New Country 2020 - part 7

New Country 2021 - part 7

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Playlist pt7

Dirt Emo

New Country 2024 - 5

Miami Newcomers

Nimbus (Original Mix)

Recorded in Arizona with Calexico's Joey Burns producing, Amos Lee's fourth studio album, 2011's Mission Bell, finds the singer/songwriter in a thoughtful mood and once again wrapping his soulful folk numbers in country, blues, and soft rock. A ruminative, lazy summer day of an album, Mission Bell is not dissimilar to Lee's last effort, 2008's Last Days at the Lodge, but lacks the more contemporary R&B tracks that made Last Days a bit of a departure from Lee's more granola leanings. Here listeners get the introspective leadoff track "El Camino" and the airy Steve Winwood-sounding ballad "Violin." Similarly engaging is the jaunty mid-album anthem "Flower," which is equal parts the Commodores' "Easy" and Hall & Oates' "She's Gone." It's a brilliant, joyously melodic number with the only downside being that it only works to remind you how melodically dire the rest of the album is. Which isn't to say Mission Bell is bad. On the contrary, there is a lot to admire here and maybe that's the main problem. Lee is a talented songwriter with a distinctive pop voice who is becoming recognized as an heir to the American singer/songwriter throne -- a notion given weight by the addition of several well-known guest artists here, including roots rocker Lucinda Williams and country legend Willie Nelson. That said, he often favors rambling, low-key country numbers that get you to quietly consider the bittersweet nature of our existence rather than lose yourself in the song. You come off a track like "Flower" and keep waiting for another one to grab you in the same "instant classic" kind of way. If Mission Bell rings true, it's in the lyrics with Lee's knack for stories and personal revelations keeping you listening, and not always the melodic content.

Mission Bell

Behind Me Now

The Weakness

Ophelia

Kind & Generous

Promiscuous

Crazy (Radio 1 Live Lounge Session)

Uncle Tupelo 89/93: An Anthology

Watch Me Fall (Album Version)

Undercurrent

Take Me Back

Folded Flag

State I'm In

Burnt The Sawmill Down

Love Me

If I Were The Devil

The Bird & the Rifle

Wreck You

Nice Guy

Wild and Young

Baytown EP

Still Smokin'

heart theory

make you

I'm No Stranger To The Rain

How They Remember You

Quick, Fast, In A Hurry (feat. Rachel Wammack)

Here On Earth

Pressure

I Got a Truck

good on you

Need a Bar Sometimes

Under The Sun

Shape & Destroy

In The Blue

Clean

Hallelujah Anyway

While You're Gone EP

While You're Gone

Since making his debut with 2018’s Dying Star, Ruston Kelly has built a catalog of songs that search for transcendence in the most devastating and demanding of experiences: addiction, the strenuous work of self-evolution, the fallout of broken relationships. But in the writing of his latest album, the South Carolina-born artist found himself in unfamiliar emotional territory—a state of sustained joy and inner peace, brought on by a spiritual breakthrough and the dawning of a new love. Brimming with the grit and depth that’s always defined his output, Pale, Through the Window ultimately affirms Kelly as one of modern music’s most astute observers of the human heart and spirit.

“For most of my life I’ve felt comfortable writing about darker subject matter with a slight silver lining of hope, asking questions like ‘Why do people suffer, and how can we find communion and joy in the middle of the suffering?’” says Kelly. “Before this album I didn’t quite have the songwriting muscle required to write about joy more directly, which meant that I had to develop some new muscles and find my voice in a whole different way.”

The follow-up to The Weakness—a 2023 release that earned major acclaim from the likes of Rolling Stone, The New York Times, NPR and led to his appearance on “Late Night with Seth Meyers”—Pale, Through the Window finds Kelly reuniting with his longtime collaborator Jarrad K, who also helmed production on Dying Star and 2020’s Shape & Destroy. The first body of work he’s recorded with his longtime touring band, the album centers on a singular sonic palette that often merges synth with pedal-steel guitar while fully embracing Kelly’s ardent love of classic pop-punk and emo—ultimately bringing a raw and potent energy to his soul-searching songwriting.

Over the course of Pale, Through the Window’s 13 songs, Kelly offers up everything from the somber rumination of the LP’s title track and the rueful longing of “Twisted Root” (an intimate look at his history with addiction) to the radiant open-heartedness of love songs like “Waiting to Love You” and “Wayside” (a euphoric but unvarnished portrait of love against the backdrop of a world in flames). And in sharing such an all-embracing account of his journey to acceptance and peace, he aspires to provide others with the courage to persevere through their own personal chaos. “If someone’s struggling with doubt or hopelessness because of the state of the world or their relationship with God or with themselves, I hope this record leaves them with the sense that it can be okay and that love truly is the most powerful force we have available to us,” says Kelly. “I also hope they feel at least a sliver of the freedom and joy I felt in writing these songs—even if they’re just having a good time bobbing their head to ‘Waiting to Love You,’ I want everyone to be reminded that the world can be a joyful place.