Since i first heard Vivaldi´s Spring in the version of Max i fell in love with his interpretation so deeply, i always knew i had to use it at least once in one of my podcasts im compiling once in a while. It got so stuck in my head that one night last summer i dreamt about listening a new electronic version in a fictional place and i remember i really wanted to know who was the artist that did another take on this beautiful piece. After i woke up i noticed nobody yet had done it and it became clear that it would be myself doing the new version. Vivaldi´s 4 seasons is something special since i was a young child as it is the vinyl we listened to every christmas while we were waiting to receive our gifts. Now i feel the circle closes after all these years and i hope my version is doing the in this case 2 Originals a favour and giving these masterpieces another modern twist people can enjoy and get in touch with classical & electronic music.

>Official Video<

Ryan Davis - Ode to Spring (Inspired by Vivaldi & Max Richter)

A remix I made for Au Revoir Simone, a slow dubby sort of affair, not really for the the dancefloor.

I didn't want to use the full vocals so I went for a high-passed ghostly sort of effect with them, it catches some nice bands in the top of her voice though!

Au Revoir Simone - Take Me As I Am - Max Cooper Remix

Di-Rect - You & I (Fran Seven Edit)

Original track "You where there, somewhere..." from @grkmhn

Hope you'll love it ;)

Görkem Han Jr. - Ywtsw (mindthings rework)

Grey Dawn

5520 inspiring

My remix of '00:26' by Ólafur Arnalds & Nils Frahm is now available on 
https://erasedtapes.bandcamp.com/album/erased-tapes-collection-viii
Taken from the album 'Trance Frendz' · www.arnaldsfrahm.com

Ryan Davis on Facebook: www.facebook.com/ryandavissound/
Ryan Davis on Instagram: www.instagram.com/ryandavismusic/
Booking under booking@ryandavis.de

Commencing the 10th anniversary celebrations with a free compilation entitled Erased Tapes Collection VIII, Erased Tapes also welcomes the iconic Penguin Cafe to the roster amongst tracks from new signing Daniel Brandt (of Brandt Brauer Frick) and Peter Broderick’s duo project Allred & Broderick. It also includes recent compositions by Rival Consoles, A Winged Victory For The Sullen, Ben Lukas Boysen, Douglas Dare and Immix Ensemble & Vessel, as well as a previously unreleased soundcloud.com/ryan-davis remix of Erased Tapes stalwarts Ólafur Arnalds & Nils Frahm which was recently favoured by Aphex Twin and an exclusive edit of Woodkid & Nils Frahm’s score for JR’s Ellis, with spoken words by Robert De Niro.

The Story before: 

When i heard the Album Trance Frendz of Olafur Arnalds & Nils Frahm for the first time, i directly felt a connection to the song they both started together at 00:26. The fine textures of the synths and the subtle evolution in this one-taker brought up the idea of having a version i can play in the late nights on the dance floor but which also would work perfectly for listening in your comfort zone. 

The drums and way of how the remix should flow came naturally and as i had the song standing i layered the original stems here and there to have the track playing in some kind of canon. As i was very happy with my personal version i sent it out to https://soundcloud.com/olafur-arnalds, https://soundcloud.com/erasedtapes & the rest of the participants of this project. Gladly Olafur picked up my remix and forwarded the song to the label which lead to having this unofficial version approved to share with you out there. I hope you like it and thanks to Erased Tapes and all involved for the support :)

More

Ólafur Arnalds & Nils Frahm - 00:26 (Ryan Davis Rethink)

Buy/Stream: Anjunadeep.lnk.to/TTMHG
Release Date: 7th October 2016

With a string of well received releases under his belt since his label debut last year with the acclaimed ‘Seven Summits’ EP, Frankfurt producer Matthias Vogt returns to Anjunadeep with new two-tracker 'Through This Madness / Heavens Gate’.

‘Through The Madness’ is a trademark cut of warm deep house, featuring the smooth vocals of Charles Simmons. On ‘Heavens Gate’, Matthias showcases his deft melodic touch and jazz background on this haunting piano laden groove.

Buy on Beatport

Matthias Vogt - Heaven's Gate

https://christian-loeffler.33r.pm/mare-reworks

Christian Löffler - Vind //  Parra for Cuva  remix

Vinyl: atomnation.bandcamp.com/album/50an
Spotify: open.spotify.com/album/1bfsDcoxd9r87LnQitL794

Gidge - Huldra (Other Version)

Follow:  https://soundcloud.com/quatrimusic // https://soundcloud.com/ryan-davis // https://soundcloud.com/niewiederschlafen

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Quatri - How Far Can You Go (Ryan Davis Rework) [Nie Wieder Schlafen]

BOOKING
booking@ryandavis.de 

BIO
The Concise characteristics of Ryan Davis's music are within the inexhaustible dimensions of sound, taking the listener on a journey full of stories which describe dreams, desires and create imaginary worlds within oneself.

Since 2006 you can follow Ryan's traces on almost every important melodic electronic music label worldwide such as Erased Tapes, Anjunadeep, Watergate, Traumschallplatten, Bedrock or Last Night on Earth. Touring the globe constantly being invited to iconic venues like Bilbaos Guggenheim Museum, Stockholm’s Fotografiska or Berlin´s legendary Funkhaus inspires Ryan´s musical aesthetics whose quality brought him an international fan base and a remarkable reputation.

Over the years he collected notable attention by a variety of artists out of every electronic music genre such as Aphex Twin, Olafur Arnalds, Stephan Bodzin, Apparat, Max Cooper, Sasha, Hernan Cattaneo, Boys Noise or even Depeche Mode including his music on their ‘Sound of the Universe‘ tour.
Nowadays Ryan represents a fundamental name in the modern electronic music culture, in which compositional qualities are a must. 

His remixes for masterminds like Olafur Arnalds and Nils Frahm, collaborations with Robot Koch and Alex Banks or placements of his music in shows like ‚How To Get Away With Murder‘, documentaries like ‚The Last Glaciers‘ or Cadillacs ‚No Perfect Formula‘ underline his work and musical mindset to celebrate & push the compositional form of electronic music which leads the way to establish a world on its own besides pure dj-functionality.