A recreation of Danny Elfman's classic Batman Main Title theme.
All instruments except the Harp and English Horn utilise CineSamples libraries.

Batman 1989 Theme Mockup

Work

Darkwave (Full Remaster)[Free Track]

'Interstellar' is one of my favorite movies ever! And the insane thing is that i was mesmerized by that terrific soundtrack! So i decided to write a piece inspired by it and accomplish something similar!!
Thanks Hans for the inspiration.
Hope you enjoy!

For licensing please contact: afullin94@gmail.com

Supporting:
Buy on iTunes: http://apple.co/1UifJa9
Available also on Bandcamp Here: https://alexandrfullin.bandcamp.com/track/away

Mastered by Chad Wahlbrink: http://www.chadwahlbrink.com

Facebook page: facebook.com/alexandrfullinmusic

All rights reserved, © Alexandr Fullin 2016

iTunes  

Away

Just State Of Mind

Lost in the Abyss

Free Download

Lost In The Abyss

A complete re-record of the cue "Payback Time" from the Predator OST using virtual instruments.

Music composed by Alan Silvestri.

Sample libraries used:

Strings: Spitfire Audio Chamber Strings, LA-SS Lite, Orchestral Tools Berlin Strings EXP E SFX.

Woodwinds: Spitfire Audio Symphonic Woodwinds / Albion Woodwind

Brass: Cinesamples Cinebrass Core, Spitfire Audio Albion Brass

Percussion: Spitfire Joby Burgess Percussion, Fluffy Audio Log Drum, Xtant Audio Slit Drum

Pianos: Cinesamples Abbey Road & Spitfire Albion Piano

Harp: Orchestral Tools - Symphonic Sphere

Synths: Omnisphere

FX: Waves EQ, Izotope Vinyl, T-racks

Predator - "Payback Time" - Alan Silvestri Cover

Songs from the Black II

Into the wormhole

Into the Wormhole

This audio relates to this YouTube video: https://www.youtube.com/watch?v=zmDh242ehlM

A complete remake of John Barry's theme to Thunderball using virtual instruments with some pointers of what's happening in the music. Sounds used: Strings - Spitfire Audio Chamber Strings & Albion Woodwind - Spitfire Audio Symphonic Woodwinds Brass - Sample modelling The Trumpet, Cinebrass Core & Pro Percussion - Spitfire Audio Joby Burgess Percussion, Symphonic Sphere Harp Piano - Yamaha U3 mic'd with two condensors Sequencer - Cubase Processing - Waves Abbey Road Vinyl, EQ and compressors on each instrument group with various settings (all subtle). Then Goodhertz Vulf Compressor on the mix bus running as a parallel compressor. Again, set softly. The gradual build up of saturation gives it a vintagey sound, but without it being obvious. It also smudges the instruments together nicely and helps the overall mix. Reverbs - used a Past to Future EMT impulse (https://gumroad.com/pasttofuturesamples#) and sent the high strings and winds to it a reasonable amount. Kept the low strings and shorts away from it because it's too boomy. Put a high pass on the reverb channel itself so that it was an airy sound. Also setup a stock hall impulse and and fed things into that to varying degrees. The sample modelling trumpets had an additional reverb on them as the samples are bone dry so require that to start with and then you can build from there.

John Barry | Thunderball (James Bond) | Remake

Again, trying out some other processes.  Started off with a simple theme and just playing around with it.

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