Un cri brut, une confession sale, un manifeste gravé dans la douleur.
Cahiers de Doléances n’est pas un simple album : c’est un procès-verbal de la rage, une collection de blessures mises en musique. Chaque morceau ouvre une plaie collective — harcèlement, violences policières, manipulation médiatique, injustices sociales, écocide, contrôle numérique — et les transforme en riffs grunge lourds, en refrains hurlés, en textes qui frappent comme des matraques.

En héritier des colères de Nirvana, Rage Against the Machine ou Bérurier Noir, Déméter scande la voix d’une génération qui refuse de se taire. Ici, la guitare gronde comme une manif, la basse vibre comme un cœur en panique, la batterie cogne comme une porte de cellule.

Chaque chanson est un cahier arraché au peuple, une plainte qu’on ne peut plus ignorer.

Cet album est un appel à réveiller les consciences, mais surtout une arme sonore : sale, sincère et nécessaire.

02.Bleu Nuit, Rouge Sang

Alabaster DePlume 
“Peach”
Debt Records
2nd Oct 2015

A peach is a sweet and soft and good thing with a stone in the middle, and this is an album about being a person. Smartphones, analogue tape, valve microphones, computers, group games and a grand banquet were used to create this collection of songs, tunes and monologues, that use a series of contradictions to talk about being alive. 

Long-term collaborators John Ellis (piano) and Paddy Steer (percussion, bass, lapsteel, synth) join Angus Fairbairn (vocal, tenor sax) along with eleven other musicians and nearly a hundred other voices in presenting sounds likened to Ethiopian jazz and Japanese folk music. Scripts and vocal delivery evoke Ivor Cutler, Emo Philips and Leonard Cohen, for this combination of theatre, live-captured music, songs, humour and philosophy.

It is a unique collection, made by unusual means designed around the artistry and conveyance of its many contributors. Created over three years in London and Manchester, it’ll be celebrated in those two towns on the dates below, following its vinyl and digital release on Manchester label Debt Records, on 28th September 2015.

A composer, musician and performer, Alabaster DePlume (Angus Fairbairn) has toured northern Europe, appeared on UK national radio and developed theatre for Bram Stoker Festival in Dublin. His many combined arts projects are based around music, and personal inclusion. In this, his third album, he has employed as many voices as he can, in conveying a method of survival he’s been taught, he says, by everyone he’s met.

Hope grows naturally, like a
dandelion between the bricks.
I feel good…

Manchester launch: 4th October at The Wonder Inn 
London launch: 31st October at The Total Refreshment Centre, Dalston

Personnel:
Will Calderbank – cello
Rioghnach Connolly – flute 
Ellis Davies – electric guitar
Lorien Edwards – bass guitar
John Ellis – pianette, clavinette, piano
Leonie Evans – backing
Angus Fairbairn – vocal, tenor sax, acoustic guitar, yanquin dulcimer, synths
Dominie Hooper – backing 
Philip Howley – drums, percussion
Mikey Kenney – violin 
Pascal Makonese – m’bira
Kirsty McGee – bass flute
Tim Vincent Smith – violin
Paddy Steer – drums, percussion, bass guitar, double bass, synths
Rick Weedon – drums, percussion 
With selected vocal delivery from – Rioghnagh Connolly, Ellis Davies, Julia Foster, Katarzina Jablonska, Sally Jenkinson, Kasia Wlaszczyk, Oliver Conway. 
And with a chorus of attendees of the ‘Excuse Me’ studio feast, 9th September 2014, Antwerp Mansion. Meal by Samuel Buckley.

Engineered by Paddy Steer, John Ellis and Karl Sveinsson. Recorded at Limefield Studios Middleton, Madwaltz Levenshulme, Antwerp Mansion Rusholme and the Total Refreshment Centre Dalston, with additional field recordings at various locations. 
Mastered by George Atkins at 80 Hertz.
Artwork by Liz Greenfield
All songs and scripts written by A. Fairbairn. 

14 - Strange

Summer isn't over - Allah-Las took over our Freak Terrain feed for a few hours of sun-soaked jams.

Freak Terrains w/ Allah-Las - August 20, 2016

Coming in mid September is an absolutely lovely, pastorally infused, first album from Enofa (Ross Baker), entitled, “Arboretum”. Ross had released a collaborative album with us a few years back under the name, Middlemarch. His partner on that “Wolf Hall” release, Dimitris Avramidis, also contributes to this new effort as well.

For Ross, nature, and the inspiration derived from walking among the trees in the park and nature preserve near his home, plays a large part in the overall tone of this one long beautiful track. Like the Arboreta, which are regularly crafted to contain a range of contrasting shapes and colours, which gives them a very unique look and atmosphere,  this wondrous soundscape of sorts, incorporating field recordings, moody guitars and synth, and electronic treatments perfectly reflects the calming and mysterious feel of the long and languid  glorious English days of the moment. Wind chimes…the crackle of leaves underfoot….the light, swirling wind in the treetops…the sun breaking through the clouds…put this album on and you will find yourself strolling there as well!

TRS078 will come in two very limited, physical versions. The first, deluxe handmade version comes in an edition of just 50 copies. Each of these comes in the form of a collaged, stamped and hand worked vintage art deco, tri-fold photo folder, w/original photograph. Within each are collaged, vintage arboreal prints, dried leaves, and other arboreal ephemera. Each folder is extensively hand artified, and comes strung with a stamped tag made from an antique British cigarette card. Each comes with an attached, stamped black envelope containing a factory pressed CD, held on with an obi strip.

There is also a hand made standard version of Arboretum in an edition of 50 copies. These come in hand worked and altered, black digipaks, also with factory pressed discs.

This release is also available physically at our website, or digitally and physically at our Bandcamp page here…and here…

http://timereleasedsound.com/

https://timereleasedsound.bandcamp.com/

Enofa..."Arboretum"  Track II

Kompromat

It Grows Under

One of the beautiful, pastorally infused tracks off of the lovely new album from English artist, Enofa... entitled "Nerra Ninna Noak"...

Enofa "Nerra Ninna Noak" (Part 5)

The All Is One

The Same Old Rock (One Must Imagine Sisyphus Happy)

Workingmen’s Archive is a Mixcloud channel made by 2 Israeli guys. It's been around since 2018, creating Folky-Bluesy 1-hour long sessions.  Mostly focused on 60-70’s music carefully collected, the sessions are best suited for a late night hazy hour. The sessions’ cover images are also made by the 2 creators.

Links:
https://www.mixcloud.com/Workingmensa/
https://www.instagram.com/workingmen_archives/


The Everly Brothers - Lord Of The Manor
Elyse Weinberg - Houses
Black Savage - Sharpeville
Bill Withers - I’m Her Daddy
Ted Lucas - Plain & Sane & Simple Melody
Pentangle - The Snows
Donovan - Jersey Thursday
Elysian Spring - Blue Sands
Jerry Garcia - Up From The Desert
William S. Fischer - Chains
Wizz Jones - Come Back Baby
David Crosby - Almost Cut My Hair (1969 Demo)

L'envie #74 :: Workingmen's Archive

Hier nun ein weiterer Titel der mysteriösen Charlie Keller. Die Restaurierung des Tonbandes gestaltete sich denkbar schwierig, so musste das Band etwa gebacken werden. Um so mehr freuen wir uns nach der Kosmonauten-Ode »Ich, Sigmund Jähn« nun weiteres Werk aus dem Oeuvre Kellers präsentieren zu können: »Die Ballade von der Überlgenheit der sozialistischen Wissenschaft«.
Lasziv haucht die Keller in diesem Lied über große sozialistische Errungenschaften: Über den ersten künstlichen Erdtrabanten „Sputnik“, über den Teilchenbeschleuniger Synchrophasotron und über die erste Herztransplantation. Diese wurde nämlich nicht vom südafrikanischen Imperialisten Christiaan Barnard durchgeführt sondern 1946 von Wladimir Petrowitsch Demichow. Und zwar an einem Hund. Wie auch schon „Ich, Sigmund Jähn“ ist „Die Ballade von der Überlegenheit der sozialistischen Wissenschaft“ AgitProp reinsten Wassers. Obgleich der vermutlich von Vollprofis dargebotene amtliche Pop-Rock auch heute durchaus zu gefallen weiß, fällt es schwer zu glauben, dass die Werktätigen nach Feierabend eine Ballade über Wismut und Kernfusion mitschmettern wollten. Selbst für DDR-Verhältnisse sehr dick aufgetragen. Vielleicht einer der Gründe weshalb dieses Lied bisher nie veröffentlicht wurde?

Die Ballade von der Überlegenheit der sozialistischen Wissenschaft

Charlie Keller - Die Ballade von der Überlegenheit der sozialistischen Wissenschaft

Le Discograph est un rendez vous qui a lieu 4 fois dans l'année à La Passerelle, scène nationale de Saint-Brieuc avec pour chaque soirée une thématique.

Parfois omniprésente, toujours essentielle, la musique de films est un art délicat : elle se doit d’accompagner avec finesse et caractère les images à l’écran. Mais au-delà de son apport esthétique, c’est un langage à part entière, au fort pouvoir émotionnel sur le spectateur.

S’appuyant sur des morceaux spécialement composés pour des bandes originales de films, Julien Tiné nous propose une sélection de ses thèmes musicaux préférés. C'est pour la musique elle-même ou par amour des films - et bien souvent les deux ! - que les choix se sont faits. Des compositeurs tels qu'Ennio Morricone, Philippe Sarde ou Vladimir Cosma auraient pu valoir à eux seuls un mix, les B.O. de films de genre tels que les films d'horreur ou la blaxploitation également.

On peut se perdre assez vite dans cet univers alors… laissez-vous aller à cette B.O. imaginaire !

Playlist : 

01 - Philippe Sarde - Beau Père (Beau Père)
02 - Miles Davis - L'assasinat de Carala (Ascenseur pour l'échafaud)
03 - David Shire - Amy's Theme (The conversation)
04 - Ennio Morricone - Immoralita (L'immoralita)
05 - Bill Conti - Philadelphia Morning (Rocky)
06 - Vladimir Cosma - Etienne et Charlotte (Un éléphant ca trompe énormément)
07 - Sebastien - J'adore Godard
08 - Karl Heinz Schafer - Les Preuves (Les gants blancs du diable)
09 - Alain Goraguer - Le Bracelet (La Planète sauvage)
10 - Nico Fidenco - The meal is over (Black Emmanuelle)
11 - Vladimir Cosma - Le Grand blond avec une chaussure noire 
12 - Ennio Morricone - Le Casse (Le Casse)
13 - Roland Vincent - LSD Partie (Delphine)
14 - Michel Magne - Thème de Fantomas (Fantomas)
15 - Mica Levi - Children (Jackie)
16 - John Williams - Jaws (Les dents de la mer)
17 - John Carpenter - He Came Home (Halloween)
18 - Popol Vuh - Der Marktplatz (Cobra Verde)
19 - Goblin - Profondo Rosso (Profondo Rosso)
20 - Riz Ortolani - Adulteress Punishment (Cannibal Holocaust)
21 - Serge Gainsbourg - Jane dans la nuit (Cannabis)
22 - Pierre Bachelet - O et Sir Stephen (Hisoire d'O)
23 - Air - Afternoon sister (Virgin Suicides)
24 - Emmanuelle Arzan - Laure
25 - Alain Goraguer - La comtesse se dévergonde (Erotica)
26 - Curtis Mayfield - Pusherman (Superfly)
27 - Marvin Gaye - T stands for trouble (Trouble Man)
28 - Roy Ayers - Escape (Coffy)
29 - Piero Umiliani - Hard Times (Il Corpo)
30 - François de Roubaix - Xavier à la maison d'arrêt (La Scoumoune)
31 - Philippe Sarde - La lettre de Rosalie (César & Rosalie)
32 - Robin Guthrie & Harold Budd - Neil's farewell (Mysterious Skin)
33 - Gabriel Yared - C'est le vent Betty (37,2 le matin)
34 - Charlélie Couture - Corde raide acoustique (Tchao Pantin)
35 - Angelo Badalamenti - Love theme from Twin Peaks (Twin Peaks)
36 - Michael Andrews - The artifact & living (Donnie Darko)
37 - Clint Mansell - First Sleep (Solaris)
38 - Vincent Gallo - Her smell theme (The way it is)
39 - George Delerue - Thème de Camille (Le mépris)

xx

Discograph "Musique de films"

a record label dedicated to release work by the most adventurous and creative norwegian artists and composers

The Same Old Rock (One Must Imagine Sisyphus Happy)

Rune Grammofon

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