RyuX - Cybernetics (210bpm)

Bringing down the knowledge of the tyrolean mountain gods - the scriptures from the old times have been talking about artificial lifeforms for eons.
The information that was ciphered and contained in silicon icosahedron cubes can only be translated into sound by collecting quartz artifacts that are hidden all around the world. traveling to different destinations around the globe to collect all of the artifacts to unlock the scriptures has not been an easy task for our protagonist RyuX ...

THE OTHER (EP) OUT NOW!

RyuX is the Project of Patrick P. from Innsbruck, Austria, started in 2012 to produce HiTech. He started listening to psychedelic trance in 2002, from this moment on he got hooked to psychedelic sounds. Over the years the Genre evolved into more dark genres and that made him a regular visitor at the legendary parties in his hometown, Innsbruck.

He’s always been an electronic nerd, and shifted his interest more and more into building music electronics. He started building different Synthesizers to find out how those mind opening frequencies work, that he’s heard in most of his favorite productions. In 2012, the time was right to start producing and DJing to get more connected with his favorite Genre, hitech.
He is also building his own Eurorack Modular Modules along with some other electronic gadgets to give his music his own flavor.
His second home is Thailand / Bangkok. Currently he lives in Tyrol / Austria and is open for bookings.

* Knobs and Keys Records
* Lunatic Alien Records
* DopeTec Records

The Prison Was the American Dream: Youth Revolt and the Origins of the Counterculture. (August 2008) Damon Randolph Bach, B.A., The University of Wisconsin at Madison Chair of Advisory Committee: Dr. Terry H. Anderson This thesis discusses the reasons for the emergence of the American counterculture in the mid-1960s, and makes a significant contribution to the existing literature on the subject with an innovative methodology. Historians have neglected to study the counterculture’s grievances, the issues, and events that birthed it, employing a systematic year-by-year analysis. And few have used the sources most appropriate for drawing conclusions: the underground press, a medium hippies used to communicate with other like-minded individuals. This thesis does both. The most imperative factors that led to the emergence of the counterculture can be firmly placed in the first years of the 1960s. Students and dropouts feared the prospect of worldwide nuclear annihilation, and railed against the Cold War and the Cold War consensus that left little in the way of political alternatives. Old Guard liberals became targets, for they seemed to be complacent with America’s foreign policy, which prolonged and entrenched the Cold War world. American society and the Establishment frustrated and angered the young. It posed a danger to civil liberties and equality for minorities, while restricting freedom. Most grievously, American universities and those who ran them sought to assimilate youths into the military-

aki vc pod curtir desde os EDM d 5 anos atras ate os psycore 
+++++
++
++++
++++++++++

I am the shipwreck with its scattered and soaked wood littering the ocean like a nest of roaches. The water smothers me patiently, and it waits to feel my body on the ocean floor. 

I am the captain. I stand on my ship, never leaving its side, for tonight I sleep in a shark's stomach. The tears and rain both hit my face, as I lay on the deck and wait to drown. 

I am the thunder. Hear me roar as I deafen all. I conduct my orchestra as loud as possible and conclude with a violent smash. I am washing the splinters from within my heart and I scream as it pumps. I let my lungs fill with water as the broken bath tub leaks.