amor mio

Classical guitar and piano

Soul Flame 68>>>

SABINE ALEXANDER !!!!!!!

Sabine Alexander Fans

Ladat’s Support Jun’24 vol.2

Songs that made me sit up and listen, many thanks to all of you.

A work in progress.

(please don't send me tracks).

Sit Up and Listen

Original composition.... Alejandro Gonzalez M.

Scissa

Fade - Home at Last 🌆
🎧 Stream: https://open.spotify.com/track/0Eh5dNFHXK5B10TxsRHIhQ
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🧡 Fade
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Home at Last

Music Video 🎵

Fade - Home at Last

a lil thing before official releases
youtube: https://www.youtube.com/watch?v=sOeTUCQnI1w




depressed version 
https://soundcloud.com/notshxpe/za-kazdym-razem-slowed/s-EFpVvZbrYBu?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
@shxpe

jula - za kazdym razem @shxpe remix

Exilium

Somnia Castella

Miser

Mysticum

Subitus

Audio Music Library for Videos – FREE DOWNLOAD!

***
Max Bruch – Violin Concerto No. 1 in G Minor, Op. 26: (Mvt. 1-2)
Movement 1: Allegro moderato
Movement 2: Adagio

Music: Max Bruch
Violin: Michael Herter
Grand Piano: Wanting Qiu
Free Download: https://bnd.link/sibviolin
Video: 

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Stay tuned as more tracks will be released in the coming weeks and months.

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Thanks For Listening!

Orchestral and Classical Music

Max Bruch – Violin Concerto No. 1 in G Minor, Op. 26: Allegro Moderato and Adagio

Written: 2022-23
Duration: 30'
for piano trio (violin, cello, and piano) and orchestra (2-2-2-2 / 4-2-3-1 / 3 percussion, timpani, strings)
Commissioned by Neave Trio
World Premiere: Mostly Modern Orchestra with Neave Trio, JoAnn Falletta, conductor, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 17, 2023.
Publisher: Bill Holab Music

As we live through a sixth mass extinction, it is not difficult to question whether we can act as good stewards of our earth. While I often feel a sense of despair — how could we have messed this up so badly? — my thoughts are often, perhaps irrationally, tempered by a sense of optimism. Maybe we can fix this, or at least that’s what I tell myself. Triple Concerto is essentially an exploration of these emotions. As a scenic point of departure, the entire work also uses three types of geographical regions as inspiration.

Triple Concerto is structured a bit differently than a traditional concerto. An introduction and three larger movements are interspersed with three small trio-centric movements that loosely function as either a prelude, interlude, or cadenza. These three smaller movements also exist as a stand-alone version for the piano trio that may be performed as a sort of “teaser” for the concerto on a chamber music concert.

The first movement, Introduction, loosely evokes a sunrise. Toward the end of the movement, bird song melodies from around the world are incorporated and performed by the winds. This leads to a movement entitled Chorale Prelude, focusing on the piano trio, leading to a joyful third movement, Bright Pastorale, filled with bright, sunlit bell-like chords and sounds reminiscent of birdsong. Moments of despair begin to appear as the movement progresses. The movement ends darkly, like an overcast sky before a storm. The fourth movement, Interlude, echoes the beginning, focusing on the trio once again and evoking a sense of longing, the sound of a more innocent time. Tundra, the fifth movement, is cold, dark, and bleak but with swaths of color. A sense of sadness and loneliness permeates this movement, at times represented by various mournful effects such as bent notes created by dipping tubular bells in water and glissandi in the strings and brass.

After the fifth movement, the trio performs a virtuosic Cadenza, full of grief and rage but with signs of hope. This leads to the final movement, entitled Summit. Ascending lines suggest climbing a mountain, both literally and figuratively. After a brief climax, eleven bell-like chords sound one after the other, symbolizing the chimes of the Doomsday Clock. The winds perform birdsong once again, perhaps of songbirds that may soon become endangered or even extinct. In a nod to Haydn’s Symphony No. 45 (his “Farewell Symphony”), the players leave the stage one by one until all that is left are the trio and conductor.

Triple Concerto was commissioned by the Neave Trio and premiered by the trio and Mostly Modern Orchestra, JoAnn Falletta, conductor, at Mostly Modern Festival in Saratoga Springs, NY.

– RP

Movements:
I. Introduction
II. Chorale Prelude
III. Bright Pastorale
IV. Interlude
V. Tundra
VI. Cadenza
VII. Summit

Triple Concerto, "Summit" for Piano Trio and Orchestra (World Premiere)

Original composition…Alejandro Gonzalez M.

Inquietud

Original composition….Alejandro Gonzalez M.

Genuflexio

Lúgubre

Arritmia

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

***
Title: Quartet No. 59 in G Minor (Rider), Opus 74, Finale: Allegro Con Brio
Live concert recording
Music by Joseph Haydn
Genre: Classical, Quartet
Free Download: https://bnd.link/sibviolin
Video: 

Joseph Haydn's Quartet No. 59 in G Minor, also known as "Rider," Opus 74, features a dynamic finale marked "Allegro Con Brio". The term "Allegro Con Brio" indicates a lively and spirited tempo. In this concluding movement, the composer employs energetic rhythms and melodic intricacies, creating a vibrant and engaging musical experience. The quartet showcases Haydn's mastery of form and structure, with the finale serving as a lively culmination of the entire work.

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Thank you so much for your support!

CLASSICAL and NEOCLASSICAL

Joseph Haydn – Quartet No. 59 In G Minor (Rider), Opus 74, Finale Allegro Con Brio

Bálsamo

With this track, I am still going beyound a post-rock with an addition of synths with create a progressive ambiance. Inside this song, I tried to play with different genre, always going to a good rock riff at the end ! Hope you will enjoyed!

Pushing Forward

Ambient prog guitar piece recorded on a Fender GC-1 strat with a Roland GR-55 guitar stnthesizer.

Composed and performed by Paul Landry

Dark - Paul Landry

Maida Vale

Males

Mark Combs gave me the opportunity to add something to his music and I added my lyrics/melody/vocal.

Combstead's Channel - 
https://soundcloud.com/markcombs-928282858 

HAND ON MY HEART
(Snyder/Combs)

(WE GOT THIS)
MY JETS ARE GOIN’ AND THAT AIN’T SHIT
IT DOESN’T MATTER ‘CAUSE I’M NOT GONNA QUIT
AFTERBURNERS GOIN’ AND I’M COOL IN MY SEAT
NOTHINGS GONNA STOP ME ‘TIL I SEE YOUR SWEET

(OH, YOU LOOK SO GOOD)
I GOT MY HAND ON MY HEART
YOU GOT ME FROM THE START
YOU KNOW, I GOT MY HAND ON MY HEART

WE’RE GOING TO THE SHOW IN MY ELECTRIC CAR
THE BAND IS UP AND COMING AND UNDER THE RADAR
IT’LL BE A FUN NIGHT FOR ALL TO BE HAD
AFTER WE ARRIVED IT’S A BLUR, BUT NOT BAD

I TOOK A SHORT CUT HOME IN THE RAIN
IT WAS WINDY AND COLD AND A REAL PAIN
MY TIRES SPUN ON THE SLICK DIRT ROAD
WHAT I DIDN’T SEE WAS THE OLD, OLD

(I DON’T KNOW WHAT IT WAS)
I GOT MY HAND ON MY HEART
OH, IT GOT ME FROM THE START
YOU KNOW, I GOT MY HAND ON MY HEART
(IT GOT ME) IT GOT ME FROM THE START
I GOT MY HAND ON MY HEART, OH, OH


-----------  GUITAR JAMS ------------------------


I GOT MY HAND ON MY HEART
IT GOT ME FROM THE START
I GOT MY HAND ON MY HEART
I GOT MY HAND ON MY

Ron Snyder & Combstead - HAND ON MY HEART (Original Song)

meine laterne brennt!

Muse (original version)

Been Here Before

天使倶楽部 是 Cover

DYSTOPIE und TRÄUMEREI

Ein Traum

NEW ALBUM OUT NOW: https://gespenst.bandcamp.com/
Listen to Mercury: https://soundcloud.com/ahmdsyhmi/mercury


"I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"

--Sylvia Plath
New single for the upcoming EP.
Produced by: Gespenst
<a href="http://www.youtube.com/watch?v=1IkT5Ed_UZ0" rel="nofollow" target="_blank"></a>
LIKE:
<a href="http://on.fb.me/gespenstmy" rel="nofollow" target="_blank">http://on.fb.me/gespenstmy</a>
<a href="http://gespenst.bandcamp.com" rel="nofollow" target="_blank">http://gespenst.bandcamp.com</a>

September

Ten directions is a Eastern cosmogony’s term that means "in all directions throughout the space." These directions are the eight of the compass: east, south-east, south, southwest, west, north-west, north, north-east, plus the Nadir – to the down - and Zenit - at the top.  These "Ten directions" are often matched to past, present and future to describe the set of all places – Ten Directions - and times - Three Times.
 At any time and in any place existed a sound that awakens and resonates at a specific emotional state. A call that is heard and collected by those who were looking for it for a long time and in any direction.
 
While playing or composing, I take refuge into myself, directing the sound through the ten directions of space. Then, I let my thoughts meander both in the internal direction, the innerself, and in the outer, the discovery and the meeting. The union of these two states arouses emotion, subtle matter that can be felt by those who are listening and are on the same frequency and in tune.

 The launch of the thought starts from the silence, and then, one key after another, starts moving and traveling through the air like an arrow into space. The sound is without obstacles, in the ten directions, and resonates through the invisible world of vibrations. Announces itself and enters the inner space. It comes to ears, the hearing organ, and shakes all the other senses. It kidnaps, touch the nerve centre and pervades us. It meets and joins up with something that is already there, and is welcomed as it was expected all along.

 The sound is clear, it radiates and spreads everywhere, and comes back, in a two-way process, creating contact points and unexplained bridges. Is a dimension that affects and charms because we recognize it, surprised and excited at the same time. As a light, it illuminates hidden areas through the mind and the heart, and reaches the deepest part of our inner. The listener and the player finds themselves alive in a sensitive state, and this sharing creates the communion, the union of sound and spirit, music and noise away from fiction, which dwells always and everywhere in the ten directions.

Ten directions - Handel Hendrix House

Saba’s Fate

Original composition..... Alejandro Gonzalez M.

Dulce  Esclavitud

Original composition..... Alejandro González M. ( Sabine Alexander).

Angelik Steps

Original composition. Alejandro González M.

Angelik Joy

Original composition. All music composed and performed by Alejandro Gonzalez (Sabine Alexander).

Le Petite Valse D’Astolfo

For the refreshment of the soul and the glory of God........My name is Alejandro González M. Born November 28   1970.  I am a  Self taught composer  from Xalapa, Veracruz, México,  and my   orquestra project   "Sabine Alexander".   
Welcome to a journey of the most uplifting sad music. 







sabinealexander64@gmail.com

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