Benjamin Laub – better known as Grieves – is a Seattle-based hip-hop artist. He emerged in 2007 with the independently released Irreversible. This led to touring with some of indie rap’s finest, including artists like Atmosphere, Macklemore, Cunninlynguists, Watsky, Chris Webby, P.O.S, and many more. He’s since followed with four more full-length studio albums: 88 Keys & Counting (2010); Together/Apart (2011) which landed at #1 on Billboard’s Heatseekers and #106 on their Top 200; Winter & the Wolves (2014) which peaked at #57 on Billboard’s Top 200; and his latest release, Running Wild (2017). In the summer of 2019, Grieves released a new addition to his arsenal, a new 8-track EP, The Collections of Mr. Nice Guy.

With 2020 presenting itself with its own unique challenges, some silver linings appeared, one being forced downtime. Grieves took that opportunity and dove heavy into the melodic realm with his newest release, 14 tracks of instrumentals, Canopy (June 2021).

P.O.S was born in Minneapolis as Stefon Alexander, where everybody still calls him Stef. As a little kid, he developed a fascination with an older cousin's bass guitar. Stef was allowed to take it home and he banged on it happily for years before realizing that it was intended to be played through an amp. "I just thought it was supposed to be a quiet instrument." As a teenager, he fell hard for punk rock. Minor Threat, At the Drive-In, Refused, Kid Dynamite. He played in a series of hardcore bands, sometimes as a drummer, sometimes on guitar and vocals. From the start, he preferred basement shows to club gigs. Simultaneously, he pursued hip hop, rapping in the hallways and after school with classmates who would eventually found Doomtree Records. P.O.S released his first rap record, Ipecac Neat, on Doomtree in 2003. After signing with Rhymesayers shortly after, it was quickly released and widely distributed on Rhymesayers Entertainment. The album earned P.O.S a dedicated following of critics and underground fans. Two years later they devoured his melodic sophomore release Audition, which featured collaborations with heavyweights like Slug from Atmosphere; Craig Finn of The Hold Steady; and Greg Attonito of The Bouncing Souls. On the verge of his third release, with his trajectory unchecked, P.O.S still doesn't take himself too seriously. He doesn't sweat the musical trends. He locks himself in his bedroom studio until the early hours of the morning, emerges with a song, and couldn't care less how someone else would have gone about it.

Like many great rappers, P.O.S creates his own self-contained little microcosm-his characters become familial to us; we get in on his slang and inside jokes. His mother and his son Jacob emerge as familiar personalities. We know his politics too: P.O.S doesn't hesitate to call out the compounding absurdities of pop culture, either with a little friendly ribbing or with a Molotov cocktail. On Never Better he drops deft one-liners that cut to the quick of America's stuff-obsessed culture, Can't take it with them can they?

Amidst the swagger, the laughter and the wit, P.O.S also provides a portal to his personal life-a young man ferociously determined to succeed as a father, a musician, and a human being. He's earnest, sometimes frustrated, irresistibly likable, and he's goofy. With that kind of wingspan, he can rally almost any crowd-live he's like the Pied Piper of the underground. He can make a rap show feel like a revival, a mosh pit, or a reunion. He will stand on chair. He'll invent a dance. Then the beat drops, the hands go up, and you're converted.

Under-ground,
Under-rated,
Under-achieving,
Under-anticipated,
Under-appreciated,
Over the hill,
and,
Under the bus,
Ryan Oceans.
aka HopeLess.

Music artist currently creating something out of absolutely nothing.

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