Written/Arranged by Sheena O. Murray
Produced my Tron Lippett
Cover photo shot by Tokin Blak


Lyrics:
Verse 1: 
It aint been that long
But I miss you anyway
I'm counting the days
'Til I see your face again
A pillow in your space
Could never take your place
I need you

And baby,
I miss your lips
Miss you kiss
'Specially on days
Just like this
I know you miss me, too
So I got something for you 

Chorus
Sending
Sending my love your way
You should get it today
Sending
Sending my love your way
You should get it soon

Verse 2
The phone just ain't enough
But I leave my ringer on
Just in case you call
(don't wanna miss you)
I love to hear your voice
But if I had a choice
I'd rather see you

And baby,
I miss your lips
Miss you kiss
'Specially on days
Just like this
I know you miss me, too
So I got something for you 

Chorus
Sending
Sending my love your way
You should get it today
Sending
Sending my love your way
You should get it soon


Copyright Sheena O. Murray

Sending My Love

Effortlessly dismantling the barriers between R&B, soul, funk, disco and jazz sounds, MF Robots present long player ‘Break The Wall’, on BBE Music. 

Astonishing musicianship, pristine production and top-tier songwriting, ‘Break The Wall’ immediately calls to mind those iconic American rhythm sections of the 70s and 80s. The music is energising, uplifting and the potent result of a highly accomplished musical partnership maturing, growing and hitting their stride together in lock-step. 

Jan Kincaid and Dawn Joseph met as members of one of the UK’s most successful Acid Jazz bands, which influenced Mark Ronson, D’Angelo, Jamiroquai, Erykah Badu and The Roots to name a few. Founding the Brand New Heavies was an important chapter for Jan, but once he and vocalist and songwriting partner Dawn began working together, the chemistry was instant and irresistible. It was time to turn the page, and soon MF Robots was born. 

“When we made our first album, we didn’t have a band as such. We basically made a lot of the record at home and called on other musicians as and when we needed them. Our sound was developing organically, and when we finally released the record to great critical acclaim, it was time to get out on the road,” says Jan. “We put together a band of likeminded young musicians, playing intimate gigs and big festivals all over Europe and beyond, growing tight as a unit, so that when it came time to think about making this, our second album, we knew we had an extra level of musicianship full of personality that could realise our vision.” 

Inviting band members Alex Montaque (keys), Naz Adamson (bass), Mark Beaney (guitar), Jack Birchwood (trumpet), Ben Treacher (sax) to improvise and contribute their own ideas over song-sketches laid out by Jan and Dawn gives ‘Break The Wall’ a special sense of offthe-cuff brilliance. Even on the polished final product you can detect a collaborative, fluid and unhurried approach to production that’s all-too rare these days. 

There’s guest performances from bassist Gail Ann Dorsey (‘The Love It Takes’, ‘Make Me Happy’) and guitarist Cory Wong ('Shine', 'Make Me Happy'), the former a top-flight session player who’s collaborated with Lenny Kravitz and David Bowie among others, the latter a member of the incredible Vulfpeck collective and an accomplished solo artist in his own right. Mixed by Clinton McCreery and mastered at The Carvery in London, the album was completed in March 2020, just before the World went into COVID19 lockdown. 

As for concept behind the project, “the name of the band, MUSIC FOR ROBOTS, is an entirely tongue in cheek one. It’s a poke at the generic nature of a lot of present day pop music, of a certain “factory” songwriting style and lack of real individuality and personality in ‘manufactured’ music. We want to create strong Soulful music with a timeless classic feel, drawing from a lot of diverse influences that makes you feel good, so maybe you can lose yourself for a little while. We want to create something that touches a feeling in people, the way that we are touched by a lot of great music and want it to still sound good in years to come.”

 In this long player, the duo’s musical mission has been both accomplished, and surpassed. The title ‘Break The Wall’ could not be more apt.

Break the Wall

MF Robots - Brand New Day

From the Rahsaan Patterson release HEROES & GODS (2019) comes special "reimagined" versions of I TRY and HEROES & GODS created by Quentin Harris!

I TRY (Reimagined)

I'M HERE - CORNELL CC CARTER (Snippet)

THE MOMENT - CORNELL CC CARTER (Snippet)

TONIGHT - CORNELL CC CARTER (Snippet)

CARMICHELE- Know You Better Ext. DEZINHO DJ AND MARQUINHO DJ

BBE Music presents a brand new remix of the 1982 Rim & Kasa classic, ‘Love Me For Real’, created by the L.A. duo of Denise Love Hewett and Yung Spielburg.

Former New Yorker, now Los Angeles based DJ Denise Love Hewett joined forces with fellow NYC export, musician, and producer Yung Spielburg for the rework of ‘Love Me For Real’, having heard the track on the soundtrack to the 2019 movie ‘Big Time Adolescence’.

“My ears are always ticking for songs to add to my sets to keep them fresh” says Hewett. “I heard it in a film soundtrack and loved it! I started playing it but had an urge to rework some components for a club setting. I called up Lenny (Spielburg) to collaborate on the remix and between both of our visions, we found our way to this awesome result.”

Adding rock-solid House drum patterns and updating the song’s production aesthetic for modern dancefloors, Hewett and Spielberg’s version makes great use of the swirling synths, catchy vocals and unique Latin Afro-Disco vibe which has made ‘Love Me For Real’ an international hit since its 2015 BBE reissue.

Rim Kwaku Obeng - Love Me for Real (Denise Love Hewett Extended Remix)

An amazing record recently landed in my post office box, an absolute classic of an album I honestly never thought I’d see in person let alone get a copy of: Winston Mankunku Ngozi’s quartet masterpiece “Yakhal Inkomo” - I insist everyone at least take a listen to this on Spotify or elsewhere. On this episode I've included the title track to start off the set. There is also an excellent interview with South African jazz scholars Percy Mabandu, Kevin Davidson, Nduduzo Makhathini and Salim Washington discussing the importance of this recording, available at: https://www.allaboutjazz.com/yakhal-inkomo-a-south-african-masterpiece-at-fifty-winston-mankunku-ngozi-by-seton-hawkins

Anyway, I decided to partner it on this podcast with a few other horn-heavy selections. Hope you dig!

Tracklist: Mankunku Quartet, Azar Lawrence, Lee Morgan, Sahib Shihab, John Coltrane

October 20 2021

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Pullin from the Stacks - Episode 179

Original Mix Produced by Mark Francis & Shawn Lucas
Performed by Gretchen Gale
Remix produced by N.W.N.

THE MOMENT - CORNELL CC CARTER (Snippet)

IZIPHO SOUL

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