in the sound of the creaking of a tree from outside and its inside. Outside, the AT BP4025 microphone is located a few dozen centimeters from the creaking tree. Inside, LOM Uši microphones are stuck in the rotting base of the tree.
The first two minutes (0:00 - 2:00) are recorded from the outside  - from the AT BP 4025 microphone.
The next two minutes (2:00 - 4:00) is a recording from inside the tree - with LOM Uši.
The last two minutes (4:00 - 6:00) are both inside and outside recordings combined.

Comparison - tree creaking - outside and in / Porownanie - skrzypienie drzewa –z zewnatrz i wewnatrz

Let’s hear a well known house track of the early 90s, with a vocal line that inspired the title of this pod. We’ll hear it in two different versions and talk about sampling. Fresh ideas are born in the name of inspiration. How everyone borrows a snippet of someone’s creation and make it their own. 
A track has a dna, but part of it can be dressed up in new gowns and present itself as something familiar but yet from another planet. Sampling was universal in early house music. If you don’t believe me, take a look at this website: whosampledwho.com 

Put on your dance shoes and travel with me to the 90s.

-Phtalo

Tracklist:
The Break Boys “My House Is Your House”
The Montini Experienc II “My House Is Your House And Your House Is Mine”
Emmanuel Top “Acid Phase” 
Josh Wink “Don’t Laugh”
Josh Wink “I Am Ready”
Phtalo “Emotions Are My Power”
Eddie Amador “House Music”

My House In Your Haus #1: The Beginning

Afsnit seks i serien formidler, forklarer og reklamerer for Organ Sound Art Festival 2022. Pladeudgivelser, koncertoptagelser og reportageinterviews med pibeorgler, dekonstruerede orgler, ildorgler, en gammel hurdy gurdy, stilhed, intens minimalisme, klarinetter, basuner, modular synthesizere og meget mere. 

Organ Sound Art Festival 2022: https://www.facebook.com/events/475493714529423
https://www.koncertkirken.dk/

Interviews med Carolyn Goodwin og Ea Borre. 
Tilrettelæggelse, produktion og vært: Jan Høgh Stricker
Grafik og jingle: Kasper Vang (Hanns Eisler)
Organ Sound Art Festival: Björn Ross, Jan Høgh Stricker, Rasmus Steffensen og Mads Kiilerich.

Trackliste:
Jürg Frey — One Instrument, Series (3) for organ (1999)
Michael Pisaro -  Secular Reason (2017)
Linnea Talp - Arch Of Motion (2022)
Copenhagen Clarinet Choir - Three Movements: Mvt. 1 (2022)
Philip Glass - Contrary Motion (1969)
Calum Builder & Simon Mariegaard - ACIAS Sample Saxophone Organ Surely (2022)
Kit Downes & Lucy Railton - Of Becoming and Dying (2021)
John Chantler - The Long Shadow of Decline Pt I (2015)
Runar Magnusson - A Star's Gone Dim (2022)
Olga Witte Organ Trio - Please Crawl Out My Eyelid (2021)
Sholto Dobie - Live recordings (2022)

I mit orgels hus VI med Jan Høgh Stricker (Organ Sound Art Festival edition)

Thanks to Autechre for this awesome mix, blending many styles and genres. 

This mix is here to put Neuvoids back to life, as the project was paused for a while now. We hope you'll like this mix as much as we did. More stuff coming really soon!

Full tracklist:

r beny - alpenglow 
a0n0 - 1202
Made - Tek50
Humanoid - Last Seen
Sunken Foal - Trabolgan Acid
Stallone the Reducer - Eight Queens Puzzle
Pinch - Loose Cables
Luxus Varta - Cloud Study
Ishtar - Ca Va Craquer
tsx - nachawa
Versalife - Cosmic Language
ESG - UFO
Fumbata - Actuation
DJ Stingray x The Exaltics - Herd Instinct
CONTAINER - Vacancy
Lauren Bousfield - Foster Kid Running Away Again
Sluta Leta - Snöade Läger
Westside Gunn feat. Slick Rick - Good Night
Patricia Taxxon - Ascension
Civic Edits - Hassle
Stranglers - Meninblack
Spunk - La Bimini
Willie the Kid feat. Rapper Big Pooh and Joe Scudda - Game Winning Shot 
Bob James - Nautilus
Oto Hiax - Silt
Minced Oath - A Game Of Skill And Forethought
Beach Surgeon - Four Millions
The Extra T's - E.T. Boogie
Cygnus Ft. Yukihito Tsuge - Smooth Fixation 中毒
tsx x psygod - silberringe swud
zK - ZERO TOLERANCE
KMRU - under the bridge
Pita - Inend
Russell Haswell - Ambient Takedown
BJ Nilsen - Pole of Inaccessibility
Patricia Taxxon - Crocus 1

Autechre - Mix for Neuvoids

The music of Naarm/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concrete threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.

Drawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.

Although each piece exists in its own rare air the composite panorama they present is striking in its sweep and subtlety. Lerkenfeldt's muse seems one of evasion as much as evocation, navigating negative spaces for their subliminal whispers of dread or beauty. It's an aesthetic both ascetic and exploratory, minimalist mirages of resonance, texture, and gravity skewed through the pensive glow of room tone.

But Lerkenfeldt is too versatile an artist for purist restraint, which Collagen demonstrates dramatically in its closing cut, “Champagne Smoke.” A quivering bowed eulogy ebbs under a flickering film of distortion, slowly swelling in sorrow until suddenly the screech goes silent, revealing a murmuring phantom haze hidden beneath the strings, like a specter lost in an abandoned house.

14 Gestures associated with this album will be performed in experimental film and online viewing room of graphic notation at 14gestures.com from 29th July to 29th October, 2020.

Collagen releases on Shelter Press in LP / DL format on August 21, 2020. LP mastered and cut by Kassian Troyer at D+M, designed by Bartolomé Sanson with art by Lisa Lerkenfeldt, housed in reverse-board inner and outersleeve, including a 16 pages limited edition score book.

LISA LERKENFELDT 'The Weight Of History'

I stuck my LOM Audio Geofon to this old grain/feed silo tower on the harbour in the small Danish town of Kerteminde... It was quite windy and the tall metal structure played a pretty descending melody - Bb A G - It's quite clear in the beginning of the recording... As well as the seagulls and someone talking...At the very end you'll some deep resonance from someone walking across the great big metal plate for the truck scale (bridge weight)

Graintower Kerteminde Harbour

Dark Matter, formerly nicknamed "mass", was composed by GKO in 1985 for the ELGAR/KUKL project. The present version was recorded in Studio Hljóðriti and Studio Grettisgat in 1987 by Mel Jefferson. Accompanying GKO in this production are Birgir Mogensen, Einar Melax, Bogomil and Björk. This is the first official publication, while a live version was recorded by the Icelandic Television in 1986, but was declared classified and destroyed by the staff of RÚV.

DARK MATTER 01.12.2020

Runar Magnusson – disturbing in more ways than one

    Runar Magnusson /Edition# / Vindva Mei / Hljóðaklettar 

Composer and a sound designer.

“I work a lot with field recordings, sounds from nature and the environment around me. I use these recordings both in the original form and manipulated.
I create atmospheres inspired by nature, horror movies, noise and meditation.”

I finished in 2009 a masters degree in Electronic Music Composition at the Royal Academy of Music, Aarhus, where I amongst other things worked with surround sound and made a soundtrack for The Dreamachine.

I have made music and sound design for numerous theater and performance pieces over the last 10 years.
I have 4 solo releases and 3 releases with Vindva Mei.

Other than doing music solo i also have 3 duo projects.
First one and the oldest called Vindva Mei with Petur Eyvindsson. We have been working together since the 80´s in various guises. 
As Vindva Mei since 1994.
The second is called Alien UFO together with Helgi Thorsson (Stilluppsteypa & Evil Madness)
The third one is at the moment called Runar Magnusson & The Crying Cowboy (The Cowboy being my brother Kristinn Magnusson on vocals)  
I am a co founder and curator of the labels Whitelabel (with Petur Eyvindsson a.k.a. DJ Musician)  and Hljodaklettar (with Sabrina Joy).

See:
http://runarmagnusson.com/
http://www.hljodaklettar.com

Shades of Red

runar

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