The TWIZTID tale is gritty and fascinating folklore, built on self-determination, fearless creativity, and the elimination of the boundaries between artist and audience. The dedicated supporters who stand with co-conspirators Jamie Madrox and Monoxide are more than fans: they are family.

There’s a rogue’s gallery of hooks, rhythms, and riffs in the TWIZTID bag of tricks. For 25 years, they’ve concocted artistic anarchy rooted in the streetwise storytelling sophistication of hip-hop, trance-inducing hypnotic beats, and the seething bite of hard rock rage. Merging horror movies, comics, and a level of depravity and violence rivaling the grimiest of pulp fiction in the annals of Americana, TWIZTID is the reflection of a tightly knit subculture and the sound of unbridled id.

With over a dozen entries on the Billboard charts, TWIZTID built themselves into an institution, without the help of mainstream gatekeepers at MTV, traditional radio, or major press. They’ve brought their adrenaline-soaked, unbound artistic mania on the road, with metalcore acts like Motionless In White and on the Vans Warped Tour, all without forsaking the worldwide family. TWIZTID built the connection they maintain with their fiercely dedicated legion of supporters to last and to evolve. Everything Majik Ninja does harken back to that original impulse shared by Monoxide and Jamie Madrox: to make art that swings a big ax at the boundary between audience and artist.

Ryan Mitchell Carter is following