lovely portamento synth line vibes on this, enjoying the filtered boc vibe on the drums and the ambience of the vocals, fav track from the new album :)

p*dis sampler 2018.08

What It Takes

by polo & clairo
spot the clairo : https://soundcloud.com/ccottrill

i can be your home
only for the night if you want
so you dont have to be alone

and if your day was long
ill be there to ask you 
"what went wrong, my dear?"

if your day was long
ill ask you how your day was

and if you seem really tired
ill ask you how your day was

i can be your home (fool)
only for the night if you want
so you dont have to be alone

and if your day was long
ill be there to ask you 
"what went wrong, my dear?"

how was your day? [mellow fellow & clairo]

[LLM004]

A1 ... Exo | official video: http://bit.ly/llm004_yt
A2 .. Plus
A3 .. Errors
A4 .. Klint
A5 .. Torn
B1 ... Neoneon
B2 .. Airless / Portals
B3 .. Snake
B4 .. Sensor

Produced by Phil Struck. Mastered by Manes at SALZ. Artwork by Phil Struck. Design by Alex Ketzer. Video by Irwin Barbé and Louise Ernandez. Distributed by Noorden.

© 2017 LL.M. | noorden.org/llm

Klint

[LLM004] Phil Struck - Klint

mini-album soon

years ago when i had a chance
i couldve held your hand
but i was young and then i blew every circumstance
yet i still think
i dream of

dancing, dancing
ohh with you, with you
and maybe even share a drink or two while i tell you the truth
that i dont even care what this is for
as long as i get to share the floor
with you with you
with you

in my thoughts and dreams
i do a lil swayin away with you
even if i know it'll never realize

maybe one day i'll wake up
maybe someday it'll be true
maybe that day i'll be
i will be

dancing, dancing
ohh with you, with you
and maybe even love you a little more
while we tango across the floor
and i dont even know when i'll see you again
but i'll just keep living this dream til the end
with you with you
with you

dancing

new single from forthcoming swim good now album via Secret Songs.

"Daylight"
with Daniela Andrade, Ryan Hemsworth, Lontalius & olli

written by Daniela Andrade / Ryan Hemsworth / Jon Jasper-Lawless / Eddie Johnston / Aaron Mohr / Olli Suominen

produced by Ryan Hemsworth, Jon-Jasper Lawless, Lyle Jasper, Aaron Mohr & olli

additional percussion by Lyle Jasper
additional instrumentation by olli 
bass by Jon Jasper-Lawless 
vocals by Daniela Andrade, Jon Jasper-Lawless, Aaron Mohr & Lontalius

engineered by Ryan Hemsworth, Jon Jasper-Lawless, Eddie Johnston, Aaron Mohr & Olli Suominen

mixed and mastered by Darren Seltmann (of The Avalanches)

art by Kelly Zutrau (of Wet)
design by Jakub Blank

exec. produced by Ryan Hemsworth

https://soundcloud.com/swimgoodnow
https://soundcloud.com/danielaandrade
https://soundcloud.com/ryanhemsworth
https://soundcloud.com/lontalius-official
https://soundcloud.com/totototoro

                              

buy / stream

swim good now - Daylight (with Daniela Andrade, Ryan Hemsworth, Lontalius & olli)

Kate NV - пес DOG

Learn more: https://smarturl.it/rvngnl50

Taken from для FOR.

©2018 RVNG Intl. / https://igetrvng.com

для FOR (RVNGNL50 - 320 - Promo)

пес DOG

Kate NV - пес DOG

swim good now's debut album "Daylight" out June 15 via Secret Songs.

"Previously" 
with Anna Wiebe, Japanese Wallpaper & CLLLAPS

written by Jon Jasper-Lawless / Patrick Magno / Aaron Mohr / Tom Probzanski / Gab Strum / Travis Taylor

produced by swim good now, CLLLAPS, Aaron Mohr & Japanese Wallpaper
featuring vocals by Jon Jasper-Lawless, Anna Wiebe, Zanski
and bass by Travis Taylor
engineered by Ryan Hemsworth, Jon Jasper-Lawless, Patrick Mango, Aaron Mohr, Tom Probzanski & Gab Strum

mastered by Ryan Schwabe
art by Jakub Blank & Jon Lawless

exec. produced by Ryan Hemsworth

swim good now - Previously (ft. Anna Wiebe, Japanese Wallpaper & CLLLAPS)

Oliver Coates - A Church

Learn more: smarturl.it/rvngnl43

©2018 RVNG Intl. / igetrvng.com

Shelley's on Zenn-La (RVNGNL43 - 320 Promo)

Oliver Coates - A Church

R. Elizabeth is the recording name of London-based artist and academic Rachael Finney. Every And All We Voyage On is her
solo recording project’s second full length and is a focused distillation of her practice in sound art and her knack for pop
minimalism. It follows a long sold out release on Where To Now? Records and a prolonged period in which she concentrated
on artist residencies exploring her interest in recorded sound and voice. Immediate and natural, Every And All We Voyage On
manages to sound joyful while tackling complex themes, handling everything with an improvisatory touch. The songs are full of
air and light; infectious, melodic and off-the-cuff.
Recorded using a single 80s Casio keyboard, reel-to-reel tape manipulation, piano and vocal, Finney’s practice with R. Elizabeth
belies a studious attention to detail. Her academic work is often focused on analysing sounds – particularly voice and language –
divorced from meaning and R. Elizabeth challenges the listener with overtly emotional tropes: sweeping portmento lap-steel
guitar keyboard tones on Back From Ten suggest a nostalgic melancholy when it intersects with the narrator closing her eyes,
realising she has nothing left to give. The lilting vocal cloaked in reverb is disarming, with an almost child-like surrender to the
undertow of the song. On Tragedy And Trade there’s a rough grace to the mixing with visceral, manipulated tape sounding like
the artists’ hands are literally in the speakers wrenching the melodies in mid-air. When it intersects with chants about the “gaps
and the silences” it has an eerie, hauntological effect. R. Elizabeth is constantly playing with sound and song: a Wonderland of
perceived emotion, the listener’s perception of what they’re hearing constantly in flux, it’s deceptively simple and deserving of
repetitive listening.
Cut Piano opens the album and introduces a documentary-feel which the album upholds through-out. It’s the sound of the artist
mangling a tape of her own piano recording, twisting it out of shape and suggesting a bend in reality. We’re listening to the artist
becoming a ghost in her own machine, a 3rd or 4th generation copy of an emotion rendered a long time ago, chilling and playful at
the same time. An Image Is Different bursts out of this with a sunny Casiotone beat, a melodic contrast that also introduces
Finney’s vocal. It flitters between a gorgeous repetitive melody ruminating about the nature of reality and a seemingly careless,
conversational tone. The effect is joyful, but you don’t really know why. The lyrics instruct someone (you? The artist?) to “go
outside and break someone’s neck, make it feel so real” before ending with R. Elizabeth nonchalantly stating “I dunno, to be
honest I don’t really care” as if on the phone to someone they’re bored with. It would be jarring if it wasn’t so catchy and uplifting.
The title track is a slow-tempo meditation with droning synths providing the background to slow, dragging tape sounds and
grounding, just-out-of-focus vocals bunkering down in the mix. The methodology suggests the work of Broadcast: there’s a
loping bassline that propels the track forward but the duet/duel between Finney’s haunted vocal and the soloing tape warble
provides aural snakes for the listener’s ear to follow.

R. Elizabeth - SPIRITUAL TO SYMPHONY (from Every And All We Voyage On)

Fluid Hammer

Pancrace - CSO

A Million Years

Openings track from Blake Hargreaves' 'Improvisations On The Pipe Organs Of Europe'. Out on LP and DL on November 22nd on Ultra Eczema!

Blake Hargreaves: Prelude M1

Personal Wastelands is an album rooted in contradiction. Although FOQL and Fischerle are both based in Poland, these two artists—who are working together here for the first time—come from distinctly different backgrounds. FOQL, a former member of the groundbreaking Oramics collective who’s currently a part of SHAPE’s 2020 artist roster, usually operates in the margins between IDM and industrial, while Fischerle, a sonic nomad who heads up the Pawlacz Perski label, is someone whose detailed creations routinely bust through established notions of genre.

Forged over the course of a few sessions in FOQL’s Warsaw studio, the album began with improvisation, as the two artists—armed only with two identical drum machines—gradually discovered some remarkably potent common ground, a nebulous "wasteland" of bleak atmospheres, hypnotic dub and corroded rhythms. There’s a bleakness to the music, yet the album's percolating percussion and robust basslines—which nod toward the more experimental end of the UK hardcore continuum—are downright lively, even when they've been slathered in sludgy reverb. Like many releases on Paralaxe Editions, Personal Wasteland defies easy categorization, but despite its many contradictions, it's a compelling document of what can happen when two exploratory talents join forces and simply let their creativity run free.

Music by FOQL & Fischerle.
Artwork by Oficina de disseny.
Printing by L'automatica, Barcelona.
Mastering by Kris at Linear.ms.
Words by Shawn Reynaldo.

Pre-order here: 
https://paralaxe-editions.bandcamp.com/album/personal-wasteland

Personal Wasteland

Swimming Pool 2.0

random alien love to all my friends during a fucked up time.

insides 3 (alien love mix)

Fyzz 
album available on bandcamp 5/1/2020
mastered by glyn maier

Fyzz

EE3 is a suggestive succession of strangely assembled pieces of micromondo miscellanea as small bizarre objects and surreal items right for Artetetra’s continuously metastasizing outré wunderkammer. 

A showcase of heterogeneous materials that cover an entire imaginal ecosystem going from the grotesque to the hazy, to the hypnagogic and absurd til the utterly whimsical; often resulting in non-linear audio experiences with humoristic and paradoxical outcomes. Abstract exotica, amphibian footwork, compositional audio-jokes, brutal counterpoint metal, aquatic sci-fi shredding, steel-cold cognitive fado, glossolalia madrigals, metaphysical hip-hop, sunitty conglomerations, abrasive warfare cartoon OSTs. All and all, let’s just call it Quinto Mondo. 

But let's get down to the nitty-gritty: 
STILL NOT MUCH 3 SAY 
NEO°GEO 3.0 
30 TRACKS 
30 IMAGINAL FAMILY SUPERSTARS 
2H OF HAILE MUZAK FROM THE FLOATING WORLD 
FUN IS THE MF GUN 

Compiled and curated by Artetetra 
Illustrations and design by RIccardo Redeghieri 
Mastered by Giancarlo Brambilla

The nitty-gritty

AIR Krew - Lair Of The White Worm Scam

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



Oliver Coates - A Church

RVNG Intl.

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