Ruhail Qaisar is an artist from Leh, Ladakh. His current  practice revolves around examining threads of local memory, mythos, and poetics through sound art, compositions, and found sculptures.

Involved within various cross-genre projects since 2015, his early noise shows all over India are recalled as sonic palate-cleansers , he debuted with his concept album Fatima (2023) dubbed by The Quietus as "haunting", released on Danse Noire featuring stalwarts like Dis Fig and Elvin Brandhi, with a 48 page photo book publication.

The commissioned hymnal piece for Les Urbaines written in collaboration with Gottfrid Ahman and Michael Anklin , Three Hymns of Cruelty (2022), which delved into the dynamics of Ladakhi procession music, was performed at Arsenic in Lausanne.
His found footage VHS short film Cenacle 97-98 (2022) was screened at the Zurich Kunsthalle, La Becque, and Gessnerallee Zurich for Parasite O Sinensis.  
His latest work "Gods Erupt Like Tumors" is a series of found sculptures and a monophonic sound installation on view at the Salts Gallery in Birsfelden, Basel CH. 
He recently finished his residency in Graz, Styria, preparing a 36 channel third order ambisonic composition, Namkhay Rtsima / The Spine of the Sky, for the Musikprotokoll Festival for ORF (Österreichischer Rundfunk) and the Steirischer Herbst’ 24 at the Dom im Berg.

With roots grounded in artist development, community building and fan engagement, Pagal Haina's strength lies in discovering, nurturing and empowering songwriters with an eye on global reach. We are an intimate team of professionals with skills across the audiovisual palette.

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