Real No Ficcíon - Echoes, Time and Names

Fall Over

Zoey Speaks / Alone In The Dark

Alone in the Dark - Firefriend

03 Materia Prima

Static Palm is out 19.11.19.

Streetlight is written, performed and recorded by James Burgess.

Violin by Vanessa Bedoret. 

Cover art by Monty Kaplan.

Streetlight

A deafening echo that suddenly speaks out of the dust, conveying all the desolation of an endless landscape up to the sky.A journey for those who like exotic rock to sound viscerally loud, raw and high gained. To blow up the speakers for good. Fuzzed guitar and Buzzing didgeridoo locked with a sped up drums and cranked bass sound that makes you feel like you are riding a spacecraft at full speed between the dunes. 

KARKARA's second album, "Nowhere land" explores the mysteries of the unknown lands. An album that drags the comfort out of your zone and creates an eerie space of atmospheric low-end and sneering highs. 

7 tracks that take a further step into a dark and mystical world.This album is a straight continuity of 'Crystal Gazer'. The second chapter of a journey made by a traveler who discovers new lands and mysterious people. 

Written during Crystal Gazer's tours, among long rides between gigs and rehearsals in south France. Recorded in Toulouse at SwampLand studio and using only analog equipements to add that raw Lo- fi flavor they love. 

Created in 2017 in Toulouse, France, the threesome takes it's inspiration among different rock genre, from the sweet middle eastern psychedelic rock to the raw shattering sounds of garage fuzz and german krautrock.

Even going so far as to use their favourite atypical instrument - the didgeridoo - the three members of KARKARA, like desert wizards, take pleasure in pushing further the boundaries of the genre and take their audience into a mystical and indomitable world.

Nowhere Land

Karkara - Falling Gods

Sunlight

The New Way

Factotum

Learning

The Flowers - Criminal Waste (1979)

Fascinated by the power of monotony and minimalism ryvers creates songs, based on very simple loops and beats. But those song-skeletons get buried beneath layers and layers of riffs, melodies and noise – which turns the whole thing into another, new direction.  Reverb-drenched vocals try not to compete with the carefully constructed soundscapes. It is more about coexistence.

DDR

ryvers