Laura Escudé is a Future Classical artist blending music, tech & consciousness. Synthesizing her skills as a classically trained violinist and technical prowess as an avant garde electronic producer, Escudé infuses neo-classical & sleek futuristic style with raw emotion elicited with her musical machines.

"We’re hearing, immersing and haven fallen prey to the siren sound of this producer." —Vibe Magazine
"The ultimate game-changer effortlessly built for the 6 AM warehouse space" —Earmilk
“Alluxe made this remix sound so different from the original: that's what I always look for. I like to be surprised and she definitely brought originality and novelty to the song.” —Anthony Gonzalez, M83
"The Alluxe take is the most interesting, simply because it’s the most subtle, building tension from fractured vocal loops and dizzying 808 beats." —Paste Magazine
"Alluxe’s remix of “Lay Your Cards Out” takes on Channy Leaneagh’s original vocals, whom is also apart of GAYNGS, and speeds up the pace for a more danceable tune. What Alluxe especially does best is build on Leaneagh’s vocals and flushes ‘em out just right for one sedating drop (done far better than the original)." —Silence No Good

Arcmtx a.k.a. Siphon (drum n bass). Audio engineering. Electronic music production. DJ. The past has brought releases on Sony PlayStation, independent record labels and animation projects.

I like to make music and play video games

Shanti People project that mix Psytrance | Techno with Mantras

A melodic journey oscillating between house & techno ⋯ Based in Germany
• Armada
• Crosstown Rebels
• Get Physical
• Watergate
• 8Bit

Management // yulianiko@rodaartists.com

⋯ PROMOS to play and submission for a label "AXEPT": yulianiko@axept-mgmt.com

Mathew Jonson is a phenomenon in electronic music. For nearly 40 years he has forged a sound instantly recognisable on the dance floor – often copied but impossible to imitate. Raw, analogue, and alive, he is a master of real-time performance who shapes drum machines and synthesisers into unforgettable journeys, making every show a one-off experience. From underground clubs to sold-out concert halls and collaborations with orchestras, Jonson’s name guarantees a performance of rare intensity and musicality.

His career took off in the early 2000s with influential releases on Perlon, Kompakt, M_nus, Cocoon, and ITISWHATITIS Recordings, a label where he released his very first record in 2001 and which he later acquired. Anthems like "Marionette" and "Decompression" established him as a producer of rare vision, while his live sets quickly became must-see events, consistently ranked among Resident Advisor’s top acts. During this period he was voted Best International Producer twice in Germany’s Groove Magazine, a testament to his impact on the European techno landscape, and went on to appear on the covers of DJ Mag, Groove, Synmag, and other leading publications. Unlike many, Jonson avoids the use of samples for melodic content, instead writing, performing, mixing and producing everything himself – even contributing his own voice and percussion – giving his music a depth and identity that is entirely his own.

Jonson’s discography spans era-defining singles and albums across labels like Crosstown Rebels and Fabric, where his "Fabric 84" mix captured the spirit of his live sets with unreleased edits and classics performed in real time. His two solo studio albums, "Agents Of Time" (2010, Wagon Repair) and "Her Blurry Pictures" (2013, Crosstown Rebels), expanded his scope even further – balancing intricate dance floor energy with explorations of deeper, more introspective sounds. He is currently working on his third studio album, a collaborative project featuring many artists living in Lisbon, where he now resides. His remix work is equally renowned, covering a wide spectrum of electronic music’s most influential figures. He has reimagined The Chemical Brothers ("Believe", "The Boxer"), Moby ("Slipping Away"), Cybotron ("Clear"), Kevin Saunderson ("Good Life"), Plastikman ("Plastique"), VCMG – Vince Clarke & Martin Gore ("Single Blip"), Goldie ("Redemption"), Josh Wink ("Higher State of Consciousness"), The Martinez Brothers ("No Pop"), Rone ("Nouveau Monde"), Joseph Capriati ("Love Changed Me"), Stephan Bodzin ("Tron"), and Alan Fitzpatrick ("Something Wonderful"), as well as crossover work with Nelly Furtado. These remixes underline his rare ability to bridge underground innovation with mainstream resonance.

He has also expanded beyond the club and festival circuit, collaborating with the Zurich Tonhalle Orchestra and performing a sold-out show at the Berlin Philharmonie with Cobblestone Jazz. With that group, Jonson recorded two albums for the iconic !K7 label, further cementing their reputation as one of electronic music’s most respected live acts. Another landmark moment came with "Cinemix": a world premiere performance of a newly composed soundtrack for the silent film "Faust", created live by Jonson alongside Tyger Dhula, Danuel Tate, and Hrdvsion.

Beyond performance, Jonson has continued to innovate. In 2019 he launched Freedom Engine and its debut album "A Box Full Of Magic", followed by the creation of the Freedom Engine Academy – an educational platform built with handpicked mentors to pass on knowledge and foster collaboration. Now preparing to launch its 5th annual edition in 2026, the Academy has become a vital space for nurturing the next generation of electronic musicians.

Now, 25 years since his debut "New Identity" and nearly 40 years since first making electronic music, Jonson is preparing to celebrate a milestone anniversary in his career. Represented in Europe by LittleBig, his current projects include Freedom Engine, his collaboration with Âme, and his ongoing solo work as Mathew Jonson. A pioneer, a mentor, and an artist in constant motion, Mathew Jonson continues to shape the future of electronic music with every performance and release.

As the black sun passed through it’s second phase the material fire breached the castle walls as it illuminated the fortified spectre. An individual stepped out from the shadowed keep and became awoken in the orchard. With open palms the whole self receive the fruit which silvered at a touch. The individual, hands blackened from the shadow faces onwards to the point at which two became one. The pit from below now laid flat with stones as the self was lured closer to its purest form.

We are proud to present our living creation: Dr.Death

The Era of Redemption’s own personal soundtrack
Enlighten through sound

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