Name: Grata by Sabine Alexander
Duration: 5 min
Description: Original composition.... Alejandro Gonzalez M.

Genial, la delicadeza de esta pieza me transporta a un paraíso espectacular. Disfruto mucho el piano, lo electrónico y los coros. El fondo de batería y instrumentos  de viento, complementan ese aire fresco.

You are on a roll. How many tracks do you have?

Really like the drum production! nicely done

@eugenepienkowski I appreciate it very much, Thanks, Eugene. 

beautiful piano work.  the choral section is amazing, I love how it pushes forward with such urgency throughout it's ease and restraint. great work One Love.

I wish I paid more attention in music class you so fire with the keys 🔥💯  I only play a lil guitar now keep up the great work I been a fan 😌✨

Good! Passages of infinite waiting and unresolved waiting! I like!!

Music & mix Guiville @guiville
Vocals, lyrics, and additional string arrangements by Michael Wheelwright @wheelwright
---
https://soundcloud.com/guiville/sets/truth-guiville-wheelwright

VHS 22 Feat. Wheelwright

ARTIST: Effortless Archives
SINGLE TITLE: Taigawaiting
EP TITLE: Polar Approach
RELEASE DATE: 02/05/2022
LABEL: Enough Records @enoughrec
COVER ART: Jen Roe @jenniferroe
COVER DESIGN: Effortless Archives

ARTIST PLATFORMS:
SPOTIFY: open.spotify.com/artist/21HbxGRD6Kpzzy6LPgr2F3
DEEZEER: www.deezer.com/it/artist/124722282
APPLE: music.apple.com/us/artist/effortl…chives/1555510897
TIDAL: store.tidal.com/it/artist/23690640

EFFORTLESS ART: linktr.ee/effortless_art

Taigawaiting

Effortless Archives - Taigawaiting [Enough Records]

Original composition.... Alejandro Gonzalez M.

Grata

Monday's Child - Combstead / Robert Grigg

Uptempo pop-rock song taken from the band's album 'Life on A Wire'
Words and music by John Hardman
Produced by John Hardman and Chris Glover

Band: 
John Hardman - vocals,guitar
Chris Glover - drums
Andy Finlay - Bass
Dave Mulcahy - keyboards

(p) Swamp Records UK for all territories
(c) Swamp Music UK for all territories

linktr.ee/john.hardman

Move On Up remaster 2022 - Beats Working

Falling Leaves

Mysticum

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - IV. The Widow’s Lament in Springtime (William Carlos Williams)

Musically Intoxicated

Coffee Shop Interlude

Coffee Shop [Interlude]

This is my third studio album. This one was writting during the pandemic.

Destrozados (feat. Erick Chicas)

She's In Motion (Lyrics)

She’s in motion…now that love’s not dragging her down
Her emotions…are high, I’m falling down

Now that love’s…not dragging her down
Now that love’s…not dragging her down

And the first time, she said ‘hi’ with love in her eyes
and the last time, she denied it was love at first sight

Now that love’s…not dragging her down
Now that love’s…not dragging her down

I’ll bide my time…
She’ll pay the price…
Now I see the light…
‘Cause she’s flying high…

She’s in motion…now that love’s not dragging her down
My emotions…are high, I’m falling down

Now that love…
Now that love…

She's In Motion

For the refreshment of the soul and the glory of God........My name is Alejandro González M. Born November 28   1970.  I am a  Self taught composer  from Xalapa, Veracruz, México,  and my   orquestra project   "Sabine Alexander".   
Welcome to a journey of the most uplifting sad music. 







sabinealexander64@gmail.com

https://www.instagram.com/sabinealexanderofficial/

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https://www.facebook.com/sabinealexander.gm                                                           https://show4me.com/sabine-alexander.               https://distrokid.com/sellouts

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Grata

Sabine Alexander

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