A WAY OUT

I Fell In Love

Premiered on Under the Radar Magazine - https://www.undertheradarmag.com/news/premiere_josaleigh_pollett_shares_new_single_radio_player

Salt Lake City-based Indie Singer-Songwriter Josaleigh Pollett will return on October 28th with “Radio Player,” an electronics-infused and Poltergeist-inspired new single. Here, Josaleigh is reunited with long-time collaborator Jordan Watko (Crowd Shy) for the first time since Jordan’s relocation to Japan, making this their first recorded output since 2023’s highly acclaimed “In the Garden, By the Weeds,” which NPR Music’s Bob Boilen featured on All Songs Considered.

Despite the distance between them, the pair opted to make their first cross-continent collaboration more ambitious and exploratory than what came before. Initially finding acclaim in 2020 with their ‘No Woman Is the Sea’ album, before going on to share bills with St. Vincent, Torres, Deep Sea Diver, DeVotchKa, Mini Trees, Hibou, and Kilby Block Party, “Radio Player” sees their sound continue to evolve. This new slowburning single merges analogue atmospherics, Indie Rock drive, and Pop melodies to create something that feels haunting, claustrophobic, and cathartic.

Speaking on their return, Josaleigh comments:

"Radio Player is a song about memory and fear, loosely based on seeing the movie Poltergeist at too young an age. It is a journey through the hallways of childhood that we leave a light on within. A pink light flickers on and beckons the listener through, releasing them changed and covered in ectoplasm five minutes later.

In true independent DIY fashion and similar to 2023's In The Garden, By The Weeds, this new song is recorded mostly at home between my Salt Lake City make-shift home studio, and Jordan's apartment in Japan. The difference this time is that we're bringing in more collaborations and new instrumentation. In addition to mixing and mastering, Nashville's Andrew Goldring helped with production and played some instruments on Radio Player, as well as being a part of the live band that played Kilby Block Party earlier this year. Radio Player really got its feet under it in a live band setting, and we tried to bring more of that to our production without losing the electronic-based production that Jordan is so fluent in. 

This is the first song we made together since Jordan moved to Japan in 2024, and instead of letting distance dampen our collaboration, we really tried to lean into the chaos and confusion of creating from different ends of different days while an ocean apart. I think a lot of that anxiety and newness mixed with the dedication of friendship drives this new music.”

Josaleigh Pollett.- Radio Player

Winter

"Let It Out!" is the eleventh #lemon12 single of 2025. Once again, the track dives straight into Lemon’s signature Nedchester groove — or, as several music blogs call it, the Neo Madchester groove. It’s a sound heavily inspired by the Second Summer of Love era, but with a distinct Lemon twist. This second-to-last #lemon12 release of the year feels both uplifting and a bit defeatist at the same time. The message? Enjoy life, even if the world’s on fire.

Let It Out!

London-based, Scottish-born indie-folk songwriter Neev follows her acclaimed album How Things Tie In Knots with a new heartfelt reflection on love and the power of music. Flowing with lilting melodies and a cinematic warmth, “Put A Record On” builds with stirring emotion as Neev’s resonant vocals soothe and captivate throughout—paying thanks to the things that keep love alive: music, trust and growth.

“I think the record player is an interesting metaphor for a long-term relationship: something that’s always present, always there to tap into… but also needs a lot of care and attention.”
Written, arranged, recorded and mixed entirely in her home studio, the track showcases the beauty of stripped-back production. Its simplicity allows her lyrics to speak plainly and poignantly, revealing the quiet depth at the heart of Neev’s songwriting.

Put a Record On

hello this is the first scott is okay album to come out!!! it's called Turning up the Draw Distance and it's about my inability to see anything past my own stupid life :) 

thanks to me for producing it and me for writing it, and me for playing all the instruments, and me for attempting to mix and master it, and HURU and blenum for lending their voices, and brad for a clip of you talking in my room like 8 years ago, and ben for a second of you talking on a voicemail like 3 years ago, and james and sean my managers who have unwavering patience as i literally had this sitting at 99% finished for two years and didn't do nothing with it, and absolute for distributing it (shoutout lucia), and props, bonzai florists, conor, tragic sasha and a few others (sorry i forgot rn) for listening ahead of the release and giving me encouragement.... i think that's it.

i like soundcloud because it's basically free so people can listen freely BUT the gapless transitions between songs don't work because in 10 years of uploading to their site, they still don't support gapless albums and i always make my albums gapless because of the energy never dies by black eyed peas, (shout out the energy never dies by the black eyed peas) and they never sound as clean so if you have the opportunity to listen somewhere else (like apple music, youtube [when i upload the full album sometime this week], tidal, etc.), this is me suggesting you do that instead for the full listening experience

follow me on things if you want to stay updated when i release stuff i don't really post unless i'm releasing something (that can be a good thing or bad thing depending on your preferences), but i do share memes and (rarely share) musings on my IG stories sometimes. honestly, i fuck w/ letterboxd out of all social medias the most right now so that's probably the place to keep up with what i'm up to


The Reset Button

Turning around, I promised
I will find my peace of mind
Today's kinda long
I think I lost my sense of space and time

All of my thoughts, I'm gonna
Put them down the drain
I'll be an optimist
With a big smile on my face
Cannot control
What's going through my head
Have you tried before to, let's say, meditate?
You're acting kinda anxious
You're acting somehow blue
Has anyone mentioned that smile looks good on you?

Ticking bomb at 29
I think that I forgot
I could be anything
I could be anything
Counting my head from 10 to 1
I think I could believe
I could be anything
I could be anything

Bury my head in papers
And I'll ignore the news
I'll be the best version of the girl that you knew
Holy shit! I feel so cured
And it won't phase me anymore
And what if I ignore
The voices in my head!

Ticking bomb at 29
I think that I forgot
I could be anything
I could be anything
Counting my head from 10 to 1
I think I could believe
I could be anything
I could be anything

Turning around, I promised

anything

This medieval spiritual album is a journey into ancient memory — music forged in the soul-fire of knights, temples and forgotten kingdoms of light. Composed in sacred healing frequencies 432Hz and 369Hz, each track invites the spirit to rise, the heart to soften, and the inner world to awaken. Harps, lutes, viols and choirs echo like prayers in cathedral halls, while soft drums and Gregorian voices carry the listener through misty forests, old stone castles and realms touched by God.

This is music to meditate, to heal, to remember who we were when honor, love and faith guided our steps. Celestial female vocals whisper like angels, weaving sorrow with beauty, and letting every note bloom into peace. Slow melodies open the chest, cleansing pain, restoring vital energy, and grounding the soul in divine presence. A warm golden light, ancient as creation, flows through every chord — inviting rebirth, courage, forgiveness, and inner strength.

More than an album, it is a sacred path:
To breathe deeper.
To vibrate higher.
To return to the Source.

Winter

RYDE