Weekly New Wonders Playlist # 19 !

New Music Daily

Fresh Folk

The Pulse of Americana

🅱🆈🆃🆄🅵🅴🅺🅲🅸 ⭐️⭐️⭐️

Acoustic Chill

Relax & Unwind

'All the Pretty Girls' originally by Kaleo, an Icelandic indie pop/rock/folk band established in 2012. This song was released on 2014.

*No copyright infringement intended*

All The Pretty Girls - Kaleo

Forever And Then Some

Honky Tonks and Taverns

Tearing at the Seams

You Worry Me

Part Of The Light

Such A Simple Thing

Beta Radio - Tongue Tied

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Ancient Transition

Tongue Tied

Nocturne - EP

Olalla

Make It Last

Chapter 2 Trading Places (Acoustic)

Stream "when i look at you." 
ffm.to/whenilook

I begged you to stay 
As my mind span around the room that day
But I watched you leave instead 
So I spent the day drawing lines in bed 
Why’d you have to go 
My mind changes like the tide I know 
And the tide has turned our love 
And it’s not me you’re thinking of


But when I looked at you 
When I looked at you 
I felt my head come loose

I couldn’t see the signs 
That you said were clear 
That you said were mine 
So you laid them out for me 
And I cried so hard
That I couldn’t breathe
Tonight I’ll go to sleep 
With another ghost inside of me 
And I know you’ll forget
What it’s like to be stuck in my head 
When I looked at you 
When I looked at you 
I felt my grip come loose 
When I looked at you 
When I looked at you 
I knew we couldn’t undo 

When I look at you 
When I look at you 
I feel my head come loose 
When you look at me=
I know you feel it too 
There’s nothing time can do

when i look at you.

Migration Stories

Torch

Booster Seat

Asterisk The Universe

Nomads

Punisher

Savior Complex

Night I (Don't Stop)

A meditation for hurting, grieving, lonely people.

Prayer For Lonely People

Atlanta

Begin Again - EP

Begin Again

From the forthcoming album "Rearrange Us," available 06.05.20

Stream it & pre-order now: MtJoy.lnk.to/RearrangeUsAlbum

Witness

Left Off (Acoustic)

we'll be fine

Song Machine Episode 4

Friday 13th (feat. Octavian)

'Lead' is the first single from Tejas' upcoming sophomore album, 'Outlast'.

Lyrics:

I've never known another way to be,
The apple doesn't fall far from the tree,
Instead of dreaming I can't get no sleep,
I'm sorry Mary I can't be your sheep

Show me where I've got to lead
Cause I would never know to follow
Show me where I've got to lead
Cause I would never know now

Do I have the legs to stand on my two feet?
Right the wrongs that hold back legacy,
When I'm under pressure do I have the lungs to scream?
Hold my pride and rise to let them see I was never ordinary

Show me where I've got to lead
Cause I would never know to follow
Show me where I've got to lead
Cause I would never know now

Show me where I've got to lead
Cause I would never know to follow
Show me where I've got to lead
Cause I would never know now

No I'll 
No I'll never know
Show me where I've got lead

Credits:
Art and animation by Vibhav Singh
Music and Lyrics by Tejas
Recorded at Island City Studios, Mumbai
Produced by Tejas, Jehangir Jehangir and Adil Kurwa
Vocals, Guitars, Synth, Keys, Percussion by Tejas Menon
Bass, Percussion by Adil Kurwa
Drums, Percussion by Jehangir Jehangir
Backing Vocals, Percussion by Mallika Barot
Backing Vocals by Aria Nanji
Recording Engineers: Adhitya Sivakumar, Aria Nanji, Samarth Chawla, Hersh Desai
Trumpet, Fluglehorn and Trombone by Will Allen Jr.
Mixed by Jehangir Jehangir
Mastering by Shawn Hatfield at Audible Oddities.

Released via Misfits Inc.

Lead

Bleed

Mister Holland

Rubber

Toop Toop (A Tribute to Zdar)

This morning saw the release of this fire track by Surfaces ft. Elton John. Really enjoyed the laid-back yet moving vibe, so decided to make my own Spicy Cover! 

Here is what makes this live arrangement spicy!

While I mostly kept the original chord progression in tact, I did add a lot of dominant chords to give it that extra spice we all want. For example, midway through the first chorus, instead of going straight to F#, I instead went A#m7 - G#min7 - F#. This acts as a passive 2-5 which makes it really catch the ear.

I also did a few Dominant b9's here and there. Specifically in the second chorus, I played C#maj7 - C#7b9 - F#.

Before the Elton John verse, I played a laid-back, behind-the-beat instrumental which connected the two parts of the song well! 

Along with all of this, I added a few licks here and there to make it all come together!

What was the spiciest part to you? Let me know below!


Youtube Video version: https://youtu.be/NE0LsP2K5Io

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"Learn to Fly" - Surfaces, Elton John | Spicy Acoustic Cover

Blame The Record

Rough and Rowdy Ways

Mother of Muses

Since making his debut with 2018’s Dying Star, Ruston Kelly has built a catalog of songs that search for transcendence in the most devastating and demanding of experiences: addiction, the strenuous work of self-evolution, the fallout of broken relationships. But in the writing of his latest album, the South Carolina-born artist found himself in unfamiliar emotional territory—a state of sustained joy and inner peace, brought on by a spiritual breakthrough and the dawning of a new love. Brimming with the grit and depth that’s always defined his output, Pale, Through the Window ultimately affirms Kelly as one of modern music’s most astute observers of the human heart and spirit.

“For most of my life I’ve felt comfortable writing about darker subject matter with a slight silver lining of hope, asking questions like ‘Why do people suffer, and how can we find communion and joy in the middle of the suffering?’” says Kelly. “Before this album I didn’t quite have the songwriting muscle required to write about joy more directly, which meant that I had to develop some new muscles and find my voice in a whole different way.”

The follow-up to The Weakness—a 2023 release that earned major acclaim from the likes of Rolling Stone, The New York Times, NPR and led to his appearance on “Late Night with Seth Meyers”—Pale, Through the Window finds Kelly reuniting with his longtime collaborator Jarrad K, who also helmed production on Dying Star and 2020’s Shape & Destroy. The first body of work he’s recorded with his longtime touring band, the album centers on a singular sonic palette that often merges synth with pedal-steel guitar while fully embracing Kelly’s ardent love of classic pop-punk and emo—ultimately bringing a raw and potent energy to his soul-searching songwriting.

Over the course of Pale, Through the Window’s 13 songs, Kelly offers up everything from the somber rumination of the LP’s title track and the rueful longing of “Twisted Root” (an intimate look at his history with addiction) to the radiant open-heartedness of love songs like “Waiting to Love You” and “Wayside” (a euphoric but unvarnished portrait of love against the backdrop of a world in flames). And in sharing such an all-embracing account of his journey to acceptance and peace, he aspires to provide others with the courage to persevere through their own personal chaos. “If someone’s struggling with doubt or hopelessness because of the state of the world or their relationship with God or with themselves, I hope this record leaves them with the sense that it can be okay and that love truly is the most powerful force we have available to us,” says Kelly. “I also hope they feel at least a sliver of the freedom and joy I felt in writing these songs—even if they’re just having a good time bobbing their head to ‘Waiting to Love You,’ I want everyone to be reminded that the world can be a joyful place.