
www.turbosuit.net
https://soundcloud.com/turbosuit
https://twitter.com/turbo_suit
http://madisonhouseinc.com/turbo-suit
http://instagram.com/turbo_suit
www.iglooagency.com
Booking: Wes @ Madison-house.com
Management: Dan @ iglooagency.com 

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Polite doses of Electronic, Slime and Funk. Instrumentally driven music from many long/late nights.

Booking: Sam Hutchinson - sam@pivotal-agency.com
For your pleasure here is a Bio in the form of a fine dining menu. (For you insufferable traditionalists a distastefully bland Bio is available at the bottom, although I find it quite unpalatable) 

Apéritif: 
House Ballad // Tapas de Tap Tempo // Midi Milanese // Hoot Loops

Main Wavetable:
DrumBeat Bisque: Heirloom Samples, Found Sounds, Synth Drizzle, Tart Hats, Compression Jus

Strumento: String Weeze, Ethnic Mood, Rubbed Flub, Kontakt Buzz

Bass du jour: Seasonal wubs, Sub Grub Gumbo, Face Paste, Boss Sauce 

Synth Cakes: Modular Glaze, Cheese of Bleep, Soup of Bloop, Pad pâté, CV Sautée, Sequential Maradnade, 

Textures: Wav Shavings, Low Mid Reduction, Fizz Sizzle, Field Recording, Grain-Free Granulár, 

Dolce:
Candied Jams // Dream Cream // Toffee Clocks // Frequent Fondue

(Consuming raw unfiltered waveforms may increase your risk of soundbourne shrillness)

Kids Menu (“Normal” Bio):
EarthCry is Anthony Thogmartin’s solo music, serving as an outlet for his more "electronic" musical ideas, as well as a place to try experimental genre mashing, developmental frequency blending, and odd instrument combinations. Staying true to live roots, an EarthCry show can consist of any combination of live instruments, mixing, slicing, looping, and cutting overtop of arrangements that come out differently every time. All the while, electronic controls are always facing the crowd to encourage a deeper experience of interaction. His most recent release “Sun Path” “…emerges as an album meant for this moment. A soundtrack for the collective consciousness of today’s higher-level thinkers, intent on assimilating all of the old to push forth the new.” – Lost in Sound. Other notable musical outputs have been his debut album "Hear the Earth, Heal Yourself, Heal the Earth, Hear Yourself", a voyage into 6 solfeggio tones. He has also released 2 "Mother’s Mashups" which are combinations of 2 songs that mysteriously fit together in fun ways. As a beneficial operation, EarthCry also donates earnings to different ecological initiatives around the world.

Management: Mammoth Music Group
jaredo@mammothmusicgroup.com
phil@mammothmusicgroup.com
joemccarten@gmail.com

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Russ Liquid is the future-vintage groove-blasting maestro who has stirred the souls and minds of the electronic music world. Renowned for his ingenious compositional approach, this cosmic virtuoso imprints a prophetic musical experience on his audiences. He detonates explosive beatscapes, seamlessly adding flourishes of instrumental color and emotion; all while drawing from an endlessly diverse sonic palette.

On their new LP Magic, jamband favorites The Werks transcend their roots while never losing their identity. Poignant songwriting and engaging melody come together on a record that showcases their maturation as a multidimensional group of uniquely creative musicians.

The virtuosic rhythm junkies of The Werks have released four highly acclaimed studio albums over the past ten years - Synapse (2009), The Werks (2012), Mr. Smalls Sessions EP (2014), and Inside a Dream (2015) - performed well over one thousand shows (including launching their own multi-day music festival The Werk Out), and released countless live recordings including last year’s Live at The Werk Out live album. In that time they’ve earned a devoted fan base across the world and reputation as one of the most energetic, compelling, and downright entertaining live acts in the business. They’ve developed a hard won confidence, and a willingness to fearlessly chart new sonic territory on Magic. 

“This is our first truly multi-genre album” says Chris Houser. “Each track has its own unique vibe and sound. We didn’t write these songs to please people, we wrote them because this is what we hear when we turn off the outside and let the creativity flow.” 

The songs on Magic started as sketches the band members crafted independently. Coming together in their sonic dojo The Werkspace, those seeds of groove were nurtured by the group, growing into fully wrought songs through holistic arrangement and organic improvisation. “Our writing is collaborative,” explains Dan Shaw, “but starting with demos written individually gives each band member a chance to leave their fingerprint on a tune.”

The songwriting finished, the band decamped to Sonic Lounge in Grove City, Ohio. There lead engineer and producer Joe Viers (Blues Traveler, Twenty One Pilots) settled down to work with the studio’s legendary Amek/Neve 9098i mixing console. One of only thirteen in the world, Sonic Lounge’s was originally installed in Olympic Studios in London, England, where it served to document the unique creative mojo of Eric Clapton, Pink Floyd, and more.

Joining Viers were assistant engineers and producers Aaron Oakley and B.J. Davis, and the unstoppable horns of Columbus’ own Hoodoo Soul Band - Chris Young (trumpet), Kevin O’Neil (tenor), and Phil Clark (Baritone) – while Kenny Holmes, tour manager and right hand man, was the gaff tape that held it all together.  Finally Columbus native and current Los Angeles, CA resident Brian Lucey (Train, Dr. Dog) mastered the record.

From those sessions emerged a rare jewel of a record; Magic is muse put to tape, a direct download of the creative spark. “This is a recording of the music that’s in our souls” explains Rob Chafin. “In a way, the past decade has been leading to this moment. We play and write together so seamlessly now, we’re able to channel the inspiration in our hearts out into our instruments, and come at this from a pure place.” Together, these visionaries have crafted a record where melodies take flight, dancing and twisting around the sonorous main of the tune itself. By fusing their spirited improvisation to a core of immediately engaging songwriting, The Werks have truly performed a feat of modern musical Magic.

Lotus has crafted a unique musical style outside of simple genre limitations. On a given weekend the band could be the only group with guitars at an all electronic music festival and then the next night crash a traditional rock festival with their dance heavy beats, synths and samples. Equal parts instrumental post-rock and electronic dance, the band's distinguishing feature is the ability to maintain a decidedly unique musical voice and remain current while bucking passing trends.

No matter what the venue, the energetic joy and catharsis of a Lotus show is infectious. The band slowly built a devoted fan base through steady touring and the crowds have grown at an increasing pace. This grassroots growth has made the band in high demand for festivals including Bonnaroo, Outside Lands, Ultra, and Rothbury and earned the band sold out shows at the country's premier theatres and clubs.

Ryan William is following