Performed by Elisabeth Smalt. 
Released on the CD Subvoice - unsounds.com/shop/physical/subvoice

Music For Viola

Tracklist created to be played in the garden at SMK Fridays - Statens Museum for Kunst: GRØN in connection with the European Society for Literature, Science and the Arts Conference(Green)in Copenhagen, 15th of June.
The playlist consists of people creating music with either field recordings, digital or analog synthesis, to modify or mimic natural environments.
 
Andrew Pekler  - Feedback TT (Tristes Tropiques - Faitiche)    
Native Instrument - Waldfest (CAMO - Shelter Press)         
Michael Muennich (Fragment Factory) - Dialog im Sachsenwald  (Unreleased)    
Lag Os (Ruben Patino) -  Track 2 (Pantano Stereomorfico - anomia)
CES vs Mangan (plants and Animalia) - Untitled  (Unreleased)  
Native Instrument - Thud (Unreleased)  
Felicity Mangan - Bird sound in close up vs Monster stickers (Unreleased)  
Native Instrument - Section of Live in Milano  
Till Boverman - fielding - first recording  
Tsembla - Rain cycle  
Giuseppe Islasi - Track 1 (Even when they speak of space - Senufo)
Green Music (Tomoko Savage and Fransesco Cavaliere)- Rain Forest synthesis (Unreleased)     
Dave Philips - Side A  (Insect LP)
CES (Plants and Empire) - untitled

Green mix for SMK Fridays - Statens Museum for Kunst: GRØN / SLSAen Conference(Green)

YouTube version here 
https://youtu.be/KNkjA08G7PI

Patch I made the other day in the style of Penderecki

Will Guthrie
Some Nasty
C30 (XIX-II)

Release date: April 2019
www.hasanaeditions.org

Some Nasty

XIX-II - Will Guthrie - Some Nasty Side A (excerpt)

foggy

Music for Cello and Humming is available at https://blankforms.org/publication/judith-hamann-music-for-cello-and-humming-cd/

For her first album releases as a soloist, nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her CD, Music for Cello and Humming, features two pieces for cello and humming written specifically for Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann’s own “Humming Suite” and “Study for cello and humming.” Having arisen intuitively from Hamann’s investigations into shaking, just intonation, psychoacoustic phenomena, and the voice in relation to the femme presenting body in performance, humming here also references dislocation, or ventriloquism.  Although teetering on the edge of audibility, the intimate and vulnerable closed-mouth sounding enters into subtle interference with her cello, drifting into acoustical beating and bringing instability to otherwise more formal grid structures. The capacity for rupture of this volatile fragility reaches its apotheosis on Hennies’ “Loss,” a piece that deliberately instructs Hamann to hum beyond the limits of her voice range. Going against the grain of chamber music orthodoxy, the guaranteed failure set in motion by this instruction yields a generative sound of effort reminiscent of Xenakis’ storied desire for an instrumentalist to play with the sorrow of knowing they can’t do everything. With an arc suggestive of sudden life change, “Loss” casts queer epistemology onto composition, positioning failure, undoing, unbecoming, and transforming as alternative ways of knowing or being. Hennies’ signature composite merging of individual components here brings oral sounds that include breathing and coughing together with humming, cello, and sine waves. Like Glenn Gould’s 1982 Goldberg Variations or Pauline Oliveros’ Accordion and Voice, this timbral meeting of bodily utterances with consummate musicianship imbues Hamann’s humming work with a breakable, human strand, here as humbling as it is uncomfortable.

Music for Cello and Humming‘s sister release, Shaking Studies, is also available. Music for Cello and Humming is accompanied by an essay on both recordings by Nora Fulton.

Judith Hamann undertook her doctoral studies with renowned cellist Charles Curtis, with whom she is currently engaged in a discourse based project, ‘Materialities of Realisation.’ She has additionally demonstrated a superlative capacity for improvisation and engagement with sonic arts through work with artists Dennis Cooper, Éliane Radigue, Áine O’Dwyer, Ilan Volkov, Toshimaru Nakamura, La Monte Young and Marian Zazeela, Golden Fur, Jessika Kenney, Anna Homler, Yvette Janine Jackson, and Lori Goldston, among others. Her recorded appearances include Tashi Wada’s Duets, Graham Lambkin’s Community, Alvin Lucier’s Illuminated By The Moon, and Gossamers, with Rosalind Hall.

Judith Hamann - Humming Suite III - Harmonics Étude For One Cello And One Voice

FLIES 47 
Giuliano Sorgini – OCCULTO
LP

Two years after the stunning Africa Oscura, Four Flies Records is back with another gem from Giuliano Sorgini’s secret archives, this time one which unearths some of his darkest, eeriest music – that is, pieces he composed in the mid-70s for some of the most infamous, low-budget horror movies ever made in Italy.
This collection brings together a selection of original recordings from those movies, which were directed by “Italian Kings of the B’s” Angelo Pannacciò, Salvatore Bugnatelli, Luigi Batzella, and Guido Zurli, who are among the kings of Italian B-movies, and with whom the Roman composer worked intensively throughout the 70s.
Due to the very low-budget nature of the films, Sorgini, recorded the soundtracks entirely on his own, in his Cat & Fox Studio in Rome. He played drums and percussions and added overlapping layers of analogue synths to create a superbly sinister soundscape, thus turning a constraint into an opportunity.
The result is a journey into the mysterious atmospheres of the Italian occult-sounding music of the time, something very close to the dark electronic masterpieces that made Sorgini famous, such as Zoo Folle or The Living Dead at Manchester Morgue.
Occulto features ten previously unreleased tracks characterized by enigmatic moods, obscure beats and esoteric themes. All tracks are taken from original master tapes that remained buried in the composer’s archives for decades.
The LP comes in a deluxe jacket and inner sleeve designed by Luca Barcellona.

06 - Giuliano Sorgini - Ombre Minacciose

FLIES 44
Bruno Nicolai - GEMINUS
LP

Four Flies are proud and honoured to release the first vinyl reissue of Bruno Nicolai’s outstanding original score for GEMINUS, a 1969 Italian TV mini-series directed by Luciano Emmer and starring Walter Chiari, Alida Chelli, and Ira von Fürstenberg. 
Originally released under Italian label Gemelli, Nicolai’s soundtrack has been remastered from the original master tapes and comes in a glossy, tip-on style jacket featuring the restored original cover artwork, as well as extended liner notes by film critics Francesco Cesari and Roberto Curti. 

Bruno Nicolai composed and directed an eclectic score that brings together different music genres and influences, from 60s beat, psych, and prog rock to baroque and experimental music. He did not hesitate to mix classical forms and structures with new instruments and remarkable, eccentric arrangements. In ‘Giano’ (Janus), the interplay between a distorted electric guitar and a hypnotic harpsichord creates a strange, somewhat troubling ambience. The delicate, celestial voice of Edda Dell'Orso leaves its unique emotional imprint on the most lyrical piece in the soundtrack, ‘Tema Barocco’ (Baroque Theme).
The main theme ‘Il cielo cade’ (The Sky Is Falling) features a luxurious arrangement and stunning orchestration enhanced by enchanting vocal harmonies sung by ‘I Cantori Moderni di Alessandroni’. 
In other pieces, such as ‘Larve’ (Larvas), ‘Il sognatore’ (The Dreamer), ‘Eclisse di luna’ (Moon Eclipse), ‘Visioni’ (Visions), ‘Catacombe’ (Catacombs), and ‘Notti romane’ (Roman Nights), expressive and experimental solo passages played by instruments such as the vibraphone, sitar, harmonica, or percussions, contribute to the sombre, mysterious atmosphere of the score as a whole.
Limited edition, 500 copies worldwide.

Bruno Nicolai | GEMINUS

Fire! - Defeat (Only Further Apart)

Elephant9 - Rite Of Accession

Hedvig Mollestad Trio - Leo Flash' Return To The Underworld

a record label dedicated to release work by the most adventurous and creative norwegian artists and composers

Fire! - Defeat (Only Further Apart)

Rune Grammofon