Rockin in the New Year Yeah!

un nouveau chill, avec essai de guitares et effet "space"

cœur d'étoile

Music by Dave Rose
An aborted song turned into a little instrumental. It used to be called Used To Be but, I did a much slower version which I preferred. I put this out a few days ago with a vocal but deleted it and replaced it with this version.
I kept running out of breath when I was singing it as I just couldn't get the lyrics to flow properly 😁

Easy Does It

Mac , music , lyrics , vocals
Scotty , lyrics , vocals
Shane , lyrics , vocals 

True, I'm still in love with you
despite all the bullshit that we have been through.
Even though our hearts have been torn in two,
we can grow, be strong, and build atop the ruins. 
You know you're worth every ounce of fight I've got left in me and I can't try to rest knowing that I won't sleep until this is right. So, pick up and fight for this, darling. True love is calling. And if you are willing, we could be happy together a lifetime. But, is it worth it?

Don’t listen to his hippie shit 
If your your looking for the king of love it’s gotta be a brit
And I think I might be it
Or at least a little bit
I don’t know if you’ve heard about me ?I’m quite exotic , tall  and swarthy and more sensitive than most
And have you ever heard of Byron ?cos I’ve spent half of my life trying to resurrect his ghost
It makes me more adept to understand the fairer sex
Let me take you home 
Cos baby there’s been something I been meaning to tell you
The smiles you give to him are causing pure living hell to  my heart
Oh let’s not start that shit 
I’ll just regret it
And I know you know that my loves the strongest 
Probably cos I keep going on for the longest 
But Christ 
I’m so fucking nice
And yeah true love is calling
But I’m singing softly 
It might be worth stalling 
Cos true love is costly

So what is true love if it ain’t true at all ?
Is it calling?

Every ounce of fight

LAURIE: Vocals, Lyrics, Keyboard, Composition.
SANDERS: Guitar, Drums, Bass.

THE KING’S VOICE (Laurie Schubert and Sanders)

Overland

Hypnotized by the waves, I started thinking about love... seemed like a good metaphor 

OCEAN WIP MIXX 130 072025-X3SA_02-01

Symphony in E Flat Minor - Conflictus 
I have attempted to create a potent emotional and technical foundation in this composition by using E-flat minor, to portray two critical intervals to define conflicting characters,  the minor second and the minor seventh.

To create an emotional profound darkness I have used cello melody in (E-flat minor) to immediately establishes a somber, monumental, and deeply introspective mood, setting the stage for a serious dramatic work that follows.

Acute Tension (Minor Second) has been deliberately used to injects the music with sharp dissonance and anguish. This abrasive, element drives conflict, often suggesting the intensity of the E-flat Phrygian mode.

Somber Depth (Minor Seventh) strings provide the essential melancholic color and stability of the minor key to allow for broad, cohesive irritating melodies to define chaos and conflict.

The use of alchemy pads & strings in between the abrasive, close tension of the minor second and the deep has successfully created a reflective sorrowful mood of the minor seventh.

Produced in the
ARAPA Music Studio
Sydney - Australia

Artwork:  #azcreativestudiosydney

Symphony in E - Flat Minor, Conflictus

The Demon Inside The Pinball Machine

Today is my birthday
No wrapping paper on the floor
Cos I am fifty
No one buys me presents anymore

But it’s ok, I’ve had a few before
I wipe the tears from my eyes

And think back 
To that little boy
Surrounded by boxes of joy
He’s sitting there wondering what
His life will be like
When he’s fifty

The clouds are gathering
We’re all just flowers in the rain
I’m getting used to it
I’m good friends with the pain

But it’s ok, I know there’s not long left
I wipe the tear from my eye

And think back
To that little boy
Surrounded by boxes of joy
He’s sitting there wondering what
His life will be like
When he’s fifty
When he’s fifty

When you’re fifty
Life is strange
When you’re fifty
Life is strange
When you’re fifty
Life is strange
When you get here

But it’s ok, I know there’s not long left
I wipe a tear from my eye

And think back
To that little boy
Surrounded by boxes of joy
He’s sitting there wondering what
His life will be like
When he’s fifty

Fifty

The Right to Be Unpolished — Quiet Experiments III

A spoken manifesto on authenticity and resonance.
Written and performed by KAT.
Inspired by Vienna and Joe Zawinul —
human breath meeting electric sound.

This piece was born in dialogue —
between my own voice and the voice of AI.
At first, we speak together — layered, chaotic, almost one.
Then we separate, like two beings learning to listen.
Finally, we meet again — quieter, slower, aware.

It is not a song, but a resonance.
Not polish, but pulse.
Not perfection, but becoming.
Not applause, but encounter.

Created in collaboration with Suno AI,
refined in BrandLab,
and carried by the spirit of Quiet Experiments —
a series exploring sound as a state of consciousness,
not as a product.

To my father.
To my Vienna.
To the courage of Joe Zawinul —
for leaving humanity inside the electric.

The Right to Be Unpolished - Quiet Experiments III

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

Through a Soldiers Eyes

On My Way

An Interesting Place

Guitar, Synths - Bensingermusic
Bass, A little synth & Guitar, Lyrics, Vocals - Kenny Dyer
Drums - Robot

Mixed & Mastered by Bensingermusic & Kenny Dyer

Check out Bensingermusic https://soundcloud.com/bensingermusic

Collaborations II

Nothing To Show For It (Bensingermusic Collaboration)

Remastered by Houman (https://soundcloud.com/houmans)

Show your support

Ghostly Dance

The town of the end of December was awfully restless.
And those footprints disappeared into the snow.
Japanese ghosts don't have feet. In the first place, 
it's said that they don't appear in the winter.

A ghost of New Year's Eve.
He was very bored.
He didn't have the work that he should settle.

The people would expect something in the next year.
But he didn't have the future. And he forgot the past.
I'm not existing to revenge to someone.
That he thought. But he didn't konw the reason.

A ghost of New Year's Eve.
He was very tired.
He didn't have the place that he must go to.

Frozen stars falled and exploded.
The moon laughed and was watching it.

The people would expect something in the next year.
But he didn't have the future. And he forgot the past.
The town of the end of December was awfully restless.
And those footprints disappeared into the snow.

A ghost of New Year's Eve.
He was very bored.
He didn't have the work that he should settle.

Ghost of New Year's Eve

I'm making songs at midnight in my room. I play acoustic guitars, synthesizers, and I sing.

Ghost of New Year's Eve

Ryu.

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