Sonic traces from the 56th Venice Biennale... including sounds by Emeka Ogboh, Camille Norment, Mathieu Kleyebe Abonnenc, Steeve McQueen, Carsten Höller and Måns Månsson, Christian Boltanski, Jeremy Deller, Isaac Julien, Julius Eastman, Sonia Boyce, Theaster Gates, Moon Kyungwon and Jeon Joonho, Vincent Meessen and a live impro by Binelde Hyrcan
photo: Darkwater Record, 2003-2008 by Terry Adkins (1953-2014, USA)

Venetian Walk

This SoundCloud is just an open notebook...

walking along noisy paths, sound experiments with hard- and software, hands-on-live-recordings, artificial soundscapes as well as dance floor based puzzle pieces, something between noise and ambient, drone and idm

On the one side noise canteen means an open musical concept. It deals with the genre of noise music, but includes a wide range of musical styles and creative, sound-based practices. On the other side it refers to the real spatial situation. The initiators of noise canteen are architects. They use the strong spatiotemporal character of sounds for their so called ‘live sound building’.
It influences the spatial situation with particular properties in a very straight way. With techniques of failure, indeterminacy and improvisation they turn a location into another one. It means: noise canteen could be everywhere.

Venetian Walk

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