Up And Down Again

DEAD_INSIDE

gli omertosi abitanti di

This song expresses the possibility of a new path forward in the midst of struggling to come to terms with a very sad breakup.

The structure is designed to connect to the future, so that the possibility of charting a new path is continuous.

This is an original track.
I recorded the guitar, bass, piano and drums myself.Some elements like certain string parts, ambient sounds, and subtle adjustments were programmed using MIDI — although some of the string sounds were also played and recorded using an electric piano.
This track features vocals by Koharu Rikka (小春六花), a Vocaloid singing voice synthesizer.


Thank you so much for listening!


The lyrics are as follows (Japanese):
消えてゆく場所はここにあるの？
もう一度会うことも言うこともできないの？

始まりの終わりが何かを
告げて　涙に変えゆく
永遠の言葉はいつでも
儚く途切れて　新たな道を描く

色褪せた過去の傷を背負い
夢の跡抱きしめて遥かなる道に立つ

始まりの終わりが何かを
告げて　姿を消しゆく
永遠の言葉はいつでも
儚く途切れて　新たな道を繋ぐ

the End of the Beginning

The Lovely Blue Waves

You who need time killing,
Please go together till the last

music for you who are helpless right now

All Guitars, Bass, Saxophones, Vocals, Drum programming by Carlo Neve
Written, Recorded and mixed by Carlo Neve
Recorded in Ableton Live 12

Artwork: Picture taken by Carlo Neve in Guggenheim Museum Bilbao, The video installation by Refik Anadol is titled 'in situ'. 


-------------------------------------------------
Hugging Trance Abstraction (More more)

I have been thinking, 
thinking too long
about effects, consequences, 
decisions that I take or won’t                 

It is time to loosen 
the grip of limitations 
Break free from boundaries 
and let possibility lead the way
 
no maps, no clocks, no alarms, no job, no alibis or excuses
no targets, no goal, direction unknown, just go let the muses seduce you

more fun, more jazz, more friends, more art, more guitars, more satisfaction.
more beach, more sun, more wine, some rain, more more, more more attraction
more sax, more beats, more bass, more love, more leads to more dance action
more colour, more beauty,  less duty, more magic, more hugging trance abstraction

More, more, more, more, more, more, more, more

Hugging trance abstraction (More more)

Our little band has been busy over the summer months working on songs for a fall release.  This is perhaps one of the more spiritually-centered songs we have written and published.  How responsible are we for the evil that has come upon the world, for the resultant suffering it has brought. Peter's beautiful words begin with an act of redemption for mankind, but end with judgement not by God's choice, but man's will. 
The words did not come easily as Peter confesses that his pen "hovered above the last line for several minutes" not wanting to write it, but with a prophet's conviction, knew it must be written. The question is begged by those who will to believe, does the beauty of God's creation also involve justice and judgement, what Luther called "God's alien work"?  
Peter's verse has never been more poignant or Seagull's production more finely crafted. His track note also offers further insight into our thinking on the song and is well worth reading.
Guitars left & right; David Dunham; @david-dunhamuser589535203
Superb Poetry/Lyrics, Narration; Peter the Poet; soundcloud.com/user-264930040/tracks
Music, superb Mix & Production, Seagull; @farout-music-studio
Wonderful voice - Clara Sorace

Web of Circles

…and place the host upon my tongue
as his grace, the bishop did, when I was young
to set life's path as angels sung
since when I've tracked an arcing line
my cracked heart marinades in altar wine
as webbed circles on repeat define
…
……the mirrored threads within my mind.

…and carbon copies as before
in mobius time reflect the score
while catastrophes gorge today once more
identikits forged on command from yesterday
nothing learned, just press replay
and watch heads in hands as the people pray
…
……for the pendulum to swing the other way

…and certain as the wheeling orbit's path
history founders on future’s aftermath
to sin once more as lucifer belly laughs
run aground we last forget that sacred host
‘neath chancel’s hell he resurrects what aches the most
humanity self-lashed to eternity’s whipping post
…
……by the Father, Son and Holy Ghost

Web of Circles (Seagull, Peter, and David)

My first 'cover', 2x1 ;) This song is made of variations from the songs 'Bookends' and 'Scarborough Fair', by Simon & Garfunkel. It combines their melodies and chords on 3/4, 6/4. 9/4 & 5/4 signatures, all in medieval folkie mood, no drums also.
https://soundcloud.com/simon-garfunkel-official: original songs
https://soundcloud.com/burn-it-smith: piano, vocals
https://soundcloud.com/ruizzoidman21centurions: project, guitars, bass, flute, vocals, production

Preserve Your Memories (with burn.it.smith - original songs by Simon&Garfunkel)

Inspired by 19th Century Salon Music of France, Eugene Ketterer's Valse des Fleurs captures the moment.  Maiden de Valois rides a wild carousel, megaphone in hand!

French Stampede

Free Download of my experimental new beat, that I composed, performed on, mixed, mastered, an produced
Hope you like it

Code Blue

At my follow limit right now, or email them directly
RunningWolf1989@gmail.com
Record Company President/Owner, BMI registered songwriter, composer, producer of music, film, TV, videos, radio station owner, DJ, promoter check out the LinkedIn account for full details, also on runningwolf1989.bandcamp.com 
At my follower limit right now, but I can see DM of links still
If ya not following me on Twitter as well @RunningWolf89, how will ya know if I give ya a tweet shoutout? Yeah, I do that wit out telling people on here lol
Open to collaborations 
If you don’t understand my music, it’s ok, it’s not for everyone

Code Blue

Hanta Nashob (The Unknown Artist)