Sonic Sculptor

follow @ovhedar on all plats x5

My new Album 'Fractal Worlds' by Spirit project.

Lost Souls (Original Mix)

The fifth volume of 'Ambient Archives' comes with music by Shuta Yasukochi, Surroundyou, Slow Clinic and Logic Moon. A wide range of ambient lines, guitars, beautiful piano chords, hazy textures and field recordings.

Written and Produced by Shuta Yasukochi, Surroundyou, Slow Clinic and Logic Moon. 
Mastering by Zzzzra. 
Archives26 
Archives / 2016

Surroundyou - Awakening

Leigh Toro has been producing music for the past twenty years.  Back in the day he recorded under the guise of Flotel and released works on the excellent Expanding Records.  More recently he has been recording under his own name and has had albums out on Eilean Records and Handstitched.  We are excited here at Rural Colours to bring you his latest work Layers of Ash, an album of frayed granular resonances.

Layers of Ash started life as a series of short improvisations which were then woven together to create more developed pieces.  Leigh tells us that he is currently producing longer form pieces of music that explore the textural qualities of digital distortion, bit reduction and resonance. He enjoys exploring the balance between the harsh noise and more subtle delicate sounds and how that balance can evolve over a longer period than he has worked on before. 

This is Rural Colours 081
Written and produced by Leigh Toro
Artwork by Katie English
www.ruralcolours.co.uk / innit

Leigh Toro / Layers of Ash (Snippets)

Autumn

Seadailer

Olan Mill - Seadailer

Emanuele is a sound artist from Baia a little coastal town in the Phlegraean Fields in Southern Italy. He has released albums with labels such as Karakoe Kalk, Somnia and Apeginine as well as collaborating with artists such as the Dakota Suite, Dag Rosenqvist and compatriots Enrico Coniglio and Elisa Marzorati. Live performances have seen Emanuele share a stage with artists including Deaf Center, Biosphere, Vladislav Delay, Tim Hecker, Xela, Marsen Jules and Ulrich Schnauss. 

Since the age of 6, he started playing a bontempi organ, a Christmas gift given by his parents before progressing through synthesizers and performing in local bands. With some years spent creating music using a computer, these days, Emanuele’s workflow is returning to his origins of live playing, usually with a synthesizer. His work is now imbued with an acoustic quality, sitting comfortably alongside electronic aesthetics. The natural sounds of field recordings add an almost tangible dimension to his work and it is here, in the outdoors, that his latest album is immersed. 

‘This World’ is a deep and intimate exploration of what our planet and its inhabitants have become today which Emanuele is honest enough to admit, he doesn’t particularly like much of what he sees. Each of these 10 tracks is a reflection of what the world once was not so many years ago and what it is now. The path meanders both memories and present considerations, beginning with sparse, minimal notes to initiate contemplation, before more expansive, lush arrangements take hold as the album progresses. Emanuele narrates a deeply personal account throughout This World, but these tales are both vague and provocative enough for the listener to contemplate the journey for themselves.

This World

wlr062 Emanuele Errante - This World

"Adnasjur" - large wave or waves, coming off a succession of lesser ones

Music by Hammock
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Hammock - Adnasjur

Taken from the upcoming album 'Bij Wat Ook Moog' Gebeuren', forthcoming on Fluid Audio...

www.fluidaudio.bigcartel.com/mailing-list

Bij Wat Ook Moog' Gebeuren

Gareth Davis / Rutger Zuydervelt / Leo Fabriek - Bij Wat Ook Moog' Gebeuren II

Track taken from the upcoming album 'Call Me When You Can' by Ned Milligan & John Atkinson.

Ned Milligan- chimes
John Atkinson- processing 
Recorded, composed, and constructed in 2019
Mastered by Taylor Deupree

www.fluidaudio.bigcartel.com

Call Me When You Can

Ned Milligan & John Atkinson - Summons

Cat #: DR-68
Format : CD / DL
Release page : https://dronarivm.lnk.to/StalkingtheElusive

This album was conceived in Moscow during the Spring of 2018, when Dmitry Vasilyev organized the concert of Enrico Coniglio and Giulio Aldinucci at дом - Dom Cultural Centre. The album reflects the feelings of some very intensive days made of exchanges of ideas with a multitude of people involved in music (including Dmitry Taldykin of Dronarivm) and moments spent in isolated places out of the metropolis, like a forest not far from an army shooting range.

In this album, the two musicians wave together memories of an immutable past and questions about the present, giving birth to a sort of a requiem overflowing with lyricism. This music enlighten the dawn of a future that now appears more uncertain than ever, with frozen intensity and dramatic strength. As a message entrusted to the stars, it leaves as wondering if we can still change the course of events.