escanor all i feel is pity x devious(guitar remix) - cash carti

A Gurren Laggan Gym Audio

Levi Ackerman x Melly Mike Young - Black & Rich

Cinsky ahh edit

Snort ahh edit

Simple ahh edit

“Ban-Kai…” Yeat - Take It For Granted (slowed + reverb) x Ichigo || Tik Tok Version

Disclaimer: I do not claim ownership of this song. All rights are reserved by the original artist, Imogen Heap. This upload of ‘Headlock’ is purely for appreciation and fan support.

P.S: First track everyone, please comment songs I should use in the future! - Ryan Gosling



Gurren Lagann x Headlock - Imogen Heap (Slowed + Remix)

"I WON'T LOSE TO YOU" Bakugo x BLITZ - YEAT REMIX | METAL GUITAR | SLIGHTLY SPED UP

"This Is Something I Have To Do." - Zenitsu x Flex Too Much prod. Power ( Slowed + Reverb )

Void in Blue x Gachiakuta  Rudo xRegto x chiwa

𝐒𝐏𝐈𝐃𝐄𝐑𝐌𝐀𝐍 𝐗 𝐇𝐄𝐀𝐃𝐋𝐎𝐂𝐊 𝐩𝐫𝐨𝐝. 𝐕𝐞𝐧𝐚𝐜𝐞 [𝐇𝐄𝐀𝐃𝐒𝐇𝐎𝐓](𝐒𝐋𝐎𝐖𝐄𝐃 - 𝐈𝐍𝐒𝐓𝐑𝐔𝐌𝐄𝐍𝐓𝐀𝐋)

POSTER BOY X TOJI X AIZEN (Best part looped)

In Those Days is the whole film in audio form: score and songs woven into one dark fantasy journey through the book of Judges. Oblige imagines ancient Canaan as a crownless, mythic world where toppled idols, broken vows, and flawed “heroes” move through smoke, brass, and electric shadows.

The Score side carries the cinematic spine: overtures and motifs for a land with no king, sleazy temple grooves for Baal-berith, crooked odd-meter stealth for the left-handed assassin, noir prophecy cues under the palm tree, war engines for iron chariots, midnight jazz in Jael’s tent, Gideon’s winepress anxiety, Jephthah’s vow in the dark, Nazarite themes for a man who looks ordinary but carries impossible power, and the final collapse of pillars and pride.

The Songs side gives those same stories a voice: a rock-opera prologue of “every man doing what is right in his own eyes,” a temple nightclub hymn to Baal, a sly assassin confessional, a haunted Deborah/Barak duet as the stars fight from heaven, a trembling Gideon pulled out of hiding, a daughter caught in the teeth of her father’s promise, and the quiet heartbreak and seduction orbiting Samson.

Musically, it lives where big-band jazz, progressive rock, cabaret noir, and film score collide—horns, upright bass, guitars, piano/organ, drums, and strings all sharing motifs across both albums. Heard together, this “complete motion picture soundtrack” plays like a movie that hasn’t been filmed yet: one continuous arc from “In those days there was no king…” to the unresolved hush of No King in Israel.

Gurren Lagann x Headlock - Imogen Heap (Slowed + Remix)

HEMI V8