Saad Haddad's Orchestral/Chamber Music

"Shifting Sands" by Saad Haddad for piano and electronics

Perusal Score, Program Notes, and Purchase Information: 
http://www.saadnhaddad.com/shifting-sands.html

Performed by Dzovig Markarian
Engineered by Saad Haddad
January 26, 2015
https://directory.calarts.edu/node/19503

Shifting Sands (version for piano and electronics)

"Manarah," (2015) [excerpt] for two digitally processed antiphonal trumpets and orchestra, by Saad Haddad

Perusal Score, Program Notes, and Purchase/Rental Information: http://www.saadnhaddad.com/manarah.html

American Composers Orchestra conducted by George Manahan
April 1, 2016; world premiere live recording
Carnegie Hall
New York, NY
www.americancomposers.org/

Manarah [excerpt]

"Shifting Sands" (2016) for trumpet and electronics, by Saad Haddad

Perusal Score, Program Notes, and Purchase Information: 
http://www.saadnhaddad.com/shiftingsandstrumpet.html

Theo Van Dyck, trumpet
https://soundcloud.com/van_dyck

Shifting Sands (version for trumpet and electronics)

"Kaman Fantasy" (2014) for violin and piano, by Saad Haddad

Perusal Score, Program Notes, and Purchase Information: http://www.saadnhaddad.com/kaman-fantasy-for-violin-and-piano.html

Ambra Casonato, violin; Ava Nazar, piano; Nathan Prillaman, audio engineer
http://ambracasonato.com/
http://www.avanazar.com/
http://nathanprillaman.com/

Kaman Fantasy (version for violin and piano) [studio recording]

"Dohree"(2016) for flute, viola and harp, by Saad Haddad
Movements 1 and 2 (out of 3)

Perusal Score, Program Notes, and Purchase Information:
http://www.saadnhaddad.com/dohree.html

Premiered by The Debussy Trio
http://www.debussytrio.com/

Dohree - I, II

Saad Haddad (b. 1992) is a composer of orchestral, chamber, vocal, and electroacoustic music that achieves a “remarkable fusion of idioms” (New York Times), most notably in his work exploring the disparate qualities inherent in Western art music and Middle Eastern musical tradition. His music delves into that relationship by transferring the performance techniques of traditional Arabic instruments to Western symphonic instruments, while extending their capabilities through the advancement of technology. 