www.drumcode.se

www.soundcloud.com/drumcode
www.soundcloud.com/adambeyer

worldwide bookings: feingoldadam@gmail.com

Est. 2018 - Housey, stripped back grooves. Music coming soon!!

Non-Print label head and producer Głós wants to create something outside of the conforming realm of Techno. He has already reinvented his early work through his first album, and his lucid yet straight-to-the-point productions continue to reveal a rarefied character. 

Głós (pronounced ‘Gwos’) has made a point out of not following the sometimes linear Techno patterns with his artistry. He comes from a band-focused Rock-environment and runs his own label, arranged to be a wildly experimental project. In his earlier years, Głós was in several ways a close contributor to the Ressort Imprint label—founded by fellow producer Ekserd—since its start in 2013, already then having left his native Poland to become a Berlin citizen. 

Głós’s successive platform, his very own label Non-Print, released his debut album ‘Fem’ in September 2018—marking the exact five year anniversary date of his first EP, ‘There Is No One Like You’ (Ressort Imprint, 2013). The producer describes it as ‘a collection of re-works as well as new material without any creative limitations’. ‘Fem’ is presented as one continuous mix—with each of the tracks being available in their own individual entity. 

As a producer and performer, Głós’s background, which is a very hands-on analogue way of working—recording for example distorted keyboards and guitars—continues to influence his music. The industrial rawness of these elements are still present in his Techno, only now existing mantled by a softer Drone- and Ambient-type of layer. Głós portrays filmic scenes in his music. You are surely guided by the kick-drum, but the productions are spatial—distant rave signals and voices echo in a fantasy-like landscape. 

His live performances are often a hybrid of his own work and others. The Techno is pure Głós, but in various parts he manipulates selected Ambient pieces, making them his own for his distinctive shows. Again a situation where Głós’s live band-background plays a big part. 

‘Trinity’ is the Berliner's self-proclaimed opus magnum with a playtime of about 5.5 hours that was released on Głós’s own Non-Print. Fresh off the press since then are his latest EPs ‘Swimming In Colours’ and ‘Serenity’ on Affin, showcasing a different approach of Głós opposed to his more up-beat productions made for the dance floor.

Independent record label owned by Adam Beyer.

Management: contact@anna.dj

WORLD:
carolina@oneworldartists.agency

N & S AMERICA:
jon@liaisonartists.com

BRAZIL:
bookings@entourage.com.br

There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

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