DJ Trio - Los Angeles - Matthew Russell, Trevor Dahl and Kevin Ford. 

BOOKING
gperkiel@independentartistgroup.com

MGMT
jon@seminalmusicgroup.com

Fifth album 'Inhale / Exhale' is out now: https://rufusdusol.llo.to/t/DsqJZm 

Dates & Tickets: www.rufusdusol.com

BOOKINGS: 
Alex Becket, Marlene Tsuchii, Darryl Eaton, Roman Trystram;  rufus@caa.com

MANAGEMENT:
Leisurely
rufus@teamleisurely.com

MEDIA: 
mfrieser@infamouspr.com

Management: 
hello@watsematter.com

Bookings: 
katarina@aceagency.com

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.

THE FEELING with YDG ⬇️
https://gryffn.lnk.to/thefeeling
linktr.ee/gryffin

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

Management:
info@m-22official.com


EDM production duo M-22 comprises Englishman Matt James and German Frank Sanders, who made names for themselves with extensive behind-the-scenes songwriting and production & remix experience for worldwide artists such as Ed Sheeran , Anne Marie , Katy Perry , Chvrches , Bastille and Jason Derulo. Brought together by mutual friends for a writing session, the pair clicked instantly, bonding over a shared love of house music, particularly the '90s ‘French touch’ sound. They wrote their first single, ‘Good to Be Loved’, from start to finish on the very day they met, and named their project after that date -- March 22. The single, a smooth slice of slick, swinging deep house with an infectious vocal and piano hook, was an instant success.  Championed by BBC Radio 1’s Pete Tong, it was widely played on British and German radio on stations including Capital FM, Capital Dance, KISS FM and KISS Dance, and racked up millions of plays on streaming services. Almost immediately they were offered a record deal by Swedish house supremo Sebastian Ingrosso. Collaborations with Robin Schulz and Klingande followed, as well as remixes for Avicii, Sigala, Axwell & Ingrosso, and Sigma. The duo's third single, ‘First Time’, featuring Medina, their largest to date went Platinum in the UK as they have surpassed 550 million streams.

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