Anthony O’Toole began writing in his teens and has composed more than 100 works over the last 13 years, writing for virtually every major idiom and instrument. 


Mr. O’Toole is primarily self-taught as a composer but credits his mentors, Jack Stamp and Mark Camphouse as being pivotal to his development as a composer and musician. Anthony has also had the opportunity to learn and engage with many respected composers such as Richard Danielpour, Dana Wilson, Frank Ticheli, Cindy McTee, Ryan Nowlin, Drew Hemenger, George Crumb and others. 

His music has been commissioned and performed by musicians and ensembles all around the world. Mr. O’Toole’s music for wind band has been performed and recorded by some of the finest bands including the United States Coast Guard Band, The Kansas State University Wind Ensemble, ‘The President’s Own’ United States Marine Band, The University of North Texas Wind Symphony, The Singapore Wind Symphony, The Alabama Winds and others. His piece “Fanfare to ‘The Hammer’” is featured in the 10th edition of the GIA Publications series ‘Teaching Music Through Performance in Band’; which features a recording by the UNT Wind Symphony an in-depth analysis of the work. Hammer also appears in the ‘Sourcebook for Wind Band and Instrumental Music’ by Russ Girsberger, Frank L. Battisti, and William Berz. His piece 'Prelude to Something Big' is featured in Volume 11 of this series. 

He has received numerous awards for his compositions including the Grand Prize in the 2012 Garritan Composition Contest, and Second Place in the 2014 Van Galen Prize for wind chamber music. In 2014 Mr. O’Toole was inducted into the Sigma Alpha Iota Music Fraternity as an honorary member for his musical contributions. He is also a member of Phi Mu Alpha Music Fraternity, ASCAP and The American Composer’s Federation. Anthony currently resides in Los Angeles, CA where he fulfills his commissions for new works and does orchestrations and arrangements as a freelance writer; he also serves as Composer-in-Residence for the Carson Symphony Orchestra and Staff Arranger for the Southern California Brass Consortium.

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The Freestylers: 28 Years of Bass, Beats & Global Anthems

With a career spanning nearly three decades, the Freestylers—Aston Harvey and Matt Cantor—have made their mark on the electronic dance music scene. From playing the world’s biggest festivals and clubs to appearing on Top of the Pops, they’ve remained at the forefront of the genre without ever standing still.

Origins & Breakthrough

Aston Harvey began as an engineer and producer, working with Rebel MC / Congo Natty and co-producing the jungle classic Spiritual Aura with DJ Rap. Matt Cantor, meanwhile, was part of Strike, co-producing the dance hit U Sure Do. The two met at Fresh Records, bonding over their love of hip-hop, electro, and breakbeats, leading to the birth of the Freestylers.

Their debut album brought them international success, with hits like B-Boy Stance and Ruffneck landing in the UK, Dutch, and German Top 20. A major US record deal followed, leading to a spot on Lenny Kravitz’s American Woman tour and a legendary Glastonbury 1999 performance.

Global Hits & Reinvention

Over the years, they’ve released a string of anthems, from Push Up, a #1 hit in Australia, Holland, and Belgium, to Cracks, which became a dubstep classic with 80+ million streams. They’ve also collaborated with Pendulum and held festival residencies worldwide.

In 2025, they’re set to release their seventh studio album, Enter the Sound—a collaboration with Dub Pistols featuring reggae legends like General Levy and Tippa Irie. With a packed schedule of festivals, remixes, and new music, the Freestylers are still going strong. In the words of LL Cool J: “Don’t call it a comeback—they’ve been here for years!”

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