Dub/Deep/Minimal/Ambient/Inteligent # 34

Biosphere - Poa Alpina

A bonus track from the planned Microgravity reissue.

Biosphere: Clovis

2001 (115 Edit)

Cycle [Minimal Groove Concept]

mastered version at allset-music.bandcamp.com

ghettoghetto - special (released on Bandcamp)

Handbell Percussion Sketch

some playing around at home and this came up, sorry people
(this one - and the blame - goes to @nicholas-lotto)

with samples from:
alvaro suarez - la voz del tunche
kraut - lentamente
joaquin cornejo - tuneless

Free Download

massive attack - lagrimita (perrengue glitchy cumbia really bad mix mashup)

@mauglimau
@ynfnd

Artwork: Ventral Is Golden...

https://instagram.com/ventralisgolden

Hot, dense air fills the streets, condensing into whirlpools of pranayamic condensation that breathes in the stories of the street...In the surrounding neighbourhood, once empty buildings appear like sand dunes, sculptured by the wind and whispers of desert mantras that move smoothly through the rooms and winding corridors like the surface ripples on sand...You can hear the wind and smell the presence of an ancient electrical thunderstorm in the air...

These strange lands are archives, who’s contents can be seen in the watermarks left on the sides of buildings that have since receded into the minds of their occupants...From time to time, and with a third eye, the contents can be seen floating in the most unsuspecting of places... Follow them, down winding alleyways, swirling through side streets as they paint a constantly shifting image of the twelve districts that bare the marks of their peculiar origins...This is the place that in certain ancient languages had no name, but is now referred to as Berlin...It is here that you will meet Matteo Maugli, sat between the humps of his desert ship, orchestrating the sounds of this journey...

MAUGLI - AMATEUR EXOTIC'S BELOVED ARCHETYPES

Nicolás Behler Aka RLHBSLCN Aka ELMAYONESA ;) is on the
World Wide Way since 2006 doing his own stuff. From early
times of digital cumbia birth to the consolidation of the now a
days called Downtempo. Always punk, pioneer and curiously
suicidal in every step. Tireless representative of his
underdeveloped roots “Guaymallén”, truly believer of the power
of processes always in transformation.
Artwork By Totem.
All Tracks Produced, Mixed & Mastered By Nicolás Behler.

@rlhbslcn

Voodoocast 026 - RLHBSLCN *liveset

∴ Photo Link ∴ 
https://giphy.com/gifs/prints-6SlkVRQWJxaAo

STK (令和 ver.)

Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album Captagon.

Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex, radiating ambience that etches a natural ebb and flow.

Transformative sounds alight from the outset, “Triangulation” recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in “Reiki”, the disorienting clangs suggesting a step away from his recent ambient excursions. “Ito” crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions.

Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, “Jade” is trademark Tresor business - the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. “Scrawler” is upfront and direct, a slamming groove and swaying chords diffusing ethereality. Enter vast chambers of smeared minimalism.

Where Modell’s recent releases had indicated a priority for ambient sounds, this new album extends Modell’s essential vision within techno. Closing track “Air-Port” shows Modell at his most crucial best - an ethereal colossus of sub-bass weight and morphing geometry.

Rod Modell - Captagon (Tresor.312)

A1 – Triangulation - 02:56		
A2 – Reiki - 05:18		
A3 – ITO - 05:55		
B1 – Riga - 05:38		
B2 – Jade - 06:12		
C1 – Tracer - 06:19	
C2 – Scrawler - 05:32		
D1 – Qurra - 05:44	
D2 - Air-Port - 07:41

Tresor.312 releases June 14th 2019, on 180g. 2LP vinyl (w/ download code) and digital.

Captagon

Rod Modell - Jade (taken from "Captagon" - Tresor.312)

Shika Shika is proud to present “Rwandance” the second album by German multi-instrumentalist Andi Otto. Anyone that has had the opportunity to see Andi’s live performance knows about his talent as cellist and was no doubt blown away by his self-made device, the “Fello” - a sensor-extended cello bow.

“Rwandance” sees And move into new territory - born out of a meeting between And and Rwandan musician and dancer Evariste Karinganire, while collaborating for the music of dance piece Planet Kigali.

“The idea was to first listen to a music archive of songs and instrumental recordings of instruments from Rwanda. Then I tried to transform this material into my own sound. I was mesmerised from the very first moment when I heard this beautiful language: Kinyarwanda alongside these instruments like the Umuduri a percussive bow instrument, and rhythmical structures, like the 5/4 and 3/4 feelings which are the basis of many songs.”

Andi has a talent for using technology in a way that is touching and touchable, enticing out warm and organic tones from his machines. On “Rwandance” this sensibility enters into a perfect dialog and harmony with the traditional Rwandan rhythms. His break away from the traditional 4/4 structures of electronic music is not only refreshing but full of groove.

"Planet Kigali“ was premiered at Kampnagel in Hamburg at the end of 2018:

"Planet Kigali“ is about a bunch of time-travellers who come back from the future to our present year. They remember that there had still been borders and passports in 2019, a fine, utopian plot… and they represent a hypothesis of what aspects of Rwanda’s cultural tradition could look and sound like in 200 years. The time-warp makes it possible to shift the focus away from the topic of the country’s horrible genocide. Instead of investigating a post-traumatic society, the piece tries to jump ahead to the future and to the past simultaneously. Between old memories or recordings and our dreams, fears or expectations of the future.”

Rwandance

Andi Otto - Umuduri

⬇ Donate

Urubu Marinka - To Eu Aqui Canto no meu quieto

Well, since my studio has a terrible internet signal 🤦‍♂️ which makes it impractical to record a set via live streaming, I decided to create the Quarantine Micro Selection series 🏆 which comprises on half an hour mixtapes vinyl only full of world gems, weird sounds, b-sides, harsh recordings & more.
Link in bio!

I hope you find your pace in it 
🏡Stay safe.

Quarantine Micro Selection # 1 by Pigmalião

Una obra llena de misterio y sonidos tropicales en base de downtempo, como @maracuyacita y @nillocr nos tienen acostumbrados. Dos de los creadores de Random Collective nos acompañan en este edición de World Riddims con un profundo track que combina sintetizadores, flautas, y melodías del más allá. 

Mastering: Santiago Sánchez

Nillo & Mȁ̲̠̻ͥ̾ra͔̥̩̾͊̑cuyá͊ - Danzon Negro

Electronic sound producer.
— driven by synthesis and machine logic, exploring sounds that defy expectation and notation. This direction began under the name RyujiOo.
https://ryujioo.bandcamp.com/
 

Released music via: @abendkollektiv, @chillmountain, feelback, @dr-masher, @shikashikacollective, @tonalunity, @tropicaltwistarecords, @unsbeat

STK (令和 ver.)

RyujiOo

Recent comments

Gabriela Alves

Ground

Boogy Barro . ..

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