My Name is Rene' Sinnz and i'm a Solo Artist and Metal Music Creator.
All music is written, composed and produced by Rene' Sinnz

Vardath is a brand-new, one-person sonic laboratory that began transmitting in January 2025. Using generative-AI tools as both muse and instrument, Vardath stitches together glitchy percussion, crystalline pads and unexpected melodic detours to create music that is at once strange, cinematic and quietly beautiful. A self-described “truther,” he draws conceptual fuel from the alternative-history ideas of Martin Liedtke (Flat Earth British), Jason Breshears (Archaix), Jaydreamerz and Jeff Snyder2, turning those fringe perspectives into shimmering, other-worldly soundscapes.
Launched in January 2025, Vardath is the latest independent producer who treats artificial intelligence as a creative co-pilot rather than a gimmick. By feeding field recordings, modular synth phrases and text-prompted virtual choirs into custom machine-learning chains, he coaxes out music that hovers between glitch, ambient and avant-pop—a place where ghostly harmonies bloom out of fractured beats, and a single sample can be stretched into a cathedral of sound.
Vardath’s worldview is as unconventional as his workflow. A committed “truther,” he regularly explores the work of Martin of Flat Earth British, Jason of Archaix, Jaydreamerz and Jeff Snyder2—figures who challenge mainstream narratives about history, cosmology and consciousness. Rather than preaching, he lets those speculative ideas seep into the music: pitched-down lecture snippets become rhythmic textures, while sweeping drones hint at lost civilizations and cyclic cataclysms.
With thousands of self-published tracks on Bandcamp and the major streamers, Vardath is still in a formative phase—but that rawness is part of the appeal. Each new upload feels like an open notebook page, inviting listeners to follow the real-time evolution of a producer who uses AI to question not only what music can sound like, but what reality itself might be.
• “AI-built dreamscapes for the curious and the conspiratorial.”
• “Where glitch meets gnosis.”
• “Soundtracks for slipping the consensus reality.”

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