Borderlands 3: DLC 3 - Bounty of Blood

Creepy

Borderlands

Borderlands 3

A full playlist of every BL3 track from main game, to dlcs, and the events that you can play

Borderlands 3 OST+DLCs

Borderlands 3 - OST

A few tracks that I wrote for the soundtrack to Borderlands. 

Borderlands DLC 1 - Toll The Wereskags

Persona 3 (Original Soundtrack)
I do not own any of these songs. 

Fearful Experience

An Unpleasant Premonition

The Beginning

Persona 5 - Original Soundtrack

Event: Interrogation (尋問イベント)

A "dungeon crawl" track I wrote for the soundtrack to Borderlands. 

Borderlands - Assaulting Krom's Canyon

A track written for borderlands, originally intended for map ambience at a pivotal point of the game. It got re-purposed after some changes were made it was no longer applicable.

Borderlands - Traveling To The Vault

A track from Borderlands for a boss battle against a huge lumbering beast.

Borderlands - The Rakkhive Emerges

Borderlands - Fighting Off The Skags

Borderlands 3 - Amara Character Trailer

Borderlands 3 - Moze Character Trailer

Borderlands 3 - Zane Character Trailer

Borderlands 3 - FL4K Character Trailer

Borderlands 3 Soundtrack

Exploring The Dormant Ship (Borderlands 3 OST)

Composed, produced, performed by Michael McCann. This is track #6 from Act 1 of the Borderlands 3 original soundtrack. This version is slightly different than the retail (Spotify / iTunes) version - mix is much better on this one imo.

Borderlands 3 (Original Soundtrack)

Borderlands 3 Original Soundtrack

Spotify

Neon Arterial - Upper City

Composed, produced & performed by Michael McCann. This is track #1 from Act 1 of the Borderlands 3  original soundtrack.

Sanctuary 3

Borderlands 3 Main Menu Theme (Day)

Digby Vermouth's Universe Hit - Supernova Dreamsicle. 

Gettin you in the mood.

Featuring Julian Peterson on Sax. Julian is one of our audio coders and is also a composer in our audio department at Gearbox.

Borderlands 3 - Digby Vermouth - Supernova Dreamsicle

My arrangement of the ambient music for the Tazendeer Ruins in Borderlands 3. This is largely different from the in-game material that was designed to shuffle all 7 layers at random. In fact, all 3 tiers of intensity in music for this map are built that way.

Borderlands 3 - The Machine Crypt

This mix contains 3 of the 7 "suites" I wrote that cycle inside Desolation's Edge. Most of the synth work in this are custom Serum patches. 

There's a short bit of new material connecting the sections and an alternate "sparse" mix of what I call the "lullaby" of Nekrotefeyo at the front of the piece, this is a kind of representation of how this can break down to sparser arrangements in-game.

Borderlands 3 - A Forgotten Place

This is an arrangement of the high combat clips used in-game for the most intense combat section in Tazendeer Ruins.

Borderlands 3 - The Family Wants The Machine

Soundtrack mix of the General Traunt fight in Desolation's Edge.

Borderlands 3 - In Case It Wasn't Clear... TRAUNT!

An extended mix of the menu theme replacement that is unique to the bloody harvest free DLC event. Another almost pure Serum demo of custom patches.

Borderlands 3 - Bloody Harvest - Menu Theme (Extended)

An arrangement of the layers and clips that comprised the combat music for the bloody harvest seasonal DLC event.

Borderlands 3 - Bloody Harvest - Maliwan Rises

A track for the boss fight with Captain Haunt that mixes influences from Sebastien, Peturbator, Wolfgang Gartner, Benny Benassi and a little Justice au jus.

Borderlands 3 - Bloody Harvest - Captain Haunt Phase 02

Initial ambient suite brings us from the quartet base of the Lodge and brings a mysterious yet oppressive subterranean mood.

Obsidian Forest Suite 1

Ashfall Peaks Transition Segment

Originally an experiment at mixing up and pitching the same sets of clips that comprise the first combat cue to Ashfall peaks. I polished it up a little bit and included it in the soundtrack as an example of using the same source material to create variations in mood.

More Conflict at Ashfall Peaks

The tone setting track for me. This is also my personal favorite ambient. This introduces a loneliness and coldness to this area I just loved in the concept art.

Arrival at Ashfall Peaks

As much as I tried to recreate the way this music felt inside the music system in-game, I still enjoyed my in-game experience more than this soundtrack arrangement. Those "braam" like elements are two serum patches with an instance of fabfilter Simplon opening and closing the top end of both serum patches.

Conflict at Ashfall Peaks

This is the one track I was able to actually use more of the tuvan throat singing I learned for this project. I started learning the Morin Khuur from youtube videos about 3 months before this as well. 

This cue represents the alienness of the Borderlands universe and using ethnic instrumentation and techniques in different contexts to emphasize the wildness and harshness of the environments.

Obsidian Forest Suite 1

Raison Varner