Lyrics by Tony Harris that inspired Glen are listed below.
Vocals, Music, Mix and Video by Glen Granthem.

Video link:
https://gate.sc/?url=https%3A%2F%2Fyoutu.be%2FQhja6_eUkoo&token=83c49-1-1666741105367

TWO SELF-TAUGHT MUSICIANS
THAT LOVED AMERICAN ROCK AND ROLL
NAMED JOHN AND PAUL PERFORMED FIRST
OR THAT'S WHAT I'VE BEEN TOLD

THE ADDITION OF GEORGE AND RINGO 
MADE THE FAB FOUR BAND COMPLETE
THE BOYS WERE NOW READY TO GO
PERFORMIN' IN LIVERPOOL AND BEYOND

ATER RECORDING SOME ORIGINAL SONGS
AND PLAYIN' CLASSIC ROCK AND ROLL
ON MANY BBC RADIO PROGRAMS
THEY ROSE TO FAME IN ENGLAND 

AFTER APPEARING IN THE MOVIE
HARD DAYS NIGHT IN SIXTY FOUR
BEATLEMANIA SPREAD AROUND THE WORLD
AND PEOPLE WERE ASKIN' FOR MORE

WHEN I SAW GIRLS SCREAMIN'
WHILE THE BEATLES WERE PLAYIN'
ON THE ED SULLIVAN SHOW
I KNEW BEATLEMANIA
HAD MADE IT TO AMERICA

(GUITAR SOLO)

YEA, WHEN I SAW GIRLS SCREAMIN'
WHILE THE BEATLES WERE PLAYIN'
ON THE ED SULLIVAN SHOW
I KNEW BEATLEMANIA
HAD MADE IT TO AMERICA


2022 © Lyrics by Tony Harris

Beatlemania - Lyrics by Tony - Featuring Glenny G's "One Man Band" - with Video LInk -Original

This song appears on an album called Synthastic alongside those some other amazing musicians with whom my Swiss friend, the very talented and gracious Karin-Maria Brunner collaborated. It's an album centered around the synthesizer, whatever sounds one can get from it, based on her ideas. I cannot properly express my depth of honor and gratitude to her for including me with musicians I admire, like Frans Beelaard, and for sharing her creative seeds with me. Karin-Maria is a truly exquisite musician, with a very disciplined style and mind for musical precision, as well as beautiful melody. You can find her on here under her name. She actually shared two songs with me for this project, and this is the first of those. I tried to come up with an interesting, modal melody for both, in hopes of impressing her. I hope it has the same effect on you. I also provided the beat and bass line for this song. You can find the entire album on your favorite streaming service. We appreciate your listens! 

Magic Hour (with Karin-Maria Brunner from her album Synthastic)

Our awesome Japanese friend Tot. (@tot-beat, @user-288513022) was on the drums and bass - thanks again so much for working with us on this fun song, Tot.~ We had a blast!

Art by Masha using Prismacolor Coloured Pencils, which were an amazing gift from @katyasolo. Cheers for that, Katya!

Synth work by Rob Ulysses (@rob-ulysses) and Masha Solo (@masha-solo) Masha also wrote the lyrics and performed the vocals.

This song's story is that one day, Rob & Masha were doing deliveries for a summer-long job in 2021 when Masha spotted an old 60s van in a junkyard and snapped a quick photo, later the two of them making the event into a full song with the help of Tot.

At the same time as Tot. was working on a drum and bass conga style beat but he had no other parts, Rob & Masha were already working on synth parts and a fun chiptunes solo, but they had no drums! So when they heard each other's work in progress, it was only natural that they combined the two into a sort of Farewell To Summer song from their vivid summer memory.

This track is remixable, as long as it's noncommercial.

Lyrics:

Swag And a Bag

Once in my travels, two summers past,
I was on a long road trip for work around Oz,
On country roads, with sugarcane vast,
I saw something that made me drive back and pause,
I saw something that made me drive back and pause...

It really caught my eye,
And I still don't really know why!
But I had to take a photo,
Before I went back to work

It was just this really old van!

In an old junkyard, full of wildflowers, tropical brush,
(And although my job demanded I rush)
I saw that there was an old 60’s van that had seen better days,
It looked like it had seen so many sights, although now decays

(It was just this really old van!)

Before I moved on, I snapped a photograph,
On the side it said something that made me laugh (hah)
“Swag And A Bag” it said, on its side with a tag,
With bright teals and yellows surrounding the autograph
x2

I wondered who had once owned it and why,
If it was for tourists, who’d used it nearby,
What kind of adventures it had been on,
Even though its road trip days were gone
x2

I didn't even really know what 'Swag and a Bag' would mean,
I had to look it up.
But apparently it's really lucky-
It's like when something really good happens to you.
And I found that message positive.

“Swag And A Bag” it said, on its side with a tag,
With bright teals and yellows surrounding the autograph

“Swag And A Bag” it said, on its side with a tag,
With bright teals and yellows surrounding the autograph!

...And I found that message positive.

Swag And A Bag

Swag And A Bag ft. Tot.

From the album Schopenhauer's Apprentice

when you lie to me
I can't believe
when you speak your words to me

when you lie to me
I can't believe
when you say you love me

when you lie to me 
I can't believe
when you speak those words to me

when you lie to me
I can't believe
when you say you love me

Schopenhauer's Apprentice

Cry Wolf

Velvet Lace

Don't hang up yet!


I wanted to create something I could listen to with pleasure. Keeping a good spirit for like, when I am put on hold by whatever company or doctor. Something soothing and dreamy, endless good vibes. 


On Hold

Path to a way

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten.
In the meantime, I'd been following John Anthony on both YouTube (youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion.
Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher.
You can even watch a video of us all adding our parts on John's page right here. www.youtube.com/watch?v=1mdeT8ySZ…owTechniqueCovers
Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Path to a way

S I G F U S