North American Bookings:
<a href="mailto:callender@amonly.com" rel="nofollow" target="_blank"> callender@amonly.com</a>

Rest Of World Bookings: 
<a href="mailto:cris@primarytalent.com" rel="nofollow" target="_blank"> Cris@primarytalent.com</a>

Management:
<a href="mailto:info@mixedmanagement.com" rel="nofollow" target="_blank">info@mixedmanagement.com</a>

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

DJ Mackle is a versatile disc jockey and music producer with a passion for delivering music and energy to the people. He is currently the tour DJ for Rebelution.

"Future Relic is my sanctuary, the location of my artistic nature." 
- T

"Prolific producers don’t always equal quality producers–for all the truly talented artists releasing consistent work these days, there are hordes Soundcloud heads releasing a torrential stream of reheated crap and blog-baiting remixes onto the web. Rest assured, Future Relic ain’t that dude.

Although the man known as Future Relic (born Taylor Lane) has become possibly the most prolific producer working out of the 805 over the last month, his music has, of late, acquired a quality pretty much unparalleled among unsigned house artists. Mining an artistic territory similar to artists like Shadow Child, Druid Cloak, and Dusky, Future Relic’s latest pieces showcase crisp percussive grooves, carefully carved bass lines, and a professional-level attention to sonic atmosphere.

Those atmospheres, by the way, may just be Relic’s strongsuit. On his latest track, titled “Starbloom Skies” (released today), Lane bravely breaks the song down around the 1:30 mark, creating a huge cavern of reverb and expertly engineered stereo touches. When the song suddenly hits back into its main groove, we get a cabinet-shaking bass punch that would play well on just about any sound system. Beautiful bell percussion lingers somewhere toward the back of the mix, showing Lane has been doing his homework on how to create dark, sensuous ambience without the listener even noticing.

It’s about time Future Relic receives recognition as the producer of the moment in our area (at the very least, he must be the most hard-working). Someone get this man pressed to vinyl already!"

- speakvolumesmedia.com

*Booking & Inquiries:
futurerelicmusic@gmail.com

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