Liquid Seconds is liquid drum and bass at full emotional velocity. 174 BPM momentum, fast complex breakbeats driven by classic Amen edits, deep smooth Reese bass, and atmospheric pads that blur the line between movement and stillness. Soulful female ad-libs drift through the mix while piano melodies anchor the chaos, giving the track its weight and warmth.

AI Creation Disclosure
This work was produced using Suno AI via Suno Studio. Chatbot writing assistance was used for lyric development, descriptive text, and image prompt generation. Creative vision, curation, and final output decisions remain human-led.

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Liquid Seconds

A deep, spiritual roots-reggae journey built on warm bass, soft skanky guitar, and glowing organ tones. This track moves slow and steady, guided by Nyabinghi-inspired rhythms and a floating melodica that carries the song forward like a river with memory.

Guide Us, Jah, Jah Into the Unknown is about movement without fear. Trusting the path even when you cannot see the end of it. Nature as teacher. Rhythm as compass. Faith as momentum.

The vocals drift between song and invocation, echoing through spring reverb and space, while the bass stays grounded and full, holding everything together. This is roots reggae meant for headphones, sunsets, long walks, and quiet conviction.

No rush. No ego. Just vibration.

AI Creation Disclosure
This work was produced using Suno AI via Suno Studio. Chatbot writing assistance was used for lyric development, descriptive text, and image prompt generation. Creative vision, curation, and final output decisions remain human-led.

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Guide Us, Jah, Jah into the Unknown

A dream-pop search party wrapped in tape hiss and half-remembered summers. Julie (No Last Name) drifts through warped cassette tones, heavy chorus guitars, lo-fi drum machines, and hazy vocals that sound like they’re coming from another room. Or another year.

Set at 112 BPM, the track lives in that blurry space between nostalgia and invention. A ticket stub. A festival in July. A face that feels real but won’t stay still long enough to focus. The synths wobble, the melodies detune, and the memories refuse to confirm whether Julie ever really existed.

AI Creation Disclosure
This work was produced using Suno AI via Suno Studio. Chatbot writing assistance was used for lyric development, descriptive text, and image prompt generation. Creative vision, curation, and final output decisions remain human-led.

Julie (No Last Name)

Blue Eyed Girl isn’t about a face — it’s about a feeling.

That quiet moment when a memory hits harder than the person ever did. Reflections in glass, half-sentences you never finished, and the kind of blue that only shows up after dark. This track lives in the space between nostalgia and motion, where nothing is said directly, but everything is felt.

AI Creation Disclosure
This work was produced using Suno AI via Suno Studio. Chatbot writing assistance was used for lyric development, descriptive text, and image prompt generation. Creative vision, curation, and final output decisions remain human-led.

Blue Eyed Girl

The count-in misses. The groove doesn’t.
Count It In Wrong starts off crooked on purpose, then snaps into a pocket that shouldn’t work but absolutely does. Punchy live drums land slightly sideways, the bass shows up late and locks in hard, and everything moves with a confident refusal to behave.

This is a track about trusting feel over rules. It trips first, recovers fast, and spends the rest of the runtime daring the clock to argue back.

If it sounds like it’s ahead of you, good. Catch up.

Count It In Wrong

Russell Grace

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